Keeping Haida alive through film and drama

The Haida language, of the northwest coast of Canada and Southern Alaska, has been endangered for most of the 20th century. Historically, orthography has been a difficult issue for anyone studying the language, since no standardized orthography existed. In spite of the orthographical issues, current...

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Main Author: White, Frederike
Language:unknown
Published: University of Hawai'i Press 2018
Subjects:
Online Access:http://hdl.handle.net/10125/24935
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spelling ftunivhawaiimano:oai:scholarspace.manoa.hawaii.edu:10125/24935 2023-05-15T16:32:31+02:00 Keeping Haida alive through film and drama White, Frederike 2018 application/pdf http://hdl.handle.net/10125/24935 unknown University of Hawai'i Press LD&C Special Publication White, Frederike. 2020. Keeping Haida alive through film and drama. In Silva, Wilson de Lima and Katherine J. Riestenberg. (Eds.) Collaborative Approaches to the Challenges of Language Documentation and Conservation: Selected papers from the 2018 Symposium on American Indian Languages (SAIL). Language Documentation & Conservation Special Publication no. 20 [PP 107-122] Honolulu: University of Hawai'i Press. 978-0-9973295-8-2 http://hdl.handle.net/10125/24935 Creative Commons Attribution Non-Commercial Share Alike License CC-BY-NC-SA Haida language revitalization language documentation 2018 ftunivhawaiimano 2022-07-17T13:28:45Z The Haida language, of the northwest coast of Canada and Southern Alaska, has been endangered for most of the 20th century. Historically, orthography has been a difficult issue for anyone studying the language, since no standardized orthography existed. In spite of the orthographical issues, current efforts in Canada at revitalizing Haida lan-guage and culture have culminated in the theatrical production of Sinxii’gangu, a tradi-tional Haida story dramatized and performed completely in Haida. The most recent effort is Edge of the Knife, a film about a Haida man transforming into a gaagiid (wild man) as a result of losing a child. The story line addresses his restoration back into the community, and as a result, affords not just a resource for two Haida dialects, but also for history and culture. With regards to language, actors participated in two weeks of immersion to prepare and struggled through issues with Haida pronunciation during filming. Using the Haida language exclusively, not just in oral narratives (though there are some in the drama and the film) but in actual dialogue, provides learners with great context for developing strategies for pronunciation and conversation rather than only learning and hearing lexical items and short phrases. Capturing the storyline on film not only supports efforts at revitalization, but provides tangible documentation of both Canadian dialects of the Haida language. National Foreign Language Resource Center Other/Unknown Material haida Alaska ScholarSpace at University of Hawaii at Manoa Canada
institution Open Polar
collection ScholarSpace at University of Hawaii at Manoa
op_collection_id ftunivhawaiimano
language unknown
topic Haida
language revitalization
language documentation
spellingShingle Haida
language revitalization
language documentation
White, Frederike
Keeping Haida alive through film and drama
topic_facet Haida
language revitalization
language documentation
description The Haida language, of the northwest coast of Canada and Southern Alaska, has been endangered for most of the 20th century. Historically, orthography has been a difficult issue for anyone studying the language, since no standardized orthography existed. In spite of the orthographical issues, current efforts in Canada at revitalizing Haida lan-guage and culture have culminated in the theatrical production of Sinxii’gangu, a tradi-tional Haida story dramatized and performed completely in Haida. The most recent effort is Edge of the Knife, a film about a Haida man transforming into a gaagiid (wild man) as a result of losing a child. The story line addresses his restoration back into the community, and as a result, affords not just a resource for two Haida dialects, but also for history and culture. With regards to language, actors participated in two weeks of immersion to prepare and struggled through issues with Haida pronunciation during filming. Using the Haida language exclusively, not just in oral narratives (though there are some in the drama and the film) but in actual dialogue, provides learners with great context for developing strategies for pronunciation and conversation rather than only learning and hearing lexical items and short phrases. Capturing the storyline on film not only supports efforts at revitalization, but provides tangible documentation of both Canadian dialects of the Haida language. National Foreign Language Resource Center
author White, Frederike
author_facet White, Frederike
author_sort White, Frederike
title Keeping Haida alive through film and drama
title_short Keeping Haida alive through film and drama
title_full Keeping Haida alive through film and drama
title_fullStr Keeping Haida alive through film and drama
title_full_unstemmed Keeping Haida alive through film and drama
title_sort keeping haida alive through film and drama
publisher University of Hawai'i Press
publishDate 2018
url http://hdl.handle.net/10125/24935
geographic Canada
geographic_facet Canada
genre haida
Alaska
genre_facet haida
Alaska
op_relation LD&C Special Publication
White, Frederike. 2020. Keeping Haida alive through film and drama. In Silva, Wilson de Lima and Katherine J. Riestenberg. (Eds.) Collaborative Approaches to the Challenges of Language Documentation and Conservation: Selected papers from the 2018 Symposium on American Indian Languages (SAIL). Language Documentation & Conservation Special Publication no. 20 [PP 107-122] Honolulu: University of Hawai'i Press.
978-0-9973295-8-2
http://hdl.handle.net/10125/24935
op_rights Creative Commons Attribution Non-Commercial Share Alike License
op_rightsnorm CC-BY-NC-SA
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