”Miulla on vahva perintö Karjalasta” : Nykyitkijöiden suhde karjalaisuuteen Suomessa

“I have a strong heritage from Karelia.” A lamenter’s relationship to Karelianness and Ingrianness in modern Finland In this article, I shall examine the meanings that folk musicians performing and teaching laments in Finland today give to their Karelian background. In a single interview, being Ingr...

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Published in:Musiikki
Main Author: Hytönen-Ng, Elina
Other Authors: Karjalan tutkimuslaitos
Format: Article in Journal/Newspaper
Language:Finnish
Published: Suomen musiikkitieteellinen seura 2024
Subjects:
Online Access:https://erepo.uef.fi/handle/123456789/31158
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spelling ftuniveasternfin:oai:erepo.uef.fi:123456789/31158 2024-02-04T10:01:45+01:00 ”Miulla on vahva perintö Karjalasta” : Nykyitkijöiden suhde karjalaisuuteen Suomessa Hytönen-Ng, Elina Karjalan tutkimuslaitos 2024-01-03T12:47:34Z 56-86 https://erepo.uef.fi/handle/123456789/31158 fin fin Suomen musiikkitieteellinen seura Musiikki https://doi.org/10.51816/musiikki.142334 10.51816/musiikki.142334 2669-8625 4 53 https://erepo.uef.fi/handle/123456789/31158 CC BY-NC-ND 4.0 openAccess © 2023 tekijä & Suomen musiikkitieteellinen seura https://creativecommons.org/licenses/by-nc-nd/4.0/ A1 Artikkeli Article 2024 ftuniveasternfin https://doi.org/10.51816/musiikki.142334 2024-01-11T00:02:29Z “I have a strong heritage from Karelia.” A lamenter’s relationship to Karelianness and Ingrianness in modern Finland In this article, I shall examine the meanings that folk musicians performing and teaching laments in Finland today give to their Karelian background. In a single interview, being Ingrian also came up, but as this remained clearly in the minority in the material, this example is now discussed in the text under the Karelian theme without a broader scrutiny of Ingrianness. In other words, the article examines what kind of ideas contemporary lamenters have about their relationship with Karelian. This theme emerges through the following questions: For what reasons is a musician or an actor once interested in laments? Has Karelianness played a role in this process? The research material for this article is based on interviews with ten actors who perform and teach lament songs. The material is mirrored in the way the interviewees talk about Karelianness and its importance for their emergence of interest in laments. In this paper, I shall try to show that the dirge serves as a tool for rebuilding lost connections to Karelia or Karelianness in today’s Finland. Thus, for some respondents, the lament serves as a way to explore and strengthen ties to lost Karelia or Karelianism, while other respondents emphasize the dirge as part of their own wide-ranging professional expertise as musicians and artists. published version peerReviewed Article in Journal/Newspaper karelia* karelian UEF eRepository (University of Eastern Finland) Musiikki 53 4
institution Open Polar
collection UEF eRepository (University of Eastern Finland)
op_collection_id ftuniveasternfin
language Finnish
description “I have a strong heritage from Karelia.” A lamenter’s relationship to Karelianness and Ingrianness in modern Finland In this article, I shall examine the meanings that folk musicians performing and teaching laments in Finland today give to their Karelian background. In a single interview, being Ingrian also came up, but as this remained clearly in the minority in the material, this example is now discussed in the text under the Karelian theme without a broader scrutiny of Ingrianness. In other words, the article examines what kind of ideas contemporary lamenters have about their relationship with Karelian. This theme emerges through the following questions: For what reasons is a musician or an actor once interested in laments? Has Karelianness played a role in this process? The research material for this article is based on interviews with ten actors who perform and teach lament songs. The material is mirrored in the way the interviewees talk about Karelianness and its importance for their emergence of interest in laments. In this paper, I shall try to show that the dirge serves as a tool for rebuilding lost connections to Karelia or Karelianness in today’s Finland. Thus, for some respondents, the lament serves as a way to explore and strengthen ties to lost Karelia or Karelianism, while other respondents emphasize the dirge as part of their own wide-ranging professional expertise as musicians and artists. published version peerReviewed
author2 Karjalan tutkimuslaitos
format Article in Journal/Newspaper
author Hytönen-Ng, Elina
spellingShingle Hytönen-Ng, Elina
”Miulla on vahva perintö Karjalasta” : Nykyitkijöiden suhde karjalaisuuteen Suomessa
author_facet Hytönen-Ng, Elina
author_sort Hytönen-Ng, Elina
title ”Miulla on vahva perintö Karjalasta” : Nykyitkijöiden suhde karjalaisuuteen Suomessa
title_short ”Miulla on vahva perintö Karjalasta” : Nykyitkijöiden suhde karjalaisuuteen Suomessa
title_full ”Miulla on vahva perintö Karjalasta” : Nykyitkijöiden suhde karjalaisuuteen Suomessa
title_fullStr ”Miulla on vahva perintö Karjalasta” : Nykyitkijöiden suhde karjalaisuuteen Suomessa
title_full_unstemmed ”Miulla on vahva perintö Karjalasta” : Nykyitkijöiden suhde karjalaisuuteen Suomessa
title_sort ”miulla on vahva perintö karjalasta” : nykyitkijöiden suhde karjalaisuuteen suomessa
publisher Suomen musiikkitieteellinen seura
publishDate 2024
url https://erepo.uef.fi/handle/123456789/31158
genre karelia*
karelian
genre_facet karelia*
karelian
op_relation Musiikki
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2669-8625
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53
https://erepo.uef.fi/handle/123456789/31158
op_rights CC BY-NC-ND 4.0
openAccess
© 2023 tekijä & Suomen musiikkitieteellinen seura
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