Vernacular Song, Cultural Identity, and Nationalism in Newfoundland, 1920-1955
Although a force in Newfoundland politics and culture, nationalist sentiment was not strong enough in 1948 to prevent confederation with Canada. The absence among many Newfoundlanders of a strong sense of belonging to an independent country was the underlying reason for Smallwood's referendum v...
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ftunivcalgaryojs:oai:journalhosting.ucalgary.ca:article/68816 2023-05-15T17:15:28+02:00 Vernacular Song, Cultural Identity, and Nationalism in Newfoundland, 1920-1955 Gregory, David 2004-09-01 application/pdf https://journalhosting.ucalgary.ca/index.php/hic/article/view/68816 eng eng Paul Stortz https://journalhosting.ucalgary.ca/index.php/hic/article/view/68816/53315 https://journalhosting.ucalgary.ca/index.php/hic/article/view/68816 Copyright (c) 2004 History of Intellectual Culture History of Intellectual Culture; Vol. 4 No. 1 (2004): History of Intellectual Culture 1492-7810 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article 2004 ftunivcalgaryojs 2022-03-22T21:24:36Z Although a force in Newfoundland politics and culture, nationalist sentiment was not strong enough in 1948 to prevent confederation with Canada. The absence among many Newfoundlanders of a strong sense of belonging to an independent country was the underlying reason for Smallwood's referendum victory. Most islanders were descendants of immigrants from either Ireland or the English West Country. Nowadays, they view themselves as Newfoundlanders first and foremost but it took centuries for that common identity to be forged. How can we gauge when that change from old (European) to new (Newfoundland) identity took place in the outport communities? Vernacular song texts provide one valuable source of evidence. Three collections of Newfoundland songs - Gerald Doyle's The Old Time Songs and Poetry of Newfoundland, Elisabeth Greenleaf's Ballads and Sea Songs from Newfoundland, and Maud Karpeles' Folk Songs from Newfoundland - illuminate the degree to which by the late 1920s a Newfoundland song-culture had replaced earlier cultural traditions. These songs suggest that the island was still a cultural mosaic: some outports were completely Irish, others were English, and in a few ethnically-mixed communities, including St. John's, there was an emergent, home-grown, patriotic song-culture. Cultural nationalism was still a minority tradition in the Newfoundland of 1930. Article in Journal/Newspaper Newfoundland University of Calgary Journal Hosting Canada |
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University of Calgary Journal Hosting |
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ftunivcalgaryojs |
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Although a force in Newfoundland politics and culture, nationalist sentiment was not strong enough in 1948 to prevent confederation with Canada. The absence among many Newfoundlanders of a strong sense of belonging to an independent country was the underlying reason for Smallwood's referendum victory. Most islanders were descendants of immigrants from either Ireland or the English West Country. Nowadays, they view themselves as Newfoundlanders first and foremost but it took centuries for that common identity to be forged. How can we gauge when that change from old (European) to new (Newfoundland) identity took place in the outport communities? Vernacular song texts provide one valuable source of evidence. Three collections of Newfoundland songs - Gerald Doyle's The Old Time Songs and Poetry of Newfoundland, Elisabeth Greenleaf's Ballads and Sea Songs from Newfoundland, and Maud Karpeles' Folk Songs from Newfoundland - illuminate the degree to which by the late 1920s a Newfoundland song-culture had replaced earlier cultural traditions. These songs suggest that the island was still a cultural mosaic: some outports were completely Irish, others were English, and in a few ethnically-mixed communities, including St. John's, there was an emergent, home-grown, patriotic song-culture. Cultural nationalism was still a minority tradition in the Newfoundland of 1930. |
format |
Article in Journal/Newspaper |
author |
Gregory, David |
spellingShingle |
Gregory, David Vernacular Song, Cultural Identity, and Nationalism in Newfoundland, 1920-1955 |
author_facet |
Gregory, David |
author_sort |
Gregory, David |
title |
Vernacular Song, Cultural Identity, and Nationalism in Newfoundland, 1920-1955 |
title_short |
Vernacular Song, Cultural Identity, and Nationalism in Newfoundland, 1920-1955 |
title_full |
Vernacular Song, Cultural Identity, and Nationalism in Newfoundland, 1920-1955 |
title_fullStr |
Vernacular Song, Cultural Identity, and Nationalism in Newfoundland, 1920-1955 |
title_full_unstemmed |
Vernacular Song, Cultural Identity, and Nationalism in Newfoundland, 1920-1955 |
title_sort |
vernacular song, cultural identity, and nationalism in newfoundland, 1920-1955 |
publisher |
Paul Stortz |
publishDate |
2004 |
url |
https://journalhosting.ucalgary.ca/index.php/hic/article/view/68816 |
geographic |
Canada |
geographic_facet |
Canada |
genre |
Newfoundland |
genre_facet |
Newfoundland |
op_source |
History of Intellectual Culture; Vol. 4 No. 1 (2004): History of Intellectual Culture 1492-7810 |
op_relation |
https://journalhosting.ucalgary.ca/index.php/hic/article/view/68816/53315 https://journalhosting.ucalgary.ca/index.php/hic/article/view/68816 |
op_rights |
Copyright (c) 2004 History of Intellectual Culture |
_version_ |
1766074866124980224 |