The politics of immobility in Leonard Peltier’s Prison Writings and Tomson Highway’s Rose
My thesis examines themes of immobility in Anishinabe-Lakota activist Leonard Peltier’s Prison Writings and Woods Cree author-playwright Tomson Highway’s musical-drama Rose. I perform a cross-cultural, as well as cross-disciplinary, analysis of how these two texts critique the racial, spatial, and s...
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University of British Columbia
2016
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ftunivbritcolcir:oai:circle.library.ubc.ca:2429/60194 2023-05-15T13:28:34+02:00 The politics of immobility in Leonard Peltier’s Prison Writings and Tomson Highway’s Rose Paul, Cameron Norman 2016 http://hdl.handle.net/2429/60194 eng eng University of British Columbia Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ CC-BY-NC-ND Text Thesis/Dissertation 2016 ftunivbritcolcir 2019-10-15T18:22:02Z My thesis examines themes of immobility in Anishinabe-Lakota activist Leonard Peltier’s Prison Writings and Woods Cree author-playwright Tomson Highway’s musical-drama Rose. I perform a cross-cultural, as well as cross-disciplinary, analysis of how these two texts critique the racial, spatial, and sexual politics that inhere in mobility and, in the case of automobiles, its frequent dependencies on petro-resource extraction. Rarely addressed as a project of ecological intervention, the numerous accounts of broken-down automobiles throughout Prison Writings present an indictment of both the immobilizing socio-economic dispossession of Indigenous communities and petro-dependency’s particularly destructive impact on their traditional lands. By depicting the traumatic effects of intra-tribal gender violence on the women of Wasaychigan Hill Indian Reserve, Rose both highlights and critiques the various regimes of mobility continuing to inhere within both the Canadian reserve system as a settler-colonial project and Canada’s broader adherence to international neoliberal policies, such as the trilateral North American Free Trade Agreement (NAFTA). Instead of appealing to dominant neoliberal narratives of unfettered mobility’s emancipatory potential, I argue Prison Writings and Rose collectively address scenes of apparent immobility and restraint that undermine such fetishizations of the mobile. Arts, Faculty of English, Department of Graduate Thesis anishina* University of British Columbia: cIRcle - UBC's Information Repository Indian |
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University of British Columbia: cIRcle - UBC's Information Repository |
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ftunivbritcolcir |
language |
English |
description |
My thesis examines themes of immobility in Anishinabe-Lakota activist Leonard Peltier’s Prison Writings and Woods Cree author-playwright Tomson Highway’s musical-drama Rose. I perform a cross-cultural, as well as cross-disciplinary, analysis of how these two texts critique the racial, spatial, and sexual politics that inhere in mobility and, in the case of automobiles, its frequent dependencies on petro-resource extraction. Rarely addressed as a project of ecological intervention, the numerous accounts of broken-down automobiles throughout Prison Writings present an indictment of both the immobilizing socio-economic dispossession of Indigenous communities and petro-dependency’s particularly destructive impact on their traditional lands. By depicting the traumatic effects of intra-tribal gender violence on the women of Wasaychigan Hill Indian Reserve, Rose both highlights and critiques the various regimes of mobility continuing to inhere within both the Canadian reserve system as a settler-colonial project and Canada’s broader adherence to international neoliberal policies, such as the trilateral North American Free Trade Agreement (NAFTA). Instead of appealing to dominant neoliberal narratives of unfettered mobility’s emancipatory potential, I argue Prison Writings and Rose collectively address scenes of apparent immobility and restraint that undermine such fetishizations of the mobile. Arts, Faculty of English, Department of Graduate |
format |
Thesis |
author |
Paul, Cameron Norman |
spellingShingle |
Paul, Cameron Norman The politics of immobility in Leonard Peltier’s Prison Writings and Tomson Highway’s Rose |
author_facet |
Paul, Cameron Norman |
author_sort |
Paul, Cameron Norman |
title |
The politics of immobility in Leonard Peltier’s Prison Writings and Tomson Highway’s Rose |
title_short |
The politics of immobility in Leonard Peltier’s Prison Writings and Tomson Highway’s Rose |
title_full |
The politics of immobility in Leonard Peltier’s Prison Writings and Tomson Highway’s Rose |
title_fullStr |
The politics of immobility in Leonard Peltier’s Prison Writings and Tomson Highway’s Rose |
title_full_unstemmed |
The politics of immobility in Leonard Peltier’s Prison Writings and Tomson Highway’s Rose |
title_sort |
politics of immobility in leonard peltier’s prison writings and tomson highway’s rose |
publisher |
University of British Columbia |
publishDate |
2016 |
url |
http://hdl.handle.net/2429/60194 |
geographic |
Indian |
geographic_facet |
Indian |
genre |
anishina* |
genre_facet |
anishina* |
op_rights |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
op_rightsnorm |
CC-BY-NC-ND |
_version_ |
1766404922709901312 |