Fish out of water : collecting aquatic animals in the Early Modern period
Sixteenth- and seventeenth-century Europe had a lively collecting culture. Princes and professors, apothecaries and artists, merchants and physicians: different groups of people became obsessed with collecting. They collected man-made and natural objects: artificialia and naturalia. Various aquatic...
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Leiden University
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ftunivgent:oai:archive.ugent.be:8692952 2024-02-11T10:05:53+01:00 Fish out of water : collecting aquatic animals in the Early Modern period Rijks, Marlise Rijks, Marlise Smith, Paul J. Egmond, Florike 2018 application/pdf https://biblio.ugent.be/publication/8692952 http://hdl.handle.net/1854/LU-8692952 https://biblio.ugent.be/publication/8692952/file/8692954 eng eng Leiden University https://biblio.ugent.be/publication/8692952 http://hdl.handle.net/1854/LU-8692952 https://biblio.ugent.be/publication/8692952/file/8692954 Creative Commons Attribution 4.0 International Public License (CC-BY 4.0) info:eu-repo/semantics/openAccess Fish & fiction : aquatic animals between science and imagination (1500-1900) Arts and Architecture Natural history history of collecting early modern seventeenth century bookChapter info:eu-repo/semantics/bookPart info:eu-repo/semantics/publishedVersion 2018 ftunivgent 2024-01-24T23:07:51Z Sixteenth- and seventeenth-century Europe had a lively collecting culture. Princes and professors, apothecaries and artists, merchants and physicians: different groups of people became obsessed with collecting. They collected man-made and natural objects: artificialia and naturalia. Various aquatic naturalia belonged to the most fashionable collectables – think of blowfish, sawfish, narwhal tusks, horseshoe crabs, corals, and shells. Most sought after were particularly curious, rare, or exotic objects. But very practical reasons were important too: those specimens easiest to preserve and transport most often ended up in cabinets. The culture of collecting, with its hands-on investigation of naturalia, was crucial for the development of the field of natural history. Besides the preservation of specimens (which could done by drying them or immersing them in spirits), collectors and naturalists understood the importance of good images. Some collectors made beautifully illustrated catalogues to their collections. Others amassed watercolour albums. Still others purchased print series of fish images, a genre that was newly invented in the sixteenth century. Book Part narwhal* Ghent University Academic Bibliography |
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Ghent University Academic Bibliography |
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ftunivgent |
language |
English |
topic |
Arts and Architecture Natural history history of collecting early modern seventeenth century |
spellingShingle |
Arts and Architecture Natural history history of collecting early modern seventeenth century Rijks, Marlise Fish out of water : collecting aquatic animals in the Early Modern period |
topic_facet |
Arts and Architecture Natural history history of collecting early modern seventeenth century |
description |
Sixteenth- and seventeenth-century Europe had a lively collecting culture. Princes and professors, apothecaries and artists, merchants and physicians: different groups of people became obsessed with collecting. They collected man-made and natural objects: artificialia and naturalia. Various aquatic naturalia belonged to the most fashionable collectables – think of blowfish, sawfish, narwhal tusks, horseshoe crabs, corals, and shells. Most sought after were particularly curious, rare, or exotic objects. But very practical reasons were important too: those specimens easiest to preserve and transport most often ended up in cabinets. The culture of collecting, with its hands-on investigation of naturalia, was crucial for the development of the field of natural history. Besides the preservation of specimens (which could done by drying them or immersing them in spirits), collectors and naturalists understood the importance of good images. Some collectors made beautifully illustrated catalogues to their collections. Others amassed watercolour albums. Still others purchased print series of fish images, a genre that was newly invented in the sixteenth century. |
author2 |
Rijks, Marlise Smith, Paul J. Egmond, Florike |
format |
Book Part |
author |
Rijks, Marlise |
author_facet |
Rijks, Marlise |
author_sort |
Rijks, Marlise |
title |
Fish out of water : collecting aquatic animals in the Early Modern period |
title_short |
Fish out of water : collecting aquatic animals in the Early Modern period |
title_full |
Fish out of water : collecting aquatic animals in the Early Modern period |
title_fullStr |
Fish out of water : collecting aquatic animals in the Early Modern period |
title_full_unstemmed |
Fish out of water : collecting aquatic animals in the Early Modern period |
title_sort |
fish out of water : collecting aquatic animals in the early modern period |
publisher |
Leiden University |
publishDate |
2018 |
url |
https://biblio.ugent.be/publication/8692952 http://hdl.handle.net/1854/LU-8692952 https://biblio.ugent.be/publication/8692952/file/8692954 |
genre |
narwhal* |
genre_facet |
narwhal* |
op_source |
Fish & fiction : aquatic animals between science and imagination (1500-1900) |
op_relation |
https://biblio.ugent.be/publication/8692952 http://hdl.handle.net/1854/LU-8692952 https://biblio.ugent.be/publication/8692952/file/8692954 |
op_rights |
Creative Commons Attribution 4.0 International Public License (CC-BY 4.0) info:eu-repo/semantics/openAccess |
_version_ |
1790603104644759552 |