Do you think it's over? : performance and the "third place" of Greenland's art history
During a performance piece in August 2015, Greenlandic performance artist Jessie Kleemann carried out an homage to a past artwork by Greenlandic-Danish artist Pia Arke: an ephemeral installation composed of used coffee grounds that Arke herself destroyed upon conclusion of the exhibition that had in...
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University of British Columbia
2016
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ftunivbritcolcir:oai:circle.library.ubc.ca:2429/58917 2023-05-15T16:29:34+02:00 Do you think it's over? : performance and the "third place" of Greenland's art history Norman, David Winfield 2016 http://hdl.handle.net/2429/58917 eng eng University of British Columbia Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ CC-BY-NC-ND Text Thesis/Dissertation 2016 ftunivbritcolcir 2019-10-15T18:21:04Z During a performance piece in August 2015, Greenlandic performance artist Jessie Kleemann carried out an homage to a past artwork by Greenlandic-Danish artist Pia Arke: an ephemeral installation composed of used coffee grounds that Arke herself destroyed upon conclusion of the exhibition that had included it. In order to elucidate the relationship established in Kleemann’s work, this thesis will undertake a close analysis of individual artworks by the two artists. The existing literature has portrayed these artists as lone figures, divorced from the mainstream of Greenlandic art, and they have rarely been compared to other Greenlandic artists, yet I argue they share a common method: a performance of history. This thesis will examine the durational and resonant aspects of both works, and through them argue that performance stages a responsive encounter between subject and object, and between historical references and the present. This thesis will highlight how performance has played a much larger role in reevaluating cultural discourses in Greenland than the existing literature suggests. Kleemann and Arke approach history through the durational aspect of temporality. I argue that in their oeuvres, the work of history occurs as a durational process of both presentation and re-presentation, where both the past and the present play active roles in forming historical knowledge. Arts, Faculty of Art History, Visual Art and Theory, Department of Graduate Thesis Greenland greenlandic University of British Columbia: cIRcle - UBC's Information Repository Greenland Lone ENVELOPE(11.982,11.982,65.105,65.105) |
institution |
Open Polar |
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University of British Columbia: cIRcle - UBC's Information Repository |
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ftunivbritcolcir |
language |
English |
description |
During a performance piece in August 2015, Greenlandic performance artist Jessie Kleemann carried out an homage to a past artwork by Greenlandic-Danish artist Pia Arke: an ephemeral installation composed of used coffee grounds that Arke herself destroyed upon conclusion of the exhibition that had included it. In order to elucidate the relationship established in Kleemann’s work, this thesis will undertake a close analysis of individual artworks by the two artists. The existing literature has portrayed these artists as lone figures, divorced from the mainstream of Greenlandic art, and they have rarely been compared to other Greenlandic artists, yet I argue they share a common method: a performance of history. This thesis will examine the durational and resonant aspects of both works, and through them argue that performance stages a responsive encounter between subject and object, and between historical references and the present. This thesis will highlight how performance has played a much larger role in reevaluating cultural discourses in Greenland than the existing literature suggests. Kleemann and Arke approach history through the durational aspect of temporality. I argue that in their oeuvres, the work of history occurs as a durational process of both presentation and re-presentation, where both the past and the present play active roles in forming historical knowledge. Arts, Faculty of Art History, Visual Art and Theory, Department of Graduate |
format |
Thesis |
author |
Norman, David Winfield |
spellingShingle |
Norman, David Winfield Do you think it's over? : performance and the "third place" of Greenland's art history |
author_facet |
Norman, David Winfield |
author_sort |
Norman, David Winfield |
title |
Do you think it's over? : performance and the "third place" of Greenland's art history |
title_short |
Do you think it's over? : performance and the "third place" of Greenland's art history |
title_full |
Do you think it's over? : performance and the "third place" of Greenland's art history |
title_fullStr |
Do you think it's over? : performance and the "third place" of Greenland's art history |
title_full_unstemmed |
Do you think it's over? : performance and the "third place" of Greenland's art history |
title_sort |
do you think it's over? : performance and the "third place" of greenland's art history |
publisher |
University of British Columbia |
publishDate |
2016 |
url |
http://hdl.handle.net/2429/58917 |
long_lat |
ENVELOPE(11.982,11.982,65.105,65.105) |
geographic |
Greenland Lone |
geographic_facet |
Greenland Lone |
genre |
Greenland greenlandic |
genre_facet |
Greenland greenlandic |
op_rights |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
op_rightsnorm |
CC-BY-NC-ND |
_version_ |
1766019272521285632 |