Havmannen - et estetisk møte
The politics of spectatorship and the aesthetic writings of the French-Algerian philosopher Jaques Rancière (1940) are the main focal points in this thesis. The aesthetic writings of Rancière have received increased attention in the last few years. A recurrent motif in his work is capturing the rela...
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Format: | Master Thesis |
Language: | Norwegian Bokmål |
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The University of Bergen
2013
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Online Access: | https://hdl.handle.net/1956/6808 |