The writing on the wall : the work of Joane Cardinal-Schubert

This publication was largely written and compiled on the traditional territories of the Blackfoot and the people of the Treaty 7 region of Southern Alberta. The works illustrated are drawn primarily from collections, both public and private, on this same land which includes the Siksika, the Piikuni,...

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Bibliographic Details
Other Authors: Sharman, Lindsey V.
Format: Book
Language:English
Published: University of Calgary Press 2017
Subjects:
Online Access:https://hdl.handle.net/20.500.12010/15704
https://www.jstor.org/stable/j.ctv6gqrzp
https://doi.org/10.2307/j.ctv6gqrzp
id ftunivbogotajtl:oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/15704
record_format openpolar
spelling ftunivbogotajtl:oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/15704 2024-09-15T18:06:36+00:00 The writing on the wall : the work of Joane Cardinal-Schubert Sharman, Lindsey V. 2017 196 páginas application/pdf https://hdl.handle.net/20.500.12010/15704 https://www.jstor.org/stable/j.ctv6gqrzp https://doi.org/10.2307/j.ctv6gqrzp eng eng University of Calgary Press 978-1-55238-951-5 https://www.jstor.org/stable/j.ctv6gqrzp http://hdl.handle.net/20.500.12010/15704 https://doi.org/10.2307/j.ctv6gqrzp info:eu-repo/semantics/openAccess Abierto (Texto Completo) https://creativecommons.org/licenses/by-nc-nd/4.0/ Joane Cardinal-Schubert Cardinal-Schubert Joane 1942–2009 Pintores -- Canadá -- Biografías Pintores canadienses http://purl.org/coar/resource_type/c_2f33 2017 ftunivbogotajtl https://doi.org/20.500.12010/1570410.2307/j.ctv6gqrzp 2024-07-22T03:09:33Z This publication was largely written and compiled on the traditional territories of the Blackfoot and the people of the Treaty 7 region of Southern Alberta. The works illustrated are drawn primarily from collections, both public and private, on this same land which includes the Siksika, the Piikuni, the Kainai, the Tsuu T’ina and the Stoney Nakoda First Nations. Dr. Joane Cardinal-Schubert, RCA affirmed herself as “Blackfoot-Blood” or Kainai. Cardinal-Schubert introduced herself and her work succinctly and aptly in Loretta Todd’s film, Hands of History by simply stating, “I am Joane Cardinal-Schubert – and I play a lot.” Book First Nations Nakoda Expeditio - Repositorio Institucional Universidad de Bogotá Jorge Tadeo Lozano (UTADEO)
institution Open Polar
collection Expeditio - Repositorio Institucional Universidad de Bogotá Jorge Tadeo Lozano (UTADEO)
op_collection_id ftunivbogotajtl
language English
topic Joane Cardinal-Schubert
Cardinal-Schubert
Joane
1942–2009
Pintores -- Canadá -- Biografías
Pintores canadienses
spellingShingle Joane Cardinal-Schubert
Cardinal-Schubert
Joane
1942–2009
Pintores -- Canadá -- Biografías
Pintores canadienses
The writing on the wall : the work of Joane Cardinal-Schubert
topic_facet Joane Cardinal-Schubert
Cardinal-Schubert
Joane
1942–2009
Pintores -- Canadá -- Biografías
Pintores canadienses
description This publication was largely written and compiled on the traditional territories of the Blackfoot and the people of the Treaty 7 region of Southern Alberta. The works illustrated are drawn primarily from collections, both public and private, on this same land which includes the Siksika, the Piikuni, the Kainai, the Tsuu T’ina and the Stoney Nakoda First Nations. Dr. Joane Cardinal-Schubert, RCA affirmed herself as “Blackfoot-Blood” or Kainai. Cardinal-Schubert introduced herself and her work succinctly and aptly in Loretta Todd’s film, Hands of History by simply stating, “I am Joane Cardinal-Schubert – and I play a lot.”
author2 Sharman, Lindsey V.
format Book
title The writing on the wall : the work of Joane Cardinal-Schubert
title_short The writing on the wall : the work of Joane Cardinal-Schubert
title_full The writing on the wall : the work of Joane Cardinal-Schubert
title_fullStr The writing on the wall : the work of Joane Cardinal-Schubert
title_full_unstemmed The writing on the wall : the work of Joane Cardinal-Schubert
title_sort writing on the wall : the work of joane cardinal-schubert
publisher University of Calgary Press
publishDate 2017
url https://hdl.handle.net/20.500.12010/15704
https://www.jstor.org/stable/j.ctv6gqrzp
https://doi.org/10.2307/j.ctv6gqrzp
genre First Nations
Nakoda
genre_facet First Nations
Nakoda
op_relation 978-1-55238-951-5
https://www.jstor.org/stable/j.ctv6gqrzp
http://hdl.handle.net/20.500.12010/15704
https://doi.org/10.2307/j.ctv6gqrzp
op_rights info:eu-repo/semantics/openAccess
Abierto (Texto Completo)
https://creativecommons.org/licenses/by-nc-nd/4.0/
op_doi https://doi.org/20.500.12010/1570410.2307/j.ctv6gqrzp
_version_ 1810444017537646592