intimate | first apartment
The poem explores what it is like to live in a body that is constantly politicized, attacked, and marginalized, as many bodies are. It speaks to those who exist in bodies that experience intersectional forms of discrimination and oppression; those in queer and trans bodies, BIPOC, disabled, and fat...
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University of Guelph
2024
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Online Access: | https://journal.lib.uoguelph.ca/index.php/footnotes/article/view/7838 |
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ftunivguelphojs:oai:ojs.guelph:article/7838 2024-05-19T07:28:36+00:00 intimate | first apartment Theodore 2024-04-20 application/pdf https://journal.lib.uoguelph.ca/index.php/footnotes/article/view/7838 eng eng University of Guelph https://journal.lib.uoguelph.ca/index.php/footnotes/article/view/7838/7150 https://journal.lib.uoguelph.ca/index.php/footnotes/article/view/7838 Copyright (c) 2024 Footnotes Footnotes; Vol. 17 (2024) 2816-3753 2816-3745 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2024 ftunivguelphojs 2024-04-23T23:46:46Z The poem explores what it is like to live in a body that is constantly politicized, attacked, and marginalized, as many bodies are. It speaks to those who exist in bodies that experience intersectional forms of discrimination and oppression; those in queer and trans bodies, BIPOC, disabled, and fat bodies. The poem expresses a desire to escape from this politicization. It constructs the marginalized body as a divine, powerful being connected to the Earth, which is personified as a living body itself. By embracing the body itself, the speaker in the poem becomes divine along with the living body of the Earth. The Anishinaabe understandings of the interconnectedness of humans and nature inspired the poem. By connecting with the Earth and a sense of divinity, the body transcends the various oppressions that attempt to limit and slowly whither it to nothing. Article in Journal/Newspaper anishina* University of Guelph hosted OJS journals |
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University of Guelph hosted OJS journals |
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ftunivguelphojs |
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English |
description |
The poem explores what it is like to live in a body that is constantly politicized, attacked, and marginalized, as many bodies are. It speaks to those who exist in bodies that experience intersectional forms of discrimination and oppression; those in queer and trans bodies, BIPOC, disabled, and fat bodies. The poem expresses a desire to escape from this politicization. It constructs the marginalized body as a divine, powerful being connected to the Earth, which is personified as a living body itself. By embracing the body itself, the speaker in the poem becomes divine along with the living body of the Earth. The Anishinaabe understandings of the interconnectedness of humans and nature inspired the poem. By connecting with the Earth and a sense of divinity, the body transcends the various oppressions that attempt to limit and slowly whither it to nothing. |
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Article in Journal/Newspaper |
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Theodore |
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Theodore intimate | first apartment |
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Theodore |
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Theodore |
title |
intimate | first apartment |
title_short |
intimate | first apartment |
title_full |
intimate | first apartment |
title_fullStr |
intimate | first apartment |
title_full_unstemmed |
intimate | first apartment |
title_sort |
intimate | first apartment |
publisher |
University of Guelph |
publishDate |
2024 |
url |
https://journal.lib.uoguelph.ca/index.php/footnotes/article/view/7838 |
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anishina* |
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anishina* |
op_source |
Footnotes; Vol. 17 (2024) 2816-3753 2816-3745 |
op_relation |
https://journal.lib.uoguelph.ca/index.php/footnotes/article/view/7838/7150 https://journal.lib.uoguelph.ca/index.php/footnotes/article/view/7838 |
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Copyright (c) 2024 Footnotes |
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