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This essay navigates around ideas of normality, assimilation, language politics and nationalism in relation to deafness and the history of the minority languages Swedish Sign Language and Meänkieli. It takes it starting point in how Audism has manifested itself within my family, a brief history of t...
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Konstfack, Institutionen för Konst (K)
2022
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Online Access: | http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-8425 |
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ftunivcacd:oai:DiVA.org:konstfack-8425 2023-05-15T17:10:38+02:00 This language is not abandoned yet Thuresson, Josefine 2022 application/pdf http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-8425 eng eng Konstfack, Institutionen för Konst (K) http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-8425 info:eu-repo/semantics/openAccess Visual Arts Bildkonst Student thesis info:eu-repo/semantics/bachelorThesis text 2022 ftunivcacd 2023-01-15T13:34:21Z This essay navigates around ideas of normality, assimilation, language politics and nationalism in relation to deafness and the history of the minority languages Swedish Sign Language and Meänkieli. It takes it starting point in how Audism has manifested itself within my family, a brief history of the education of the Deaf and Swedish Sign Language and continues by looking at how language oppression is used as a tool by the nation state, and ends with looking at art as proposals and methods of political resistance, expanding on the art form Visual Vernacular (VV), with the background of mine and Karin Keisu’s multi-channel film installation Back to Back (2022). Bachelor Thesis meänkieli University College of Arts, Crafts and Design Stockholm: Publications |
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University College of Arts, Crafts and Design Stockholm: Publications |
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English |
topic |
Visual Arts Bildkonst |
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Visual Arts Bildkonst Thuresson, Josefine This language is not abandoned yet |
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Visual Arts Bildkonst |
description |
This essay navigates around ideas of normality, assimilation, language politics and nationalism in relation to deafness and the history of the minority languages Swedish Sign Language and Meänkieli. It takes it starting point in how Audism has manifested itself within my family, a brief history of the education of the Deaf and Swedish Sign Language and continues by looking at how language oppression is used as a tool by the nation state, and ends with looking at art as proposals and methods of political resistance, expanding on the art form Visual Vernacular (VV), with the background of mine and Karin Keisu’s multi-channel film installation Back to Back (2022). |
format |
Bachelor Thesis |
author |
Thuresson, Josefine |
author_facet |
Thuresson, Josefine |
author_sort |
Thuresson, Josefine |
title |
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title_short |
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title_full |
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title_fullStr |
This language is not abandoned yet |
title_full_unstemmed |
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title_sort |
this language is not abandoned yet |
publisher |
Konstfack, Institutionen för Konst (K) |
publishDate |
2022 |
url |
http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-8425 |
genre |
meänkieli |
genre_facet |
meänkieli |
op_relation |
http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-8425 |
op_rights |
info:eu-repo/semantics/openAccess |
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1766067268323639296 |