.a tent, pitched in the wilderness

‘A tent, pitched in the wilderness’, shown at prominent Sydney gallery Stills, features deserts, architecture and artifacts photographed in Egypt and European museums in late 2011. Inspired by Antarctica, this work identifies a visual and experiential correspondence between the deserts of hot and co...

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Bibliographic Details
Main Author: Jenkinson, ML
Format: Other/Unknown Material
Language:unknown
Published: 2011
Subjects:
Online Access:http://hdl.handle.net/2292/17527
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spelling ftunivauckland:oai:researchspace.auckland.ac.nz:2292/17527 2023-05-15T13:58:52+02:00 .a tent, pitched in the wilderness Jenkinson, ML Stills Gallery, Sydney 2011 14 Digital Ultrachrome Prints on Hahnemuhle paper and lenticular print. http://hdl.handle.net/2292/17527 unknown Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm Copyright: The Author http://purl.org/eprint/accessRights/RestrictedAccess http://www.stillsgallery.com.au/artists/jenkinson/index.php?obj_id=folio&image=1&nav=1 Creative Work 2011 ftunivauckland 2013-12-07T09:57:38Z ‘A tent, pitched in the wilderness’, shown at prominent Sydney gallery Stills, features deserts, architecture and artifacts photographed in Egypt and European museums in late 2011. Inspired by Antarctica, this work identifies a visual and experiential correspondence between the deserts of hot and cold regions, yet acknowledges major differences in the impact of civilization: “Jenkinson’s photographs of / deserts [contain] phantom remains of past civilizations and intimations of possible futures”, Sydney Morning Herald. In highlighting the continuing relevance of the past, this work stands in contra-distinction to the current tendency to give primacy to the new and ever-present, e.g. the recent Egyptian uprising is shown as part of an historical continuum of conflict rather than an insolated incident, a point astutely unraveled by S. Rosenblum in the interview she conducted for East Sydney Radio. Other/Unknown Material Antarc* Antarctica University of Auckland Research Repository - ResearchSpace
institution Open Polar
collection University of Auckland Research Repository - ResearchSpace
op_collection_id ftunivauckland
language unknown
description ‘A tent, pitched in the wilderness’, shown at prominent Sydney gallery Stills, features deserts, architecture and artifacts photographed in Egypt and European museums in late 2011. Inspired by Antarctica, this work identifies a visual and experiential correspondence between the deserts of hot and cold regions, yet acknowledges major differences in the impact of civilization: “Jenkinson’s photographs of / deserts [contain] phantom remains of past civilizations and intimations of possible futures”, Sydney Morning Herald. In highlighting the continuing relevance of the past, this work stands in contra-distinction to the current tendency to give primacy to the new and ever-present, e.g. the recent Egyptian uprising is shown as part of an historical continuum of conflict rather than an insolated incident, a point astutely unraveled by S. Rosenblum in the interview she conducted for East Sydney Radio.
format Other/Unknown Material
author Jenkinson, ML
spellingShingle Jenkinson, ML
.a tent, pitched in the wilderness
author_facet Jenkinson, ML
author_sort Jenkinson, ML
title .a tent, pitched in the wilderness
title_short .a tent, pitched in the wilderness
title_full .a tent, pitched in the wilderness
title_fullStr .a tent, pitched in the wilderness
title_full_unstemmed .a tent, pitched in the wilderness
title_sort .a tent, pitched in the wilderness
publishDate 2011
url http://hdl.handle.net/2292/17527
op_coverage Stills Gallery, Sydney
genre Antarc*
Antarctica
genre_facet Antarc*
Antarctica
op_source http://www.stillsgallery.com.au/artists/jenkinson/index.php?obj_id=folio&image=1&nav=1
op_rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher.
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm
Copyright: The Author
http://purl.org/eprint/accessRights/RestrictedAccess
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