Voice and Frames in the Soviet Nenets’ Auto/Biographies

This article explores the narrative and metalinguistic devices used by two Nenets writers, Nikolaj Vylka and Anton Pyrerka, in the auto/ biographical novels they wrote in the Soviet Union in the 1930s. Focusing on narrator roles and voices, the article argues that despite the overarching programme o...

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Published in:European Journal of Life Writing
Main Author: Lukin, Karina
Format: Article in Journal/Newspaper
Language:English
Published: University of Groningen Press 2020
Subjects:
Online Access:https://ejlw.eu/article/view/36307
https://doi.org/10.21827/ejlw.9.36307
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author Lukin, Karina
author_facet Lukin, Karina
author_sort Lukin, Karina
collection Rijksuniversiteit Groningen: University of Groningen Press
container_start_page 70
container_title European Journal of Life Writing
container_volume 9
description This article explores the narrative and metalinguistic devices used by two Nenets writers, Nikolaj Vylka and Anton Pyrerka, in the auto/ biographical novels they wrote in the Soviet Union in the 1930s. Focusing on narrator roles and voices, the article argues that despite the overarching programme of socialist realism, the writers creatively used available linguistic resources to build Socialist plots and frames in their novels. However, their choices differ considerably, reflecting their divergent ideas about the relationship between pre- and post-Soviet Nenets culture.
format Article in Journal/Newspaper
genre nenets
genre_facet nenets
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https://ejlw.eu/article/view/36307
doi:10.21827/ejlw.9.36307
op_rights Copyright (c) 2020 Karina Lukin
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op_source European Journal of Life Writing; Vol 9 (2020): EJLW; 70-92
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spelling ftunivgronojs:oai:ojs.pkp.sfu.ca:article/36307 2025-01-16T23:08:09+00:00 Voice and Frames in the Soviet Nenets’ Auto/Biographies Lukin, Karina 2020-06-12 application/pdf text/xml https://ejlw.eu/article/view/36307 https://doi.org/10.21827/ejlw.9.36307 eng eng University of Groningen Press https://ejlw.eu/article/view/36307/34061 https://ejlw.eu/article/view/36307/34067 https://ejlw.eu/article/view/36307 doi:10.21827/ejlw.9.36307 Copyright (c) 2020 Karina Lukin http://creativecommons.org/licenses/by-nc-nd/4.0 CC-BY-NC-ND European Journal of Life Writing; Vol 9 (2020): EJLW; 70-92 2211-243X info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2020 ftunivgronojs https://doi.org/10.21827/ejlw.9.36307 2020-07-08T22:05:57Z This article explores the narrative and metalinguistic devices used by two Nenets writers, Nikolaj Vylka and Anton Pyrerka, in the auto/ biographical novels they wrote in the Soviet Union in the 1930s. Focusing on narrator roles and voices, the article argues that despite the overarching programme of socialist realism, the writers creatively used available linguistic resources to build Socialist plots and frames in their novels. However, their choices differ considerably, reflecting their divergent ideas about the relationship between pre- and post-Soviet Nenets culture. Article in Journal/Newspaper nenets Rijksuniversiteit Groningen: University of Groningen Press European Journal of Life Writing 9 70 92
spellingShingle Lukin, Karina
Voice and Frames in the Soviet Nenets’ Auto/Biographies
title Voice and Frames in the Soviet Nenets’ Auto/Biographies
title_full Voice and Frames in the Soviet Nenets’ Auto/Biographies
title_fullStr Voice and Frames in the Soviet Nenets’ Auto/Biographies
title_full_unstemmed Voice and Frames in the Soviet Nenets’ Auto/Biographies
title_short Voice and Frames in the Soviet Nenets’ Auto/Biographies
title_sort voice and frames in the soviet nenets’ auto/biographies
url https://ejlw.eu/article/view/36307
https://doi.org/10.21827/ejlw.9.36307