Male Images in Cinematic Adaptations of Hallgrimur Helgason’s Prose
Icelandic feature films shot in the Twenty-First century often contain an ironic critique of postmodern models of masculinity. The fictional figures that appear in those movies are often at odds with the traditional perception of national identity and suffer so-called “Peter Pan syndrome”. Moreover,...
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ftunivgdanskojs:oai:ojsug.pkp.sfu.ca:article/209 2024-09-15T18:13:39+00:00 Male Images in Cinematic Adaptations of Hallgrimur Helgason’s Prose Wizerunki mężczyzn w kinowych adaptacjach prozy Hallgrímura Helgasona Konefał, Jakub Sebastian 2015-06-29 application/pdf https://czasopisma.bg.ug.edu.pl/index.php/panoptikum/article/view/209 pol pol Uniwersytet Gdański https://czasopisma.bg.ug.edu.pl/index.php/panoptikum/article/view/209/749 https://czasopisma.bg.ug.edu.pl/index.php/panoptikum/article/view/209 Panoptikum; No. 14 (2015): Męskie ciała, męskie kultury; 57-75 Panoptikum; Nr 14 (2015): Męskie ciała, męskie kultury; 57-75 1730-7775 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2015 ftunivgdanskojs 2024-07-10T03:10:31Z Icelandic feature films shot in the Twenty-First century often contain an ironic critique of postmodern models of masculinity. The fictional figures that appear in those movies are often at odds with the traditional perception of national identity and suffer so-called “Peter Pan syndrome”. Moreover, many images created in Iceland after the year 2000 also include a witty reinterpretations of the media’s “generation X” model and suggestive commentaries on life in the liquid modernity. All these features of the male film figures can be seen as the personification of the changes taking place in Icelandic culture and the local community. These issues are associated with the processes of the collision of traditional values, linked with the older generation of Icelanders, with the globalized perception of the younger generations who are open to “pop-cultural outlook” on their country and identity. Icelandic feature films shot in the Twenty-First century often contain an ironic critique of postmodern models of masculinity. The fictional figures that appear in those movies are often at odds with the traditional perception of national identity and suffer so-called “Peter Pan syndrome”. Moreover, many images created in Iceland after the year 2000 also include a witty reinterpretations of the media’s “generation X” model and suggestive commentaries on life in the liquid modernity. All these features of the male film figures can be seen as the personification of the changes taking place in Icelandic culture and the local community. These issues are associated with the processes of the collision of traditional values, linked with the older generation of Icelanders, with the globalized perception of the younger generations who are open to “pop-cultural outlook” on their country and identity. Article in Journal/Newspaper Iceland University Scientific Journals University of Gdansk (UGN) |
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University Scientific Journals University of Gdansk (UGN) |
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ftunivgdanskojs |
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Polish |
description |
Icelandic feature films shot in the Twenty-First century often contain an ironic critique of postmodern models of masculinity. The fictional figures that appear in those movies are often at odds with the traditional perception of national identity and suffer so-called “Peter Pan syndrome”. Moreover, many images created in Iceland after the year 2000 also include a witty reinterpretations of the media’s “generation X” model and suggestive commentaries on life in the liquid modernity. All these features of the male film figures can be seen as the personification of the changes taking place in Icelandic culture and the local community. These issues are associated with the processes of the collision of traditional values, linked with the older generation of Icelanders, with the globalized perception of the younger generations who are open to “pop-cultural outlook” on their country and identity. Icelandic feature films shot in the Twenty-First century often contain an ironic critique of postmodern models of masculinity. The fictional figures that appear in those movies are often at odds with the traditional perception of national identity and suffer so-called “Peter Pan syndrome”. Moreover, many images created in Iceland after the year 2000 also include a witty reinterpretations of the media’s “generation X” model and suggestive commentaries on life in the liquid modernity. All these features of the male film figures can be seen as the personification of the changes taking place in Icelandic culture and the local community. These issues are associated with the processes of the collision of traditional values, linked with the older generation of Icelanders, with the globalized perception of the younger generations who are open to “pop-cultural outlook” on their country and identity. |
format |
Article in Journal/Newspaper |
author |
Konefał, Jakub Sebastian |
spellingShingle |
Konefał, Jakub Sebastian Male Images in Cinematic Adaptations of Hallgrimur Helgason’s Prose |
author_facet |
Konefał, Jakub Sebastian |
author_sort |
Konefał, Jakub Sebastian |
title |
Male Images in Cinematic Adaptations of Hallgrimur Helgason’s Prose |
title_short |
Male Images in Cinematic Adaptations of Hallgrimur Helgason’s Prose |
title_full |
Male Images in Cinematic Adaptations of Hallgrimur Helgason’s Prose |
title_fullStr |
Male Images in Cinematic Adaptations of Hallgrimur Helgason’s Prose |
title_full_unstemmed |
Male Images in Cinematic Adaptations of Hallgrimur Helgason’s Prose |
title_sort |
male images in cinematic adaptations of hallgrimur helgason’s prose |
publisher |
Uniwersytet Gdański |
publishDate |
2015 |
url |
https://czasopisma.bg.ug.edu.pl/index.php/panoptikum/article/view/209 |
genre |
Iceland |
genre_facet |
Iceland |
op_source |
Panoptikum; No. 14 (2015): Męskie ciała, męskie kultury; 57-75 Panoptikum; Nr 14 (2015): Męskie ciała, męskie kultury; 57-75 1730-7775 |
op_relation |
https://czasopisma.bg.ug.edu.pl/index.php/panoptikum/article/view/209/749 https://czasopisma.bg.ug.edu.pl/index.php/panoptikum/article/view/209 |
_version_ |
1810451419444019200 |