Transforming the trolls: the metamorphosis of the troll-woman in 'Bárðar saga Snæfellsáss'

• Main Author: Barraclough, E.R
• Format: Article in Journal/Newspaper
• Language: unknown
• Published: Cambridge Colloquium in Anglo-Saxon, Norse and Celtic (CCASNC), University of Cambridge 2008
• Subjects: Norway; Troll; Iceland
• Online Access: http://researchspace.bathspa.ac.uk/14988/; https://www.asnc.cam.ac.uk/publications/quaestio/Quaestio2008.html

Bárðar saga is an intriguing yet puzzling text, which chronicles the life of the blendingr (half-troll, half-giant) Bárðr Dumbsson and his family, from an exposition of his ancestry to the death of his son Gestr on the night of his conversion to Christianity. Beginning with the reign of Dumbr (Bárðr’s troll-king father) in Norway, the saga tracks Bárðr’s settlement at Snæfellsness in Iceland and his self-imposed exile following the disappearance of his daughter Helga. As he retreats into the mountains, Bárðr is cast in a new supernatural mould, embracing his giant heritage in order to become the guardian spirit of the district. Finally, the story turns to his son Gestr and his adventures at the court of King Óláfr Tryggvason. He converts to Christianity at the request of the king, but on the night of his baptism Bárðr appears, accusing Gestr of betraying his pagan ancestors before killing him. Bárðar saga follows many features of structure and plot typical to the Íslendingasögur (family sagas), the genre to which it is assigned, including the protagonists’ settlement of Iceland, district feuds and conversions to Christianity. However, the conventions of this socially realistic genre are fundamentally subverted when a pagan clan of monstrous descent takes centre stage as a set of unlikely protagonists. Consequently, Bárðar saga presents us with numerous difficulties in terms of its generic classification, thematic preoccupations and unusual characterisations. However, its rich manuscript transmission suggests continuing popularity almost to the present day, both in literary circles and in popular culture. Nevertheless, the saga’s unconventional design has baffled modern scholars, who have found it particularly difficult to reconstruct a ‘horizon of expectations’ upon which to base an understanding of the piece This paper is concerned primarily with the characterisation of Helga Bárðardóttir, the enigmatic daughter of Bárðr Dumbsson. It will concentrate on the metamorphosis of the conventional figure of the troll ...