Salt Flowers
Peter de Cupere uses an extreme scenario which shows that the water level rises in such a way that our land gets flooded with sea water. This kills the existing biodiversity. Sweet water becomes salt water. He looks for an utopic way of surviving particular to that situation. He replaces the by then...
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Online Access: | http://hdl.handle.net/1942/25707 https://vimeo.com/231584517 http://www.peterdecupere.net/index.php?option=com_content&view=article&id=188:salt-flowers-in-the-ijssel-biennial-nl&catid=1:exhibition-news&Itemid=98 |
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ftunivhasselt:oai:documentserver.uhasselt.be:1942/25707 2023-05-15T18:23:19+02:00 Salt Flowers Belgium / The Netherlands 2017-05 image/jpeg http://hdl.handle.net/1942/25707 https://vimeo.com/231584517 http://www.peterdecupere.net/index.php?option=com_content&view=article&id=188:salt-flowers-in-the-ijssel-biennial-nl&catid=1:exhibition-news&Itemid=98 unknown http://hdl.handle.net/1942/25707 https://vimeo.com/231584517 http://www.peterdecupere.net/index.php?option=com_content&view=article&id=188:salt-flowers-in-the-ijssel-biennial-nl&catid=1:exhibition-news&Itemid=98 info:eu-repo/semantics/openAccess Salt Flowers Salt Flower Climate changes Sea level Olfactory art info:eu-repo/semantics/ 2017 ftunivhasselt 2022-08-11T12:30:16Z Peter de Cupere uses an extreme scenario which shows that the water level rises in such a way that our land gets flooded with sea water. This kills the existing biodiversity. Sweet water becomes salt water. He looks for an utopic way of surviving particular to that situation. He replaces the by then disappeared white ice capes at the North and South Pole by white salt capes, won from the ocean. He presents a white salt nature with plants, fruit, vegetable and flowers created out of salt. They each have their own scent and thus a proper identity. The 5 displayed Salt Flowers each have their own scent. Some do not smell that bad, sometimes even exaggeratedly fresh, others smell earthly and stink. The strength of the work does not solely lie in the visual accomplishment of the flowers, but also in the choice of scents. Visually, the flowers are aesthetically and virginally white and the grains glitter in the sunlight. The artist knew how to attach the small grains to each other to a steady shape. Even though the spectator can be persuaded one hundred percent that the flowers are made of salt, they are far from the truth! All the flowers are made out of glass grains. The whole work is created around perception. How do we experience things? How important is it to know what we see and observe? Because even the scents deceive. The wonderful fresh smells are in reality nothing more than WC fresheners and laundry products. They smell like flowers synthetically. And that is also what will remain in an extreme scenario if the climate change continues like this. But also, the two other reeking flowers are a statement. One smells like organic nitrogen based on blood meal which is used as a fertilizer and the other like food for sturgeon (a type of fish). Two unpleasant smelling, or just say reeking scents. With the idea of 'what you give is what you get', the artist is thus questioning our environmental policy and economy. Both have an influence on the breeding result of fish and the cultivation result of plants. It is well ... Other/Unknown Material South pole Document Server@UHasselt (Hasselt University) South Pole |
institution |
Open Polar |
collection |
Document Server@UHasselt (Hasselt University) |
op_collection_id |
ftunivhasselt |
language |
unknown |
topic |
Salt Flowers Salt Flower Climate changes Sea level Olfactory art |
spellingShingle |
Salt Flowers Salt Flower Climate changes Sea level Olfactory art Salt Flowers |
topic_facet |
Salt Flowers Salt Flower Climate changes Sea level Olfactory art |
description |
Peter de Cupere uses an extreme scenario which shows that the water level rises in such a way that our land gets flooded with sea water. This kills the existing biodiversity. Sweet water becomes salt water. He looks for an utopic way of surviving particular to that situation. He replaces the by then disappeared white ice capes at the North and South Pole by white salt capes, won from the ocean. He presents a white salt nature with plants, fruit, vegetable and flowers created out of salt. They each have their own scent and thus a proper identity. The 5 displayed Salt Flowers each have their own scent. Some do not smell that bad, sometimes even exaggeratedly fresh, others smell earthly and stink. The strength of the work does not solely lie in the visual accomplishment of the flowers, but also in the choice of scents. Visually, the flowers are aesthetically and virginally white and the grains glitter in the sunlight. The artist knew how to attach the small grains to each other to a steady shape. Even though the spectator can be persuaded one hundred percent that the flowers are made of salt, they are far from the truth! All the flowers are made out of glass grains. The whole work is created around perception. How do we experience things? How important is it to know what we see and observe? Because even the scents deceive. The wonderful fresh smells are in reality nothing more than WC fresheners and laundry products. They smell like flowers synthetically. And that is also what will remain in an extreme scenario if the climate change continues like this. But also, the two other reeking flowers are a statement. One smells like organic nitrogen based on blood meal which is used as a fertilizer and the other like food for sturgeon (a type of fish). Two unpleasant smelling, or just say reeking scents. With the idea of 'what you give is what you get', the artist is thus questioning our environmental policy and economy. Both have an influence on the breeding result of fish and the cultivation result of plants. It is well ... |
format |
Other/Unknown Material |
title |
Salt Flowers |
title_short |
Salt Flowers |
title_full |
Salt Flowers |
title_fullStr |
Salt Flowers |
title_full_unstemmed |
Salt Flowers |
title_sort |
salt flowers |
publishDate |
2017 |
url |
http://hdl.handle.net/1942/25707 https://vimeo.com/231584517 http://www.peterdecupere.net/index.php?option=com_content&view=article&id=188:salt-flowers-in-the-ijssel-biennial-nl&catid=1:exhibition-news&Itemid=98 |
op_coverage |
Belgium / The Netherlands |
geographic |
South Pole |
geographic_facet |
South Pole |
genre |
South pole |
genre_facet |
South pole |
op_relation |
http://hdl.handle.net/1942/25707 https://vimeo.com/231584517 http://www.peterdecupere.net/index.php?option=com_content&view=article&id=188:salt-flowers-in-the-ijssel-biennial-nl&catid=1:exhibition-news&Itemid=98 |
op_rights |
info:eu-repo/semantics/openAccess |
_version_ |
1766202887007895552 |