Indigenous: It Depends How You Look at It. What You Call It. How You Live It.
In this article, we use examples from contemporary Anishinaabe artist Rebecca Belmore and the works of works of the Spiderwoman Theater Troupe to explore how contemporary Indigenous artists in the Americas negotiate the representation of Indigenous identities, identities which are always performed a...
Published in: | Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies |
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Language: | English |
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Online Access: | https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2014n67p13 https://doi.org/10.5007/2175-8026.2014n67p13 |
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ftunivfscojs:oai:periodicos.ufsc.br:article/36282 2023-07-30T03:56:15+02:00 Indigenous: It Depends How You Look at It. What You Call It. How You Live It. Beard, Laura Hopkins, Daniel 2014-12-16 application/pdf https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2014n67p13 https://doi.org/10.5007/2175-8026.2014n67p13 eng eng UFSC https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2014n67p13/28345 https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2014n67p13/28712 https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2014n67p13 doi:10.5007/2175-8026.2014n67p13 Copyright (c) 2014 Laura Beard, Daniel Hopkins Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 67 (2014): Crossing North and South: Re-visiting the Americas; 013-020 Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 67 (2014): Crossing North and South: Re-visiting the Americas; 013-020 2175-8026 0101-4846 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2014 ftunivfscojs https://doi.org/10.5007/2175-8026.2014n67p13 2023-07-14T08:10:02Z In this article, we use examples from contemporary Anishinaabe artist Rebecca Belmore and the works of works of the Spiderwoman Theater Troupe to explore how contemporary Indigenous artists in the Americas negotiate the representation of Indigenous identities, identities which are always performed and entangled in a mesh of geographical locations, cultural practices and ideological borders. Through their artistic productions, many Native artists and authors participate in a larger community of voices discussing what it means to be Indigenous in the Americas and what ethical responsibilities or commitments to community are entailed in and by their work. Article in Journal/Newspaper anishina* Portal de PeriĆ³dicos UFSC (Universidade Federal de Santa Catarina) Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 0 67 013 |
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Open Polar |
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Portal de PeriĆ³dicos UFSC (Universidade Federal de Santa Catarina) |
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ftunivfscojs |
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English |
description |
In this article, we use examples from contemporary Anishinaabe artist Rebecca Belmore and the works of works of the Spiderwoman Theater Troupe to explore how contemporary Indigenous artists in the Americas negotiate the representation of Indigenous identities, identities which are always performed and entangled in a mesh of geographical locations, cultural practices and ideological borders. Through their artistic productions, many Native artists and authors participate in a larger community of voices discussing what it means to be Indigenous in the Americas and what ethical responsibilities or commitments to community are entailed in and by their work. |
format |
Article in Journal/Newspaper |
author |
Beard, Laura Hopkins, Daniel |
spellingShingle |
Beard, Laura Hopkins, Daniel Indigenous: It Depends How You Look at It. What You Call It. How You Live It. |
author_facet |
Beard, Laura Hopkins, Daniel |
author_sort |
Beard, Laura |
title |
Indigenous: It Depends How You Look at It. What You Call It. How You Live It. |
title_short |
Indigenous: It Depends How You Look at It. What You Call It. How You Live It. |
title_full |
Indigenous: It Depends How You Look at It. What You Call It. How You Live It. |
title_fullStr |
Indigenous: It Depends How You Look at It. What You Call It. How You Live It. |
title_full_unstemmed |
Indigenous: It Depends How You Look at It. What You Call It. How You Live It. |
title_sort |
indigenous: it depends how you look at it. what you call it. how you live it. |
publisher |
UFSC |
publishDate |
2014 |
url |
https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2014n67p13 https://doi.org/10.5007/2175-8026.2014n67p13 |
genre |
anishina* |
genre_facet |
anishina* |
op_source |
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 67 (2014): Crossing North and South: Re-visiting the Americas; 013-020 Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 67 (2014): Crossing North and South: Re-visiting the Americas; 013-020 2175-8026 0101-4846 |
op_relation |
https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2014n67p13/28345 https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2014n67p13/28712 https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2014n67p13 doi:10.5007/2175-8026.2014n67p13 |
op_rights |
Copyright (c) 2014 Laura Beard, Daniel Hopkins |
op_doi |
https://doi.org/10.5007/2175-8026.2014n67p13 |
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Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies |
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67 |
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