SAMEBLOD (2017) - En visuell analys

This thesis will examine how the oppression of the ethnic minority group saami visualizes in the movie Sami Blood (2017) and how the pictures in it transmit meaning. By using the method semiotic picture analyzis together with various cinema techniques like mise-en-scéne, cinemaography and cinema edi...

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Bibliographic Details
Main Author: Berg, Julia
Other Authors: University of Gothenburg/Department of Cultural Sciences, Göteborgs universitet/Institutionen för kulturvetenskaper
Format: Text
Language:Swedish
Published: 2018
Subjects:
Online Access:http://hdl.handle.net/2077/56203
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spelling ftunivgoeteborg:oai:gupea.ub.gu.se:2077/56203 2023-10-29T02:39:48+01:00 SAMEBLOD (2017) - En visuell analys Berg, Julia University of Gothenburg/Department of Cultural Sciences Göteborgs universitet/Institutionen för kulturvetenskaper 2018-04-23 application/pdf http://hdl.handle.net/2077/56203 swe swe http://hdl.handle.net/2077/56203 Sameblod Semiotik bildsemiotik visuell kultur rasism förtryck mening filmtekniker Text M2 Student essay 2018 ftunivgoeteborg 2023-10-04T21:14:09Z This thesis will examine how the oppression of the ethnic minority group saami visualizes in the movie Sami Blood (2017) and how the pictures in it transmit meaning. By using the method semiotic picture analyzis together with various cinema techniques like mise-en-scéne, cinemaography and cinema editing, have I examined the film-makers use of those techniques and what they signify. With question formulations asking what the picture represents, what emotions they signify and how the picture relates to the dialogue, this thesis are highly based on interpretation. The conclusion presented shows how oppression is produced by facial expressions, body language, different angels and colour and how the spectator gets positioned by them. The pictures signifies meaning by visualizing racial and culturally coded events through staging and therefore direct the spectator to experience certain emotions. Text saami sami sami University of Gothenburg: GUPEA (Gothenburg University Publications Electronic Archive)
institution Open Polar
collection University of Gothenburg: GUPEA (Gothenburg University Publications Electronic Archive)
op_collection_id ftunivgoeteborg
language Swedish
topic Sameblod
Semiotik
bildsemiotik
visuell kultur
rasism
förtryck
mening
filmtekniker
spellingShingle Sameblod
Semiotik
bildsemiotik
visuell kultur
rasism
förtryck
mening
filmtekniker
Berg, Julia
SAMEBLOD (2017) - En visuell analys
topic_facet Sameblod
Semiotik
bildsemiotik
visuell kultur
rasism
förtryck
mening
filmtekniker
description This thesis will examine how the oppression of the ethnic minority group saami visualizes in the movie Sami Blood (2017) and how the pictures in it transmit meaning. By using the method semiotic picture analyzis together with various cinema techniques like mise-en-scéne, cinemaography and cinema editing, have I examined the film-makers use of those techniques and what they signify. With question formulations asking what the picture represents, what emotions they signify and how the picture relates to the dialogue, this thesis are highly based on interpretation. The conclusion presented shows how oppression is produced by facial expressions, body language, different angels and colour and how the spectator gets positioned by them. The pictures signifies meaning by visualizing racial and culturally coded events through staging and therefore direct the spectator to experience certain emotions.
author2 University of Gothenburg/Department of Cultural Sciences
Göteborgs universitet/Institutionen för kulturvetenskaper
format Text
author Berg, Julia
author_facet Berg, Julia
author_sort Berg, Julia
title SAMEBLOD (2017) - En visuell analys
title_short SAMEBLOD (2017) - En visuell analys
title_full SAMEBLOD (2017) - En visuell analys
title_fullStr SAMEBLOD (2017) - En visuell analys
title_full_unstemmed SAMEBLOD (2017) - En visuell analys
title_sort sameblod (2017) - en visuell analys
publishDate 2018
url http://hdl.handle.net/2077/56203
genre saami
sami
sami
genre_facet saami
sami
sami
op_relation http://hdl.handle.net/2077/56203
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