Plastic Imaginaries

What practices can we imagine in this world where progress, novelty, and production of the new has been privileged to the extent that it has had profound impact on not only culture but also nature and how we understand the relationship between the two? Jackson has, for example, suggested practices o...

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Main Authors: Lindström, Kristina, Ståhl, Åsa
Format: Article in Journal/Newspaper
Language:English
Published: Malmö högskola, Institutionen för konst, kultur och kommunikation (K3) 2017
Subjects:
Online Access:http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-1395
id ftunivmalmoe:oai:DiVA.org:mau-1395
record_format openpolar
spelling ftunivmalmoe:oai:DiVA.org:mau-1395 2023-05-15T16:52:52+02:00 Plastic Imaginaries Lindström, Kristina Ståhl, Åsa 2017 application/pdf http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-1395 eng eng Malmö högskola, Institutionen för konst, kultur och kommunikation (K3) Continent continent., 2159-9920, 2017, 6:1, s. 62-76 orcid:0000-0003-0175-1861 http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-1395 Local 25449 info:eu-repo/semantics/openAccess Ragpicker Composting Plastics Medical and Health Sciences Medicin och hälsovetenskap Article in journal info:eu-repo/semantics/article text 2017 ftunivmalmoe 2023-01-11T23:28:36Z What practices can we imagine in this world where progress, novelty, and production of the new has been privileged to the extent that it has had profound impact on not only culture but also nature and how we understand the relationship between the two? Jackson has, for example, suggested practices of maintenance and repair as stories and orders that can handle the decay and breakdown of the 21st Century.[1]In the accompanying text, we imagine a conversation between the ragpicker and the composter that suggest different ways of living with transformation in the aftermath of a plastic era. When plastic materials started to be used they came with the modernist vision that technologies would rid us from restrictions posed by nature.[2] Plastic materials were used as alternatives to, for example, wood, glass and metal, which suggested a world without material scarcity. As a cheaper alternative they have often been used for disposable products meant for one-time-use only. And, at the same time as plastic is hard to mend, maintain and repair, due to the way it wears and tears, it generally doesn’t breakdown and decay as other non-industrial materials. Rather, it accumulates.[3]The text is a speculative fabulation,[4] but it draws on ethnographic material that has been produced during a series of public engagement events where we invited participants to explore two kinds of emerging hybrid matters that are related to plastics. The first hybrid matter is plastiglomerates,[5] which is a new kind of stone partly consisting of plastic debris coming from such varied sources such as fishing industry, leisure activities and mundane living. The second hybrid matter is common mealworms that can biodegrade Styrofoam.[6] In the first set of public engagement events, we invited people to walk along beaches in Finland and Iceland to look for plastiglomerates. In the second set of public engagement events, we invited people in Denmark and Sweden to use common mealworms to compost plastic waste in their home. Article in Journal/Newspaper Iceland Malmö University Publications Handle The ENVELOPE(161.983,161.983,-78.000,-78.000)
institution Open Polar
collection Malmö University Publications
op_collection_id ftunivmalmoe
language English
topic Ragpicker
Composting
Plastics
Medical and Health Sciences
Medicin och hälsovetenskap
spellingShingle Ragpicker
Composting
Plastics
Medical and Health Sciences
Medicin och hälsovetenskap
Lindström, Kristina
Ståhl, Åsa
Plastic Imaginaries
topic_facet Ragpicker
Composting
Plastics
Medical and Health Sciences
Medicin och hälsovetenskap
description What practices can we imagine in this world where progress, novelty, and production of the new has been privileged to the extent that it has had profound impact on not only culture but also nature and how we understand the relationship between the two? Jackson has, for example, suggested practices of maintenance and repair as stories and orders that can handle the decay and breakdown of the 21st Century.[1]In the accompanying text, we imagine a conversation between the ragpicker and the composter that suggest different ways of living with transformation in the aftermath of a plastic era. When plastic materials started to be used they came with the modernist vision that technologies would rid us from restrictions posed by nature.[2] Plastic materials were used as alternatives to, for example, wood, glass and metal, which suggested a world without material scarcity. As a cheaper alternative they have often been used for disposable products meant for one-time-use only. And, at the same time as plastic is hard to mend, maintain and repair, due to the way it wears and tears, it generally doesn’t breakdown and decay as other non-industrial materials. Rather, it accumulates.[3]The text is a speculative fabulation,[4] but it draws on ethnographic material that has been produced during a series of public engagement events where we invited participants to explore two kinds of emerging hybrid matters that are related to plastics. The first hybrid matter is plastiglomerates,[5] which is a new kind of stone partly consisting of plastic debris coming from such varied sources such as fishing industry, leisure activities and mundane living. The second hybrid matter is common mealworms that can biodegrade Styrofoam.[6] In the first set of public engagement events, we invited people to walk along beaches in Finland and Iceland to look for plastiglomerates. In the second set of public engagement events, we invited people in Denmark and Sweden to use common mealworms to compost plastic waste in their home.
format Article in Journal/Newspaper
author Lindström, Kristina
Ståhl, Åsa
author_facet Lindström, Kristina
Ståhl, Åsa
author_sort Lindström, Kristina
title Plastic Imaginaries
title_short Plastic Imaginaries
title_full Plastic Imaginaries
title_fullStr Plastic Imaginaries
title_full_unstemmed Plastic Imaginaries
title_sort plastic imaginaries
publisher Malmö högskola, Institutionen för konst, kultur och kommunikation (K3)
publishDate 2017
url http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-1395
long_lat ENVELOPE(161.983,161.983,-78.000,-78.000)
geographic Handle The
geographic_facet Handle The
genre Iceland
genre_facet Iceland
op_relation continent., 2159-9920, 2017, 6:1, s. 62-76
orcid:0000-0003-0175-1861
http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-1395
Local 25449
op_rights info:eu-repo/semantics/openAccess
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