The Arctic and Antarctica: Greenland Research Trips 2012 and 2015.

Two pivotal research trips to Greenland in 2012 and 2015 extended Neudecker’s ongoing research into how the legacy of the Romantic Sublime and limited visual representations shape our perceptions of the Arctic regions. Questioning notions of wilderness in the context of current environmental and geo...

Full description

Bibliographic Details
Main Author: Mariele Neudecker
Format: Dataset
Language:unknown
Published: 2021
Subjects:
air
art
Online Access:https://doi.org/10.17870/bathspa.12994070.v1
https://figshare.com/articles/dataset/The_Arctic_and_Antarctica_Greenland_Research_Trips_2012_and_2015_/12994070
id ftunivbathspafig:oai:figshare.com:article/12994070
record_format openpolar
spelling ftunivbathspafig:oai:figshare.com:article/12994070 2023-09-05T13:14:47+02:00 The Arctic and Antarctica: Greenland Research Trips 2012 and 2015. Mariele Neudecker 2021-03-28T10:10:31Z https://doi.org/10.17870/bathspa.12994070.v1 https://figshare.com/articles/dataset/The_Arctic_and_Antarctica_Greenland_Research_Trips_2012_and_2015_/12994070 unknown doi:10.17870/bathspa.12994070.v1 https://figshare.com/articles/dataset/The_Arctic_and_Antarctica_Greenland_Research_Trips_2012_and_2015_/12994070 In Copyright Art history theory and criticism not elsewhere classified Digital and electronic media art Fine arts Performance art remote invisible visible imagination mediation climate weather sublime perception metaphor human psychology human impact air climate change pollution dichotomy environment science art painting international photography territory Electronic Media Art Fine Arts (incl. Sculpture and Painting) Performance and Installation Art Dataset 2021 ftunivbathspafig https://doi.org/10.17870/bathspa.12994070.v1 2023-08-11T06:19:17Z Two pivotal research trips to Greenland in 2012 and 2015 extended Neudecker’s ongoing research into how the legacy of the Romantic Sublime and limited visual representations shape our perceptions of the Arctic regions. Questioning notions of wilderness in the context of current environmental and geopolitical realities this collection generates new perspectives on the contemporary Sublime. This item documents Neudecker's 2 research trips to Greenland, the first in 2012 that included a 5 day expedition with Inuit subsistence hunters, and the second in 2015 with Project Pressure to document receding glaciers. The research conducted on both trips had a significant impact on the development of subsequent works and exhibitions. Also included in this item is Lamentations, a brief essay by Neudecker reflecting on her experience during her first Greenland expedition and is included in Hinterland , a collection of essays about her work which was published by the Trondheim Kunstmuseum, in 2014. and was edited by Pontus Kyander, Director of Trondheim Kunstmuseum, Norway. Photography by Mariele Neudecker. Images used with permission. A feature in the Guardian's In Pictures documents Neudecker's visit in Greenland Glaciers through an artist's eyes: https://www.theguardian.com/environment/gallery/2016/feb/25/greenland-glaciers-mariele-neudecker-klaus-thymann-project-pressure The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. Dataset Antarc* Antarctica Arctic Climate change Greenland inuit Bath Spa University: Figshare Arctic Greenland Klaus ENVELOPE(24.117,24.117,65.717,65.717) Norway
institution Open Polar
collection Bath Spa University: Figshare
op_collection_id ftunivbathspafig
language unknown
topic Art history
theory and criticism not elsewhere classified
Digital and electronic media art
Fine arts
Performance art
remote
invisible
visible
imagination
mediation
climate
weather
sublime
perception
metaphor
human psychology
human impact
air
climate change
pollution
dichotomy
environment
science
art
painting
international
photography
territory
Electronic Media Art
Fine Arts (incl. Sculpture and Painting)
Performance and Installation Art
spellingShingle Art history
theory and criticism not elsewhere classified
Digital and electronic media art
Fine arts
Performance art
remote
invisible
visible
imagination
mediation
climate
weather
sublime
perception
metaphor
human psychology
human impact
air
climate change
pollution
dichotomy
environment
science
art
painting
international
photography
territory
Electronic Media Art
Fine Arts (incl. Sculpture and Painting)
Performance and Installation Art
Mariele Neudecker
The Arctic and Antarctica: Greenland Research Trips 2012 and 2015.
topic_facet Art history
theory and criticism not elsewhere classified
Digital and electronic media art
Fine arts
Performance art
remote
invisible
visible
imagination
mediation
climate
weather
sublime
perception
metaphor
human psychology
human impact
air
climate change
pollution
dichotomy
environment
science
art
painting
international
photography
territory
Electronic Media Art
Fine Arts (incl. Sculpture and Painting)
Performance and Installation Art
description Two pivotal research trips to Greenland in 2012 and 2015 extended Neudecker’s ongoing research into how the legacy of the Romantic Sublime and limited visual representations shape our perceptions of the Arctic regions. Questioning notions of wilderness in the context of current environmental and geopolitical realities this collection generates new perspectives on the contemporary Sublime. This item documents Neudecker's 2 research trips to Greenland, the first in 2012 that included a 5 day expedition with Inuit subsistence hunters, and the second in 2015 with Project Pressure to document receding glaciers. The research conducted on both trips had a significant impact on the development of subsequent works and exhibitions. Also included in this item is Lamentations, a brief essay by Neudecker reflecting on her experience during her first Greenland expedition and is included in Hinterland , a collection of essays about her work which was published by the Trondheim Kunstmuseum, in 2014. and was edited by Pontus Kyander, Director of Trondheim Kunstmuseum, Norway. Photography by Mariele Neudecker. Images used with permission. A feature in the Guardian's In Pictures documents Neudecker's visit in Greenland Glaciers through an artist's eyes: https://www.theguardian.com/environment/gallery/2016/feb/25/greenland-glaciers-mariele-neudecker-klaus-thymann-project-pressure The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.
format Dataset
author Mariele Neudecker
author_facet Mariele Neudecker
author_sort Mariele Neudecker
title The Arctic and Antarctica: Greenland Research Trips 2012 and 2015.
title_short The Arctic and Antarctica: Greenland Research Trips 2012 and 2015.
title_full The Arctic and Antarctica: Greenland Research Trips 2012 and 2015.
title_fullStr The Arctic and Antarctica: Greenland Research Trips 2012 and 2015.
title_full_unstemmed The Arctic and Antarctica: Greenland Research Trips 2012 and 2015.
title_sort arctic and antarctica: greenland research trips 2012 and 2015.
publishDate 2021
url https://doi.org/10.17870/bathspa.12994070.v1
https://figshare.com/articles/dataset/The_Arctic_and_Antarctica_Greenland_Research_Trips_2012_and_2015_/12994070
long_lat ENVELOPE(24.117,24.117,65.717,65.717)
geographic Arctic
Greenland
Klaus
Norway
geographic_facet Arctic
Greenland
Klaus
Norway
genre Antarc*
Antarctica
Arctic
Climate change
Greenland
inuit
genre_facet Antarc*
Antarctica
Arctic
Climate change
Greenland
inuit
op_relation doi:10.17870/bathspa.12994070.v1
https://figshare.com/articles/dataset/The_Arctic_and_Antarctica_Greenland_Research_Trips_2012_and_2015_/12994070
op_rights In Copyright
op_doi https://doi.org/10.17870/bathspa.12994070.v1
_version_ 1776196717606076416