The writing on the wall : the work of Joane Cardinal-Schubert
This publication was largely written and compiled on the traditional territories of the Blackfoot and the people of the Treaty 7 region of Southern Alberta. The works illustrated are drawn primarily from collections, both public and private, on this same land which includes the Siksika, the Piikuni,...
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University of Calgary Press
2017
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Online Access: | https://hdl.handle.net/20.500.12010/15704 https://www.jstor.org/stable/j.ctv6gqrzp https://doi.org/10.2307/j.ctv6gqrzp |
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ftunivbogotajtl:oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/15704 2024-09-15T18:06:36+00:00 The writing on the wall : the work of Joane Cardinal-Schubert Sharman, Lindsey V. 2017 196 páginas application/pdf https://hdl.handle.net/20.500.12010/15704 https://www.jstor.org/stable/j.ctv6gqrzp https://doi.org/10.2307/j.ctv6gqrzp eng eng University of Calgary Press 978-1-55238-951-5 https://www.jstor.org/stable/j.ctv6gqrzp http://hdl.handle.net/20.500.12010/15704 https://doi.org/10.2307/j.ctv6gqrzp info:eu-repo/semantics/openAccess Abierto (Texto Completo) https://creativecommons.org/licenses/by-nc-nd/4.0/ Joane Cardinal-Schubert Cardinal-Schubert Joane 1942–2009 Pintores -- Canadá -- Biografías Pintores canadienses http://purl.org/coar/resource_type/c_2f33 2017 ftunivbogotajtl https://doi.org/20.500.12010/1570410.2307/j.ctv6gqrzp 2024-07-22T03:09:33Z This publication was largely written and compiled on the traditional territories of the Blackfoot and the people of the Treaty 7 region of Southern Alberta. The works illustrated are drawn primarily from collections, both public and private, on this same land which includes the Siksika, the Piikuni, the Kainai, the Tsuu T’ina and the Stoney Nakoda First Nations. Dr. Joane Cardinal-Schubert, RCA affirmed herself as “Blackfoot-Blood” or Kainai. Cardinal-Schubert introduced herself and her work succinctly and aptly in Loretta Todd’s film, Hands of History by simply stating, “I am Joane Cardinal-Schubert – and I play a lot.” Book First Nations Nakoda Expeditio - Repositorio Institucional Universidad de Bogotá Jorge Tadeo Lozano (UTADEO) |
institution |
Open Polar |
collection |
Expeditio - Repositorio Institucional Universidad de Bogotá Jorge Tadeo Lozano (UTADEO) |
op_collection_id |
ftunivbogotajtl |
language |
English |
topic |
Joane Cardinal-Schubert Cardinal-Schubert Joane 1942–2009 Pintores -- Canadá -- Biografías Pintores canadienses |
spellingShingle |
Joane Cardinal-Schubert Cardinal-Schubert Joane 1942–2009 Pintores -- Canadá -- Biografías Pintores canadienses The writing on the wall : the work of Joane Cardinal-Schubert |
topic_facet |
Joane Cardinal-Schubert Cardinal-Schubert Joane 1942–2009 Pintores -- Canadá -- Biografías Pintores canadienses |
description |
This publication was largely written and compiled on the traditional territories of the Blackfoot and the people of the Treaty 7 region of Southern Alberta. The works illustrated are drawn primarily from collections, both public and private, on this same land which includes the Siksika, the Piikuni, the Kainai, the Tsuu T’ina and the Stoney Nakoda First Nations. Dr. Joane Cardinal-Schubert, RCA affirmed herself as “Blackfoot-Blood” or Kainai. Cardinal-Schubert introduced herself and her work succinctly and aptly in Loretta Todd’s film, Hands of History by simply stating, “I am Joane Cardinal-Schubert – and I play a lot.” |
author2 |
Sharman, Lindsey V. |
format |
Book |
title |
The writing on the wall : the work of Joane Cardinal-Schubert |
title_short |
The writing on the wall : the work of Joane Cardinal-Schubert |
title_full |
The writing on the wall : the work of Joane Cardinal-Schubert |
title_fullStr |
The writing on the wall : the work of Joane Cardinal-Schubert |
title_full_unstemmed |
The writing on the wall : the work of Joane Cardinal-Schubert |
title_sort |
writing on the wall : the work of joane cardinal-schubert |
publisher |
University of Calgary Press |
publishDate |
2017 |
url |
https://hdl.handle.net/20.500.12010/15704 https://www.jstor.org/stable/j.ctv6gqrzp https://doi.org/10.2307/j.ctv6gqrzp |
genre |
First Nations Nakoda |
genre_facet |
First Nations Nakoda |
op_relation |
978-1-55238-951-5 https://www.jstor.org/stable/j.ctv6gqrzp http://hdl.handle.net/20.500.12010/15704 https://doi.org/10.2307/j.ctv6gqrzp |
op_rights |
info:eu-repo/semantics/openAccess Abierto (Texto Completo) https://creativecommons.org/licenses/by-nc-nd/4.0/ |
op_doi |
https://doi.org/20.500.12010/1570410.2307/j.ctv6gqrzp |
_version_ |
1810444017537646592 |