Svalbard in and beyond European modernity

What does European modernity look like from the extremely peripheral perspective of Svalbard, a Norwegian High-Arctic archipelago located approximately midway between mainland Norway and the North Pole? This is a questions that informs my reading of two personal narratives describing twentieth-centu...

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Bibliographic Details
Main Author: Ryall, Anka
Format: Article in Journal/Newspaper
Language:Dutch
Published: University of Groningen Press 2018
Subjects:
Online Access:https://ugp.rug.nl/tvs/article/view/31568
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spelling ftunivgronojs:oai:prd-ojs.ojs3203:article/31568 2023-10-09T21:47:47+02:00 Svalbard in and beyond European modernity Ryall, Anka 2018-07-26 application/pdf https://ugp.rug.nl/tvs/article/view/31568 nld dut University of Groningen Press https://ugp.rug.nl/tvs/article/view/31568/28952 https://ugp.rug.nl/tvs/article/view/31568 Copyright (c) 2018 Anka Ryall Tijdschrift voor Skandinavistiek; Vol. 36 No. 2 (2018): Transit - 'Norden' och 'Europa' Tijdschrift voor Skandinavistiek; Vol 36 Nr 2 (2018): Transit - 'Norden' och 'Europa' 1875-9505 0168-2148 Svalbard High Arctic emergent place modernity gendered values homemaking Arthur Oxaas Liv Balstad info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2018 ftunivgronojs 2023-09-12T20:08:57Z What does European modernity look like from the extremely peripheral perspective of Svalbard, a Norwegian High-Arctic archipelago located approximately midway between mainland Norway and the North Pole? This is a questions that informs my reading of two personal narratives describing twentieth-century Svalbard as an emergent form of place, in Eric Prieto's term an entre-deux, that is no longer "outside time" as an uncharted Arctic wilderness, yet still not a location that has become thoroughly subsumed into European modernity. Both are memoirs published in 1955, Svalbard var min verden by the former trapper and hunter Arthur Oxaas (1888-1972), Nord for det øde hav by Liv Balstad (1915-1966), wife of the first post-war Norwegian governor of Svalbard. While Svalbard var min verden is a predominantly nostalgic retrospective of a historical era of hunting and trapping that had come to an with the Second World War, Nord for det øde hav looks forward to a future in which Svalbard has become fully integrated in the modern Norwegian welfare society. However, both narratives share an emphasis on the Heideggerian topic of place-making through building and dwelling, as well as a gendered vision of an Arctic modernity based on the feminine-coded values of family, homemaking and everyday life. Article in Journal/Newspaper Arctic Archipelago Arctic North Pole Svalbard Rijksuniversiteit Groningen: University of Groningen Press Arctic North Pole Norway Svalbard
institution Open Polar
collection Rijksuniversiteit Groningen: University of Groningen Press
op_collection_id ftunivgronojs
language Dutch
topic Svalbard
High Arctic
emergent place
modernity
gendered values
homemaking
Arthur Oxaas
Liv Balstad
spellingShingle Svalbard
High Arctic
emergent place
modernity
gendered values
homemaking
Arthur Oxaas
Liv Balstad
Ryall, Anka
Svalbard in and beyond European modernity
topic_facet Svalbard
High Arctic
emergent place
modernity
gendered values
homemaking
Arthur Oxaas
Liv Balstad
description What does European modernity look like from the extremely peripheral perspective of Svalbard, a Norwegian High-Arctic archipelago located approximately midway between mainland Norway and the North Pole? This is a questions that informs my reading of two personal narratives describing twentieth-century Svalbard as an emergent form of place, in Eric Prieto's term an entre-deux, that is no longer "outside time" as an uncharted Arctic wilderness, yet still not a location that has become thoroughly subsumed into European modernity. Both are memoirs published in 1955, Svalbard var min verden by the former trapper and hunter Arthur Oxaas (1888-1972), Nord for det øde hav by Liv Balstad (1915-1966), wife of the first post-war Norwegian governor of Svalbard. While Svalbard var min verden is a predominantly nostalgic retrospective of a historical era of hunting and trapping that had come to an with the Second World War, Nord for det øde hav looks forward to a future in which Svalbard has become fully integrated in the modern Norwegian welfare society. However, both narratives share an emphasis on the Heideggerian topic of place-making through building and dwelling, as well as a gendered vision of an Arctic modernity based on the feminine-coded values of family, homemaking and everyday life.
format Article in Journal/Newspaper
author Ryall, Anka
author_facet Ryall, Anka
author_sort Ryall, Anka
title Svalbard in and beyond European modernity
title_short Svalbard in and beyond European modernity
title_full Svalbard in and beyond European modernity
title_fullStr Svalbard in and beyond European modernity
title_full_unstemmed Svalbard in and beyond European modernity
title_sort svalbard in and beyond european modernity
publisher University of Groningen Press
publishDate 2018
url https://ugp.rug.nl/tvs/article/view/31568
geographic Arctic
North Pole
Norway
Svalbard
geographic_facet Arctic
North Pole
Norway
Svalbard
genre Arctic Archipelago
Arctic
North Pole
Svalbard
genre_facet Arctic Archipelago
Arctic
North Pole
Svalbard
op_source Tijdschrift voor Skandinavistiek; Vol. 36 No. 2 (2018): Transit - 'Norden' och 'Europa'
Tijdschrift voor Skandinavistiek; Vol 36 Nr 2 (2018): Transit - 'Norden' och 'Europa'
1875-9505
0168-2148
op_relation https://ugp.rug.nl/tvs/article/view/31568/28952
https://ugp.rug.nl/tvs/article/view/31568
op_rights Copyright (c) 2018 Anka Ryall
_version_ 1779310813854564352