Rewriting the Soundscape: Towards a New Understanding of Sami Popular Music and Identity in the New Millennium

The purpose of this thesis is to illuminate the shifting focus of Sámi musicians and audiences in expressing identity through an analysis of Sámi history and original fieldwork on current Sámi popular music. In the new millennium musicians increasingly explore musics of many cultures, and identify t...

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Bibliographic Details
Main Author: Moore, Rebecca Elizabeth
Other Authors: Dueck, Jonathan, Digital Repository at the University of Maryland, University of Maryland (College Park, Md.), Music
Format: Thesis
Language:English
Published: 2004
Subjects:
Online Access:http://hdl.handle.net/1903/2124
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spelling ftunivmaryland:oai:drum.lib.umd.edu:1903/2124 2023-05-15T18:08:16+02:00 Rewriting the Soundscape: Towards a New Understanding of Sami Popular Music and Identity in the New Millennium Moore, Rebecca Elizabeth Dueck, Jonathan Digital Repository at the University of Maryland University of Maryland (College Park, Md.) Music 2004-12-06 3052978 bytes application/pdf http://hdl.handle.net/1903/2124 en_US eng http://hdl.handle.net/1903/2124 Music Ethnomusicology Saami Joik Popular Music Thesis 2004 ftunivmaryland 2022-11-11T11:11:42Z The purpose of this thesis is to illuminate the shifting focus of Sámi musicians and audiences in expressing identity through an analysis of Sámi history and original fieldwork on current Sámi popular music. In the new millennium musicians increasingly explore musics of many cultures, and identify the Sámi vocal tradition of joik as just one aspect of their broad musical influences. This does not connote an abandonment of traditional Sámi music, however, nor does it signal a lack of interest in asserting a distinctively Sámi identity. Instead, it reflects a desire of musicians and audiences to explore, through music, the globalized, multicultural worlds in which they live and the increasing interest in self-determination and in the expression of a more internalized, personal sense of identity. The study is based on published literature, interviews with experts in music, cultural studies, and radio programming, and attendance of popular music performance. Thesis saami sami sami University of Maryland: Digital Repository (DRUM)
institution Open Polar
collection University of Maryland: Digital Repository (DRUM)
op_collection_id ftunivmaryland
language English
topic Music
Ethnomusicology
Saami
Joik
Popular Music
spellingShingle Music
Ethnomusicology
Saami
Joik
Popular Music
Moore, Rebecca Elizabeth
Rewriting the Soundscape: Towards a New Understanding of Sami Popular Music and Identity in the New Millennium
topic_facet Music
Ethnomusicology
Saami
Joik
Popular Music
description The purpose of this thesis is to illuminate the shifting focus of Sámi musicians and audiences in expressing identity through an analysis of Sámi history and original fieldwork on current Sámi popular music. In the new millennium musicians increasingly explore musics of many cultures, and identify the Sámi vocal tradition of joik as just one aspect of their broad musical influences. This does not connote an abandonment of traditional Sámi music, however, nor does it signal a lack of interest in asserting a distinctively Sámi identity. Instead, it reflects a desire of musicians and audiences to explore, through music, the globalized, multicultural worlds in which they live and the increasing interest in self-determination and in the expression of a more internalized, personal sense of identity. The study is based on published literature, interviews with experts in music, cultural studies, and radio programming, and attendance of popular music performance.
author2 Dueck, Jonathan
Digital Repository at the University of Maryland
University of Maryland (College Park, Md.)
Music
format Thesis
author Moore, Rebecca Elizabeth
author_facet Moore, Rebecca Elizabeth
author_sort Moore, Rebecca Elizabeth
title Rewriting the Soundscape: Towards a New Understanding of Sami Popular Music and Identity in the New Millennium
title_short Rewriting the Soundscape: Towards a New Understanding of Sami Popular Music and Identity in the New Millennium
title_full Rewriting the Soundscape: Towards a New Understanding of Sami Popular Music and Identity in the New Millennium
title_fullStr Rewriting the Soundscape: Towards a New Understanding of Sami Popular Music and Identity in the New Millennium
title_full_unstemmed Rewriting the Soundscape: Towards a New Understanding of Sami Popular Music and Identity in the New Millennium
title_sort rewriting the soundscape: towards a new understanding of sami popular music and identity in the new millennium
publishDate 2004
url http://hdl.handle.net/1903/2124
genre saami
sami
sami
genre_facet saami
sami
sami
op_relation http://hdl.handle.net/1903/2124
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