Progressing the nature of interpretation: Absence, Blankness, Hope? How does our changing understanding of the natural world and technology influence the musical interpretation of the continent?
In this review I will consider the effect of scientific and technological developments on the composer's process interpreting Antarctica. This will involve establishing the context in which this process takes place, suggesting a relationship between the artist and the Information Technology env...
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University of Canterbury
2011
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ftunivcanter:oai:ir.canterbury.ac.nz:10092/13901 2023-05-15T13:49:08+02:00 Progressing the nature of interpretation: Absence, Blankness, Hope? How does our changing understanding of the natural world and technology influence the musical interpretation of the continent? Evans, Julian 2011 application/pdf http://hdl.handle.net/10092/13901 English en eng University of Canterbury http://hdl.handle.net/10092/13901 All Rights Reserved Theses / Dissertations 2011 ftunivcanter 2022-09-08T13:37:37Z In this review I will consider the effect of scientific and technological developments on the composer's process interpreting Antarctica. This will involve establishing the context in which this process takes place, suggesting a relationship between the artist and the Information Technology environment and examining some elements of nine composers and their responses. Tho' much is taken, much abides; and tho' We are not now that strength which in old days Moved earth and heaven, that which we are, we are; Ulysees; Alfred Lord Tennyson Other/Unknown Material Antarc* Antarctica University of Canterbury, Christchurch: UC Research Repository Tennyson ENVELOPE(168.300,168.300,-77.367,-77.367) |
institution |
Open Polar |
collection |
University of Canterbury, Christchurch: UC Research Repository |
op_collection_id |
ftunivcanter |
language |
English |
description |
In this review I will consider the effect of scientific and technological developments on the composer's process interpreting Antarctica. This will involve establishing the context in which this process takes place, suggesting a relationship between the artist and the Information Technology environment and examining some elements of nine composers and their responses. Tho' much is taken, much abides; and tho' We are not now that strength which in old days Moved earth and heaven, that which we are, we are; Ulysees; Alfred Lord Tennyson |
format |
Other/Unknown Material |
author |
Evans, Julian |
spellingShingle |
Evans, Julian Progressing the nature of interpretation: Absence, Blankness, Hope? How does our changing understanding of the natural world and technology influence the musical interpretation of the continent? |
author_facet |
Evans, Julian |
author_sort |
Evans, Julian |
title |
Progressing the nature of interpretation: Absence, Blankness, Hope? How does our changing understanding of the natural world and technology influence the musical interpretation of the continent? |
title_short |
Progressing the nature of interpretation: Absence, Blankness, Hope? How does our changing understanding of the natural world and technology influence the musical interpretation of the continent? |
title_full |
Progressing the nature of interpretation: Absence, Blankness, Hope? How does our changing understanding of the natural world and technology influence the musical interpretation of the continent? |
title_fullStr |
Progressing the nature of interpretation: Absence, Blankness, Hope? How does our changing understanding of the natural world and technology influence the musical interpretation of the continent? |
title_full_unstemmed |
Progressing the nature of interpretation: Absence, Blankness, Hope? How does our changing understanding of the natural world and technology influence the musical interpretation of the continent? |
title_sort |
progressing the nature of interpretation: absence, blankness, hope? how does our changing understanding of the natural world and technology influence the musical interpretation of the continent? |
publisher |
University of Canterbury |
publishDate |
2011 |
url |
http://hdl.handle.net/10092/13901 |
long_lat |
ENVELOPE(168.300,168.300,-77.367,-77.367) |
geographic |
Tennyson |
geographic_facet |
Tennyson |
genre |
Antarc* Antarctica |
genre_facet |
Antarc* Antarctica |
op_relation |
http://hdl.handle.net/10092/13901 |
op_rights |
All Rights Reserved |
_version_ |
1766250871587340288 |