Acoustic Measurements at the Rock Painting of Värikallio, Northern Finland

In Northern Finland, by the rock painting of Värikallio (ca. 3000–500 BC), several echoes can be heard. The most remarkable of these appear to be originating from the painted rock itself. The article presents the first results of the research project that seeks to explore the role of sound in the de...

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Main Authors: Rainio, Riitta, Lahelma, Antti, Äikäs, Tiina, Lassfolk, Kai, Okkonen, Jari
Other Authors: Eneix, Linda C., Department of Philosophy, History and Art Studies, Archaeology, Musicology
Format: Conference Object
Language:English
Published: 2016
Subjects:
Online Access:http://hdl.handle.net/10138/164521
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spelling ftunivhelsihelda:oai:helda.helsinki.fi:10138/164521 2024-01-07T09:45:27+01:00 Acoustic Measurements at the Rock Painting of Värikallio, Northern Finland Rainio, Riitta Lahelma, Antti Äikäs, Tiina Lassfolk, Kai Okkonen, Jari Eneix, Linda C. Department of Philosophy, History and Art Studies Archaeology Musicology 2016-06-27T08:30:01Z 12 application/pdf http://hdl.handle.net/10138/164521 eng eng Archaeoacoustics 9781497591264 Rainio , R , Lahelma , A , Äikäs , T , Lassfolk , K & Okkonen , J 2014 , Acoustic Measurements at the Rock Painting of Värikallio, Northern Finland . in L C Eneix (ed.) , Archaeoacoustics : The Archaeology of Sound : Publication of Proceedings from the 2014 Conference in Malta . The OTS Foundation , Myakka City, Florida , pp. 141-152 , International Multi-disciplinary Conference on The Archaeology of Sound , Balzan , Malta , 19/02/2014 . conference ORCID: /0000-0002-6517-6109/work/37824852 ORCID: /0000-0003-0995-3900/work/39205182 ORCID: /0000-0003-3879-4195/work/38129681 fe860ed6-ca3a-43e3-97f5-5eb86551a7ce http://hdl.handle.net/10138/164521 openAccess info:eu-repo/semantics/openAccess 6131 Theatre dance music other performing arts Archaeoacoustics Drums 615 History and Archaeology Rock art Conference contribution publishedVersion 2016 ftunivhelsihelda 2023-12-14T00:08:35Z In Northern Finland, by the rock painting of Värikallio (ca. 3000–500 BC), several echoes can be heard. The most remarkable of these appear to be originating from the painted rock itself. The article presents the first results of the research project that seeks to explore the role of sound in the development and use of Finnish rock art and Sámi offering sites. Field recordings, made at the site of Värikallio in summer 2013, are analyzed with a sound analysis and visualization toolkit, and interpreted with the help of GIS data and a 3D model of the site. A probable depiction of a drummer, identified in the painting in the course of the fieldwork, provides a further clue to the significance of sound rituals at rock paintings. Non peer reviewed Conference Object Northern Finland HELDA – University of Helsinki Open Repository
institution Open Polar
collection HELDA – University of Helsinki Open Repository
op_collection_id ftunivhelsihelda
language English
topic 6131 Theatre
dance
music
other performing arts
Archaeoacoustics
Drums
615 History and Archaeology
Rock art
spellingShingle 6131 Theatre
dance
music
other performing arts
Archaeoacoustics
Drums
615 History and Archaeology
Rock art
Rainio, Riitta
Lahelma, Antti
Äikäs, Tiina
Lassfolk, Kai
Okkonen, Jari
Acoustic Measurements at the Rock Painting of Värikallio, Northern Finland
topic_facet 6131 Theatre
dance
music
other performing arts
Archaeoacoustics
Drums
615 History and Archaeology
Rock art
description In Northern Finland, by the rock painting of Värikallio (ca. 3000–500 BC), several echoes can be heard. The most remarkable of these appear to be originating from the painted rock itself. The article presents the first results of the research project that seeks to explore the role of sound in the development and use of Finnish rock art and Sámi offering sites. Field recordings, made at the site of Värikallio in summer 2013, are analyzed with a sound analysis and visualization toolkit, and interpreted with the help of GIS data and a 3D model of the site. A probable depiction of a drummer, identified in the painting in the course of the fieldwork, provides a further clue to the significance of sound rituals at rock paintings. Non peer reviewed
author2 Eneix, Linda C.
Department of Philosophy, History and Art Studies
Archaeology
Musicology
format Conference Object
author Rainio, Riitta
Lahelma, Antti
Äikäs, Tiina
Lassfolk, Kai
Okkonen, Jari
author_facet Rainio, Riitta
Lahelma, Antti
Äikäs, Tiina
Lassfolk, Kai
Okkonen, Jari
author_sort Rainio, Riitta
title Acoustic Measurements at the Rock Painting of Värikallio, Northern Finland
title_short Acoustic Measurements at the Rock Painting of Värikallio, Northern Finland
title_full Acoustic Measurements at the Rock Painting of Värikallio, Northern Finland
title_fullStr Acoustic Measurements at the Rock Painting of Värikallio, Northern Finland
title_full_unstemmed Acoustic Measurements at the Rock Painting of Värikallio, Northern Finland
title_sort acoustic measurements at the rock painting of värikallio, northern finland
publishDate 2016
url http://hdl.handle.net/10138/164521
genre Northern Finland
genre_facet Northern Finland
op_relation Archaeoacoustics
9781497591264
Rainio , R , Lahelma , A , Äikäs , T , Lassfolk , K & Okkonen , J 2014 , Acoustic Measurements at the Rock Painting of Värikallio, Northern Finland . in L C Eneix (ed.) , Archaeoacoustics : The Archaeology of Sound : Publication of Proceedings from the 2014 Conference in Malta . The OTS Foundation , Myakka City, Florida , pp. 141-152 , International Multi-disciplinary Conference on The Archaeology of Sound , Balzan , Malta , 19/02/2014 .
conference
ORCID: /0000-0002-6517-6109/work/37824852
ORCID: /0000-0003-0995-3900/work/39205182
ORCID: /0000-0003-3879-4195/work/38129681
fe860ed6-ca3a-43e3-97f5-5eb86551a7ce
http://hdl.handle.net/10138/164521
op_rights openAccess
info:eu-repo/semantics/openAccess
_version_ 1787426977436663808