Moccasin Tracks: Reading the Narrative in Traditional Indigenous Craft Work

The colonization of Canada has produced deleterious effects for the First Nations peoples that originally inhabited the land. Through sharing stories with a number of First Nations craft producers the objective of this research was to capture the endurance of First Nations culture beyond the disastr...

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Main Author: Anton, James Wyatt
Other Authors: Voyageur, Cora Jane, Henry, Robert, Leason, Jennifer
Format: Master Thesis
Language:English
Published: Arts 2018
Subjects:
Online Access:http://hdl.handle.net/1880/106597
https://doi.org/10.11575/PRISM/31883
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author Anton, James Wyatt
author2 Voyageur, Cora Jane
Henry, Robert
Leason, Jennifer
author_facet Anton, James Wyatt
author_sort Anton, James Wyatt
collection PRISM - University of Calgary Digital Repository
description The colonization of Canada has produced deleterious effects for the First Nations peoples that originally inhabited the land. Through sharing stories with a number of First Nations craft producers the objective of this research was to capture the endurance of First Nations culture beyond the disastrous effects of colonization and repression faced by the First Peoples of this continent. This study investigates the production of craft goods in First Nations communities by building on the concept of the narrative embedded in the material craft culture. By narrative, this study refers to the culturally specific ways that stories are created and maintained to preserve elements of culture and society. Craft goods continue to be produced and used in these communities as a way of preserving and reproducing the specific tribal knowledges that exist within these groups. Data in this project comes from semi-structured interviews with Indigenous craft makers. The methodology was developed to confront the positionality of a non-Indigenous researcher pursuing research objectives in a First Nations community and with the aim to be mindful and mitigate the effects of social privilege and power in the analysis of the data. Interviews and notes were analyzed through a hybrid of narrative and thematic analysis. The themes emerging from preliminary analysis of the data fit within a theoretical framework that centres and privileges Indigenous experience and perspective. Themes include: spirituality, family, animals, social structure, and resistance. These themes contribute to a larger cultural narrative of relationality and endurance embedded in the Indigenous material craft culture being investigated in the research. Together, these themes offer a clearer vision of the First Nations perspective and what it means to maintain a distinct cultural identity under the ongoing campaign of colonization.
format Master Thesis
genre First Nations
genre_facet First Nations
geographic Canada
geographic_facet Canada
id ftunivcalgary:oai:prism.ucalgary.ca:1880/106597
institution Open Polar
language English
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op_doi https://doi.org/10.11575/PRISM/31883
op_relation Anton, J. W. (2018). Moccasin tracks: reading the narrative in traditional indigenous craft work (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/31883
http://dx.doi.org/10.11575/PRISM/31883
http://hdl.handle.net/1880/106597
op_rights University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission.
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publisher Arts
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spelling ftunivcalgary:oai:prism.ucalgary.ca:1880/106597 2025-01-16T21:53:33+00:00 Moccasin Tracks: Reading the Narrative in Traditional Indigenous Craft Work Anton, James Wyatt Voyageur, Cora Jane Henry, Robert Leason, Jennifer 2018-04-30 application/pdf http://hdl.handle.net/1880/106597 https://doi.org/10.11575/PRISM/31883 eng eng Arts Graduate Studies University of Calgary Calgary Anton, J. W. (2018). Moccasin tracks: reading the narrative in traditional indigenous craft work (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/31883 http://dx.doi.org/10.11575/PRISM/31883 http://hdl.handle.net/1880/106597 University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. First Nations Craftwork Decolonialism Settler-colonialism Narrative Culture Native American Studies Sociology master thesis 2018 ftunivcalgary https://doi.org/10.11575/PRISM/31883 2023-08-06T06:25:09Z The colonization of Canada has produced deleterious effects for the First Nations peoples that originally inhabited the land. Through sharing stories with a number of First Nations craft producers the objective of this research was to capture the endurance of First Nations culture beyond the disastrous effects of colonization and repression faced by the First Peoples of this continent. This study investigates the production of craft goods in First Nations communities by building on the concept of the narrative embedded in the material craft culture. By narrative, this study refers to the culturally specific ways that stories are created and maintained to preserve elements of culture and society. Craft goods continue to be produced and used in these communities as a way of preserving and reproducing the specific tribal knowledges that exist within these groups. Data in this project comes from semi-structured interviews with Indigenous craft makers. The methodology was developed to confront the positionality of a non-Indigenous researcher pursuing research objectives in a First Nations community and with the aim to be mindful and mitigate the effects of social privilege and power in the analysis of the data. Interviews and notes were analyzed through a hybrid of narrative and thematic analysis. The themes emerging from preliminary analysis of the data fit within a theoretical framework that centres and privileges Indigenous experience and perspective. Themes include: spirituality, family, animals, social structure, and resistance. These themes contribute to a larger cultural narrative of relationality and endurance embedded in the Indigenous material craft culture being investigated in the research. Together, these themes offer a clearer vision of the First Nations perspective and what it means to maintain a distinct cultural identity under the ongoing campaign of colonization. Master Thesis First Nations PRISM - University of Calgary Digital Repository Canada
spellingShingle First Nations
Craftwork
Decolonialism
Settler-colonialism
Narrative
Culture
Native American Studies
Sociology
Anton, James Wyatt
Moccasin Tracks: Reading the Narrative in Traditional Indigenous Craft Work
title Moccasin Tracks: Reading the Narrative in Traditional Indigenous Craft Work
title_full Moccasin Tracks: Reading the Narrative in Traditional Indigenous Craft Work
title_fullStr Moccasin Tracks: Reading the Narrative in Traditional Indigenous Craft Work
title_full_unstemmed Moccasin Tracks: Reading the Narrative in Traditional Indigenous Craft Work
title_short Moccasin Tracks: Reading the Narrative in Traditional Indigenous Craft Work
title_sort moccasin tracks: reading the narrative in traditional indigenous craft work
topic First Nations
Craftwork
Decolonialism
Settler-colonialism
Narrative
Culture
Native American Studies
Sociology
topic_facet First Nations
Craftwork
Decolonialism
Settler-colonialism
Narrative
Culture
Native American Studies
Sociology
url http://hdl.handle.net/1880/106597
https://doi.org/10.11575/PRISM/31883