Svalbard in and beyond European modernity
What does European modernity look like from the extremely peripheral perspective of Svalbard, a Norwegian High-Arctic archipelago located approximately midway between mainland Norway and the North Pole? This is a questions that informs my reading of two personal narratives describing twentieth-centu...
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ftunivgronojs:oai:prd-ojs.ojs3203:article/31568 2023-10-09T21:47:47+02:00 Svalbard in and beyond European modernity Ryall, Anka 2018-07-26 application/pdf https://ugp.rug.nl/tvs/article/view/31568 nld dut University of Groningen Press https://ugp.rug.nl/tvs/article/view/31568/28952 https://ugp.rug.nl/tvs/article/view/31568 Copyright (c) 2018 Anka Ryall Tijdschrift voor Skandinavistiek; Vol. 36 No. 2 (2018): Transit - 'Norden' och 'Europa' Tijdschrift voor Skandinavistiek; Vol 36 Nr 2 (2018): Transit - 'Norden' och 'Europa' 1875-9505 0168-2148 Svalbard High Arctic emergent place modernity gendered values homemaking Arthur Oxaas Liv Balstad info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2018 ftunivgronojs 2023-09-12T20:08:57Z What does European modernity look like from the extremely peripheral perspective of Svalbard, a Norwegian High-Arctic archipelago located approximately midway between mainland Norway and the North Pole? This is a questions that informs my reading of two personal narratives describing twentieth-century Svalbard as an emergent form of place, in Eric Prieto's term an entre-deux, that is no longer "outside time" as an uncharted Arctic wilderness, yet still not a location that has become thoroughly subsumed into European modernity. Both are memoirs published in 1955, Svalbard var min verden by the former trapper and hunter Arthur Oxaas (1888-1972), Nord for det øde hav by Liv Balstad (1915-1966), wife of the first post-war Norwegian governor of Svalbard. While Svalbard var min verden is a predominantly nostalgic retrospective of a historical era of hunting and trapping that had come to an with the Second World War, Nord for det øde hav looks forward to a future in which Svalbard has become fully integrated in the modern Norwegian welfare society. However, both narratives share an emphasis on the Heideggerian topic of place-making through building and dwelling, as well as a gendered vision of an Arctic modernity based on the feminine-coded values of family, homemaking and everyday life. Article in Journal/Newspaper Arctic Archipelago Arctic North Pole Svalbard Rijksuniversiteit Groningen: University of Groningen Press Arctic North Pole Norway Svalbard |
institution |
Open Polar |
collection |
Rijksuniversiteit Groningen: University of Groningen Press |
op_collection_id |
ftunivgronojs |
language |
Dutch |
topic |
Svalbard High Arctic emergent place modernity gendered values homemaking Arthur Oxaas Liv Balstad |
spellingShingle |
Svalbard High Arctic emergent place modernity gendered values homemaking Arthur Oxaas Liv Balstad Ryall, Anka Svalbard in and beyond European modernity |
topic_facet |
Svalbard High Arctic emergent place modernity gendered values homemaking Arthur Oxaas Liv Balstad |
description |
What does European modernity look like from the extremely peripheral perspective of Svalbard, a Norwegian High-Arctic archipelago located approximately midway between mainland Norway and the North Pole? This is a questions that informs my reading of two personal narratives describing twentieth-century Svalbard as an emergent form of place, in Eric Prieto's term an entre-deux, that is no longer "outside time" as an uncharted Arctic wilderness, yet still not a location that has become thoroughly subsumed into European modernity. Both are memoirs published in 1955, Svalbard var min verden by the former trapper and hunter Arthur Oxaas (1888-1972), Nord for det øde hav by Liv Balstad (1915-1966), wife of the first post-war Norwegian governor of Svalbard. While Svalbard var min verden is a predominantly nostalgic retrospective of a historical era of hunting and trapping that had come to an with the Second World War, Nord for det øde hav looks forward to a future in which Svalbard has become fully integrated in the modern Norwegian welfare society. However, both narratives share an emphasis on the Heideggerian topic of place-making through building and dwelling, as well as a gendered vision of an Arctic modernity based on the feminine-coded values of family, homemaking and everyday life. |
format |
Article in Journal/Newspaper |
author |
Ryall, Anka |
author_facet |
Ryall, Anka |
author_sort |
Ryall, Anka |
title |
Svalbard in and beyond European modernity |
title_short |
Svalbard in and beyond European modernity |
title_full |
Svalbard in and beyond European modernity |
title_fullStr |
Svalbard in and beyond European modernity |
title_full_unstemmed |
Svalbard in and beyond European modernity |
title_sort |
svalbard in and beyond european modernity |
publisher |
University of Groningen Press |
publishDate |
2018 |
url |
https://ugp.rug.nl/tvs/article/view/31568 |
geographic |
Arctic North Pole Norway Svalbard |
geographic_facet |
Arctic North Pole Norway Svalbard |
genre |
Arctic Archipelago Arctic North Pole Svalbard |
genre_facet |
Arctic Archipelago Arctic North Pole Svalbard |
op_source |
Tijdschrift voor Skandinavistiek; Vol. 36 No. 2 (2018): Transit - 'Norden' och 'Europa' Tijdschrift voor Skandinavistiek; Vol 36 Nr 2 (2018): Transit - 'Norden' och 'Europa' 1875-9505 0168-2148 |
op_relation |
https://ugp.rug.nl/tvs/article/view/31568/28952 https://ugp.rug.nl/tvs/article/view/31568 |
op_rights |
Copyright (c) 2018 Anka Ryall |
_version_ |
1779310813854564352 |