Mitakuye Oyas’in : performing trauma to strength

Mitakuye Oyas’in is a creative non-fiction addressing the root causes of presentday conditions of fifteen urban Native youth. After uncovering individual as well as collective stories of discrimination and violence through the process of personal narratives (spilaxem) and re-enactment, fifteen urban...

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Main Author: Giard, Marie Annette Monique
Format: Thesis
Language:English
Published: 2005
Subjects:
Online Access:http://hdl.handle.net/2429/17033
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spelling ftunivbritcolcir:oai:circle.library.ubc.ca:2429/17033 2023-05-15T16:17:01+02:00 Mitakuye Oyas’in : performing trauma to strength Giard, Marie Annette Monique 2005 http://hdl.handle.net/2429/17033 eng eng For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. Text Thesis/Dissertation 2005 ftunivbritcolcir 2019-10-15T17:52:43Z Mitakuye Oyas’in is a creative non-fiction addressing the root causes of presentday conditions of fifteen urban Native youth. After uncovering individual as well as collective stories of discrimination and violence through the process of personal narratives (spilaxem) and re-enactment, fifteen urban Native youth developed and conducted anti-racist and anti-bullying workshops aimed at transforming hurt into hope. This performative-intervention becomes a healing process as youth gradually take on new relational roles and perform 'a head taller' as community leaders, role models, and healers for themselves and their peers. Section One explores youth spilaxem and the co-creation of a holding environment for stories of hurt to be shared. Section Two addresses recovering emotional and physical aspects of trauma, remembering and sharing experiences and commonalities through re-enactment and video-making. Section Three provides creative ways of Performing Trauma to Strength sqilxwcut (the Indian Way) by calling the circle, and annunciating hope within a larger community, The last chapter demonstrates the efficacy of Performing Trauma to Strength as a preventative and healing intervention with youth inside and outside classrooms. Through Performing Trauma to Strength, First Nations youth in particular are offered opportunities for healing and growth as they engage in all phases of the performance project. Performing Trauma to Strength can be construed as a ritual of social integration and social justice. For people who have endured acts of violence, those who find refuge within themselves or in 'acting out' their suffering, or those who have not found a purpose for living, Mitakuye Oyas’in is an inspirational model aiming to re-ignite the fire of life and rekindle the vitality of living Seven animal-icons from the Medicine Wheel appear along the journey bringing wisdom and ancestral epistemologies. A tressage approach, where interconnectedness is paramount, includes ancestral as well as newer ways of being in the world, interweaving theory and practice (tool-and-result) in the unfolding of Performing Trauma to Strength. Education, Faculty of Curriculum and Pedagogy (EDCP), Department of Graduate Thesis First Nations University of British Columbia: cIRcle - UBC's Information Repository Indian
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collection University of British Columbia: cIRcle - UBC's Information Repository
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language English
description Mitakuye Oyas’in is a creative non-fiction addressing the root causes of presentday conditions of fifteen urban Native youth. After uncovering individual as well as collective stories of discrimination and violence through the process of personal narratives (spilaxem) and re-enactment, fifteen urban Native youth developed and conducted anti-racist and anti-bullying workshops aimed at transforming hurt into hope. This performative-intervention becomes a healing process as youth gradually take on new relational roles and perform 'a head taller' as community leaders, role models, and healers for themselves and their peers. Section One explores youth spilaxem and the co-creation of a holding environment for stories of hurt to be shared. Section Two addresses recovering emotional and physical aspects of trauma, remembering and sharing experiences and commonalities through re-enactment and video-making. Section Three provides creative ways of Performing Trauma to Strength sqilxwcut (the Indian Way) by calling the circle, and annunciating hope within a larger community, The last chapter demonstrates the efficacy of Performing Trauma to Strength as a preventative and healing intervention with youth inside and outside classrooms. Through Performing Trauma to Strength, First Nations youth in particular are offered opportunities for healing and growth as they engage in all phases of the performance project. Performing Trauma to Strength can be construed as a ritual of social integration and social justice. For people who have endured acts of violence, those who find refuge within themselves or in 'acting out' their suffering, or those who have not found a purpose for living, Mitakuye Oyas’in is an inspirational model aiming to re-ignite the fire of life and rekindle the vitality of living Seven animal-icons from the Medicine Wheel appear along the journey bringing wisdom and ancestral epistemologies. A tressage approach, where interconnectedness is paramount, includes ancestral as well as newer ways of being in the world, interweaving theory and practice (tool-and-result) in the unfolding of Performing Trauma to Strength. Education, Faculty of Curriculum and Pedagogy (EDCP), Department of Graduate
format Thesis
author Giard, Marie Annette Monique
spellingShingle Giard, Marie Annette Monique
Mitakuye Oyas’in : performing trauma to strength
author_facet Giard, Marie Annette Monique
author_sort Giard, Marie Annette Monique
title Mitakuye Oyas’in : performing trauma to strength
title_short Mitakuye Oyas’in : performing trauma to strength
title_full Mitakuye Oyas’in : performing trauma to strength
title_fullStr Mitakuye Oyas’in : performing trauma to strength
title_full_unstemmed Mitakuye Oyas’in : performing trauma to strength
title_sort mitakuye oyas’in : performing trauma to strength
publishDate 2005
url http://hdl.handle.net/2429/17033
geographic Indian
geographic_facet Indian
genre First Nations
genre_facet First Nations
op_rights For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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