Keeping Relaxed Performance Vital: Affective Pedagogy in the Arts

Relaxed Performance (RP) has emerged as an arts-based praxis implemented across sectors in response to disability and other justice-seeking communities’ desire to access the arts. Across Turtle Island (North America), RP is becoming the “gold standard” for accessible performance arts, as sector norm...

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Published in:Journal of Literary & Cultural Disability Studies
Main Authors: Collins, Kimberlee, Jones, Chelsea Temple, Rice, Carla
Format: Article in Journal/Newspaper
Language:English
Published: Liverpool University Press 2022
Subjects:
Online Access:https://hdl.handle.net/10214/27007
https://doi.org/10.3828/jlcds.2022.14
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spelling ftunivguelph:oai:atrium.lib.uoguelph.ca:10214/27007 2024-01-07T09:38:20+01:00 Keeping Relaxed Performance Vital: Affective Pedagogy in the Arts Collins, Kimberlee Jones, Chelsea Temple Rice, Carla 2022 application/pdf https://hdl.handle.net/10214/27007 https://doi.org/10.3828/jlcds.2022.14 en eng Liverpool University Press Collins, K., Jones, C. T., & Rice, C. (2022). Keeping Relaxed Performance vital: Affective pedagogy in the arts. Journal of Literary & Cultural Disability Studies, 16(2), 179–196. https://doi.org/10.3828/jlcds.2022.14 https://hdl.handle.net/10214/27007 https://doi.org/10.3828/jlcds.2022.14 Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ Relaxed Performance vitality affect crip theory Article 2022 ftunivguelph https://doi.org/10.3828/jlcds.2022.14 2023-12-10T00:02:07Z Relaxed Performance (RP) has emerged as an arts-based praxis implemented across sectors in response to disability and other justice-seeking communities’ desire to access the arts. Across Turtle Island (North America), RP is becoming the “gold standard” for accessible performance arts, as sector norms evolve to demand accessibility and inclusion, prompting a desire for RP training in higher education. The upswell of interest raises concerns that RP is at risk of becoming an increasingly sought-after pedagogical commodity whose vitality could be co-opted in the interests of standardization and universality. Taking up RP as a justice-driven arts intervention, the article argues for maintaining RP’s vitality in the face of access standardization. Drawing on RPs at three universities, the article describes the affective potential of non-standardized and crip theory-informed RP now and in the future. We acknowledge that the research described in this paper took place on Turtle Island in the traditional territories of the Anishinaabe and treaty lands of the Mississaugas of the Credit, members of the Three Fires Confederacy. Much of this work focuses on the concept of disability, which is understood in multiple ways, including as a colonial term that conflicts with Indigenous perspectives and is too-often imposed upon Indigenous people who experience mindbody difference (Ineese-Nash). We thank our principal funders British Council Canada and the Social Sciences and Humanities Research Council of Canada Partnership Grant Program (# 895-2016-1024). We especially thank the students, professors, practitioners, and Access Activators (trainers) who generously gave of their time and talents. Article in Journal/Newspaper anishina* University of Guelph: DSpace digital archive Canada Nash ENVELOPE(-62.350,-62.350,-74.233,-74.233) Turtle Island ENVELOPE(-65.845,-65.845,-66.061,-66.061) Journal of Literary & Cultural Disability Studies 16 2 179 196
institution Open Polar
collection University of Guelph: DSpace digital archive
op_collection_id ftunivguelph
language English
topic Relaxed Performance
vitality
affect
crip theory
spellingShingle Relaxed Performance
vitality
affect
crip theory
Collins, Kimberlee
Jones, Chelsea Temple
Rice, Carla
Keeping Relaxed Performance Vital: Affective Pedagogy in the Arts
topic_facet Relaxed Performance
vitality
affect
crip theory
description Relaxed Performance (RP) has emerged as an arts-based praxis implemented across sectors in response to disability and other justice-seeking communities’ desire to access the arts. Across Turtle Island (North America), RP is becoming the “gold standard” for accessible performance arts, as sector norms evolve to demand accessibility and inclusion, prompting a desire for RP training in higher education. The upswell of interest raises concerns that RP is at risk of becoming an increasingly sought-after pedagogical commodity whose vitality could be co-opted in the interests of standardization and universality. Taking up RP as a justice-driven arts intervention, the article argues for maintaining RP’s vitality in the face of access standardization. Drawing on RPs at three universities, the article describes the affective potential of non-standardized and crip theory-informed RP now and in the future. We acknowledge that the research described in this paper took place on Turtle Island in the traditional territories of the Anishinaabe and treaty lands of the Mississaugas of the Credit, members of the Three Fires Confederacy. Much of this work focuses on the concept of disability, which is understood in multiple ways, including as a colonial term that conflicts with Indigenous perspectives and is too-often imposed upon Indigenous people who experience mindbody difference (Ineese-Nash). We thank our principal funders British Council Canada and the Social Sciences and Humanities Research Council of Canada Partnership Grant Program (# 895-2016-1024). We especially thank the students, professors, practitioners, and Access Activators (trainers) who generously gave of their time and talents.
format Article in Journal/Newspaper
author Collins, Kimberlee
Jones, Chelsea Temple
Rice, Carla
author_facet Collins, Kimberlee
Jones, Chelsea Temple
Rice, Carla
author_sort Collins, Kimberlee
title Keeping Relaxed Performance Vital: Affective Pedagogy in the Arts
title_short Keeping Relaxed Performance Vital: Affective Pedagogy in the Arts
title_full Keeping Relaxed Performance Vital: Affective Pedagogy in the Arts
title_fullStr Keeping Relaxed Performance Vital: Affective Pedagogy in the Arts
title_full_unstemmed Keeping Relaxed Performance Vital: Affective Pedagogy in the Arts
title_sort keeping relaxed performance vital: affective pedagogy in the arts
publisher Liverpool University Press
publishDate 2022
url https://hdl.handle.net/10214/27007
https://doi.org/10.3828/jlcds.2022.14
long_lat ENVELOPE(-62.350,-62.350,-74.233,-74.233)
ENVELOPE(-65.845,-65.845,-66.061,-66.061)
geographic Canada
Nash
Turtle Island
geographic_facet Canada
Nash
Turtle Island
genre anishina*
genre_facet anishina*
op_relation Collins, K., Jones, C. T., & Rice, C. (2022). Keeping Relaxed Performance vital: Affective pedagogy in the arts. Journal of Literary & Cultural Disability Studies, 16(2), 179–196. https://doi.org/10.3828/jlcds.2022.14
https://hdl.handle.net/10214/27007
https://doi.org/10.3828/jlcds.2022.14
op_rights Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
op_doi https://doi.org/10.3828/jlcds.2022.14
container_title Journal of Literary & Cultural Disability Studies
container_volume 16
container_issue 2
container_start_page 179
op_container_end_page 196
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