Bella Coola Indian music : a study of the interaction between Northwest Coast Indian musical structures and their functional context
The thesis attempts to fill one of the many gaps in the research of Northwest Coast Indian musics by providing the first study of Bella Coola songs as they have been preserved on tape. The work is based on my own field recordings and notes, the wax cylinder recordings and contextual reconstrucr tion...
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ftunivbritcolcir:oai:circle.library.ubc.ca:2429/20629 2023-05-15T16:16:41+02:00 Bella Coola Indian music : a study of the interaction between Northwest Coast Indian musical structures and their functional context Kolstee, Anton Frederik 1977 http://hdl.handle.net/2429/20629 eng eng For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. First Nations--Music Nuxalk (Bella Coola)--Music Ethnomusicology Arrangement (Music) Text Thesis/Dissertation 1977 ftunivbritcolcir 2019-10-15T17:54:48Z The thesis attempts to fill one of the many gaps in the research of Northwest Coast Indian musics by providing the first study of Bella Coola songs as they have been preserved on tape. The work is based on my own field recordings and notes, the wax cylinder recordings and contextual reconstrucr tions of T.F. Mcllwraith, tapes made by the B.C. Indian Language Project, by Mildred Valley Thornton, by Philip Davis, and by the Bella Coola. themselves. Part One of the study describes the ethnographic context of the songs. A discussion of the situations in which they were used, the performance organization (principal performers, instruments and so on) with which they were associated, and the two types of compositional processes employed to create them is included. Part Two consists of an analysis of the music's structural characteristics. Modal and formal processes, drum rhythms, language-melody interactions, and style change (over a 51 year period) are examined. Dance, language, and histrionics played significant roles in determining certain of the music's attributes. The hierarchy of the music's structural characteristics was found to strongly reflect that of their functional categories. Finally, Part Three provides 73 original transcriptions that encompass a broad spectrum of the Bella Coola ceremonial and non-ceremonial repertoires. Arts, Faculty of Music, School of Graduate Thesis First Nations University of British Columbia: cIRcle - UBC's Information Repository Indian Thornton ENVELOPE(-57.467,-57.467,-63.267,-63.267) |
institution |
Open Polar |
collection |
University of British Columbia: cIRcle - UBC's Information Repository |
op_collection_id |
ftunivbritcolcir |
language |
English |
topic |
First Nations--Music Nuxalk (Bella Coola)--Music Ethnomusicology Arrangement (Music) |
spellingShingle |
First Nations--Music Nuxalk (Bella Coola)--Music Ethnomusicology Arrangement (Music) Kolstee, Anton Frederik Bella Coola Indian music : a study of the interaction between Northwest Coast Indian musical structures and their functional context |
topic_facet |
First Nations--Music Nuxalk (Bella Coola)--Music Ethnomusicology Arrangement (Music) |
description |
The thesis attempts to fill one of the many gaps in the research of Northwest Coast Indian musics by providing the first study of Bella Coola songs as they have been preserved on tape. The work is based on my own field recordings and notes, the wax cylinder recordings and contextual reconstrucr tions of T.F. Mcllwraith, tapes made by the B.C. Indian Language Project, by Mildred Valley Thornton, by Philip Davis, and by the Bella Coola. themselves. Part One of the study describes the ethnographic context of the songs. A discussion of the situations in which they were used, the performance organization (principal performers, instruments and so on) with which they were associated, and the two types of compositional processes employed to create them is included. Part Two consists of an analysis of the music's structural characteristics. Modal and formal processes, drum rhythms, language-melody interactions, and style change (over a 51 year period) are examined. Dance, language, and histrionics played significant roles in determining certain of the music's attributes. The hierarchy of the music's structural characteristics was found to strongly reflect that of their functional categories. Finally, Part Three provides 73 original transcriptions that encompass a broad spectrum of the Bella Coola ceremonial and non-ceremonial repertoires. Arts, Faculty of Music, School of Graduate |
format |
Thesis |
author |
Kolstee, Anton Frederik |
author_facet |
Kolstee, Anton Frederik |
author_sort |
Kolstee, Anton Frederik |
title |
Bella Coola Indian music : a study of the interaction between Northwest Coast Indian musical structures and their functional context |
title_short |
Bella Coola Indian music : a study of the interaction between Northwest Coast Indian musical structures and their functional context |
title_full |
Bella Coola Indian music : a study of the interaction between Northwest Coast Indian musical structures and their functional context |
title_fullStr |
Bella Coola Indian music : a study of the interaction between Northwest Coast Indian musical structures and their functional context |
title_full_unstemmed |
Bella Coola Indian music : a study of the interaction between Northwest Coast Indian musical structures and their functional context |
title_sort |
bella coola indian music : a study of the interaction between northwest coast indian musical structures and their functional context |
publishDate |
1977 |
url |
http://hdl.handle.net/2429/20629 |
long_lat |
ENVELOPE(-57.467,-57.467,-63.267,-63.267) |
geographic |
Indian Thornton |
geographic_facet |
Indian Thornton |
genre |
First Nations |
genre_facet |
First Nations |
op_rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. |
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1766002541526515712 |