Contested Javaneseness in Sociocultural Documentaries of the Post-New Order Indonesia

This article fleshes out how two Indonesian sociocultural-themed documentary films of the post-New Order era articulate the counter-imaginaries of Javaneseness. They are Jamu (Javanese Traditional Medicine) and Kulo Ndiko Sami (We are Brothers). The emergence of bringing the issue of Javaneseness to...

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Published in:Kritika Kultura
Main Author: Adhyanggono, Gerardus Majella
Format: Article in Journal/Newspaper
Language:English
Published: Ateneo de Manila University 2021
Subjects:
Online Access:https://journals.ateneo.edu/ojs/index.php/kk/article/view/KK2021.03607
https://doi.org/10.13185/KK2021.03607
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spelling ftunivmanilaojs:oai:ojs.journals.ateneo.edu:article/3431 2023-05-15T18:12:47+02:00 Contested Javaneseness in Sociocultural Documentaries of the Post-New Order Indonesia Adhyanggono, Gerardus Majella 2021-02-27 application/pdf https://journals.ateneo.edu/ojs/index.php/kk/article/view/KK2021.03607 https://doi.org/10.13185/KK2021.03607 eng eng Ateneo de Manila University https://journals.ateneo.edu/ojs/index.php/kk/article/view/KK2021.03607/3245 https://journals.ateneo.edu/ojs/index.php/kk/article/view/KK2021.03607 doi:10.13185/KK2021.03607 Copyright (c) 2021 Kritika Kultura Kritika Kultura; No. 36; 121-165 1656-152x 2094-6937 10.13185/KK2021.036 hegemony counter-imaginary interpretation narrative representation info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2021 ftunivmanilaojs https://doi.org/10.13185/KK2021.03607 https://doi.org/10.13185/KK2021.036 2022-03-07T10:32:27Z This article fleshes out how two Indonesian sociocultural-themed documentary films of the post-New Order era articulate the counter-imaginaries of Javaneseness. They are Jamu (Javanese Traditional Medicine) and Kulo Ndiko Sami (We are Brothers). The emergence of bringing the issue of Javaneseness to light has its cause on its complex politicization in the New Order regime. Javaneseness was ideologically manipulated as the hegemonic narrative of the state to construct an image of Indonesian society. Javaneseness incorporated by the regime was of a desired aristocratic model in combination with other non-Javanese worldviews.This desired strand of imagining was then politically used to simplify the whole gamut of Javanese cultures and marginalize other ethnic cultures. With the collapse of the New Order, sociocultural activists and filmmakers of the grassroots regarded the burgeoning of independent documentary filmmaking as momentum to utilize documentary film as a medium to project alternative interpretations of Javaneseness. The article proposes a symptomatic reading of the examined films by looking at their aesthetics and ideological aspects framed and situatedwithin the oppositional views of the imagined community by Benedict Anderson and Partha Chatterjee. By drawing on the films’ aesthetics and ideologies that articulate Javaneseness, this article aims to show two points. First, the counter-imaginaries of the New Order’s Javaneseness are projected through the documentaries and such projections prove to be dynamic. Second, inclusive views on how to represent ethnicities in contemporary Indonesia need promulgating. Article in Journal/Newspaper sami sami Ateneo de Manila University: Journals Online Benedict ENVELOPE(-66.585,-66.585,-66.157,-66.157) Kritika Kultura 36
institution Open Polar
collection Ateneo de Manila University: Journals Online
op_collection_id ftunivmanilaojs
language English
topic hegemony
counter-imaginary
interpretation
narrative
representation
spellingShingle hegemony
counter-imaginary
interpretation
narrative
representation
Adhyanggono, Gerardus Majella
Contested Javaneseness in Sociocultural Documentaries of the Post-New Order Indonesia
topic_facet hegemony
counter-imaginary
interpretation
narrative
representation
description This article fleshes out how two Indonesian sociocultural-themed documentary films of the post-New Order era articulate the counter-imaginaries of Javaneseness. They are Jamu (Javanese Traditional Medicine) and Kulo Ndiko Sami (We are Brothers). The emergence of bringing the issue of Javaneseness to light has its cause on its complex politicization in the New Order regime. Javaneseness was ideologically manipulated as the hegemonic narrative of the state to construct an image of Indonesian society. Javaneseness incorporated by the regime was of a desired aristocratic model in combination with other non-Javanese worldviews.This desired strand of imagining was then politically used to simplify the whole gamut of Javanese cultures and marginalize other ethnic cultures. With the collapse of the New Order, sociocultural activists and filmmakers of the grassroots regarded the burgeoning of independent documentary filmmaking as momentum to utilize documentary film as a medium to project alternative interpretations of Javaneseness. The article proposes a symptomatic reading of the examined films by looking at their aesthetics and ideological aspects framed and situatedwithin the oppositional views of the imagined community by Benedict Anderson and Partha Chatterjee. By drawing on the films’ aesthetics and ideologies that articulate Javaneseness, this article aims to show two points. First, the counter-imaginaries of the New Order’s Javaneseness are projected through the documentaries and such projections prove to be dynamic. Second, inclusive views on how to represent ethnicities in contemporary Indonesia need promulgating.
format Article in Journal/Newspaper
author Adhyanggono, Gerardus Majella
author_facet Adhyanggono, Gerardus Majella
author_sort Adhyanggono, Gerardus Majella
title Contested Javaneseness in Sociocultural Documentaries of the Post-New Order Indonesia
title_short Contested Javaneseness in Sociocultural Documentaries of the Post-New Order Indonesia
title_full Contested Javaneseness in Sociocultural Documentaries of the Post-New Order Indonesia
title_fullStr Contested Javaneseness in Sociocultural Documentaries of the Post-New Order Indonesia
title_full_unstemmed Contested Javaneseness in Sociocultural Documentaries of the Post-New Order Indonesia
title_sort contested javaneseness in sociocultural documentaries of the post-new order indonesia
publisher Ateneo de Manila University
publishDate 2021
url https://journals.ateneo.edu/ojs/index.php/kk/article/view/KK2021.03607
https://doi.org/10.13185/KK2021.03607
long_lat ENVELOPE(-66.585,-66.585,-66.157,-66.157)
geographic Benedict
geographic_facet Benedict
genre sami
sami
genre_facet sami
sami
op_source Kritika Kultura; No. 36; 121-165
1656-152x
2094-6937
10.13185/KK2021.036
op_relation https://journals.ateneo.edu/ojs/index.php/kk/article/view/KK2021.03607/3245
https://journals.ateneo.edu/ojs/index.php/kk/article/view/KK2021.03607
doi:10.13185/KK2021.03607
op_rights Copyright (c) 2021 Kritika Kultura
op_doi https://doi.org/10.13185/KK2021.03607
https://doi.org/10.13185/KK2021.036
container_title Kritika Kultura
container_issue 36
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