Musical Vocabularies : creating a framework for meaningful intercultural musical dialogue
In this arts-based research I draw on the approaches of autoethnography and artistic research to uncover findings emerging from my artistic and pedagogical navigation through traditional and contemporary folk and global musics. I explore the processes of my own interpretations and understandings of...
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Taideyliopiston Sibelius-Akatemia
2023
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Online Access: | https://taju.uniarts.fi/handle/10024/7970 |
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ftunivartshels:oai:taju.uniarts.fi:10024/7970 2023-12-17T10:30:00+01:00 Musical Vocabularies : creating a framework for meaningful intercultural musical dialogue Beerten Sapion, Oscar fi=Taideyliopiston Sibelius-Akatemia, Musiikkikasvatuksen, jazzin ja kansanmusiikin osasto, Glomas|sv=Konstuniversitetets Sibelius-Akademi, avdelningen för musikpedagogik, jazz och folkmusik, Glomas|en=Uniarts Helsinki’s Sibelius Academy, Faculty of Music Education, Jazz, and Folk Music, Glomas| 2023-11-16 52 fulltext true https://taju.uniarts.fi/handle/10024/7970 eng eng Taideyliopiston Sibelius-Akatemia https://taju.uniarts.fi/handle/10024/7970 URN:NBN:fi-fe20231122148502 In Copyright 1.0 openAccess Intercultural music-making tacit knowledge embodiment translation and transmission autoethnography traditional music musical cultures contemporary folk music reflexivity musiikki taiteellinen tutkimus musiikkikasvatus kansanmusiikki kulttuurienvälinen tutkimus Glomas fi=Tutkielma|sv=Magisteravhandling|en=Master's Thesis| fi=opinnäyte (maisteri)|sv=lärdomsprov (magister)|en=master thesis| 2023 ftunivartshels 2023-11-23T00:01:35Z In this arts-based research I draw on the approaches of autoethnography and artistic research to uncover findings emerging from my artistic and pedagogical navigation through traditional and contemporary folk and global musics. I explore the processes of my own interpretations and understandings of music-making in intercultural contexts through composing, co-creating, and interacting with musicians from different musical and cultural backgrounds. The title of musical vocabularies refers to the process of gathering and understanding musical aesthetics from diverse and unfamiliar musics as a non-native, and how to integrate and transmit these elements artistically and ethically in my performing and teaching practices. Through exploring musical dialogues and collaborations in this research, I discover different ways of music-making and music-thinking, which involve a variety of pedagogical methods and perspectives. In the first sections of this work, I discuss my positionality by briefly unfolding my artistic and educational background, as well as unpack the core methods applied in this arts-based research. On the basis of three selected artistic case studies, I explore new and unfamiliar musical cultures together with their related pedagogical approaches and thinking. I unfold the working methods used and discuss the compositional processes, which involve co-creating and interacting in an intercultural environment, resulting in three main artistic outcomes, including a duo with a musician from the Faroe Islands, collaborations with musicians in Hungary, and an intercultural trio formed for my master’s concert. Through these case studies, I explore the artistic possibilities of intercultural music-making and how hands-on experience can be translated to teaching practice, suggesting a framework for meaningful intercultural musical dialogue. Key findings include that intercultural musical dialogues require multiple ways of music-thinking and pedagogical approaches. Furthermore, immersion into different cultural ... Other/Unknown Material Faroe Islands Taju University of the Arts Helsinki Faroe Islands |
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Taju University of the Arts Helsinki |
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English |
topic |
Intercultural music-making tacit knowledge embodiment translation and transmission autoethnography traditional music musical cultures contemporary folk music reflexivity musiikki taiteellinen tutkimus musiikkikasvatus kansanmusiikki kulttuurienvälinen tutkimus Glomas |
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Intercultural music-making tacit knowledge embodiment translation and transmission autoethnography traditional music musical cultures contemporary folk music reflexivity musiikki taiteellinen tutkimus musiikkikasvatus kansanmusiikki kulttuurienvälinen tutkimus Glomas Beerten Sapion, Oscar Musical Vocabularies : creating a framework for meaningful intercultural musical dialogue |
topic_facet |
Intercultural music-making tacit knowledge embodiment translation and transmission autoethnography traditional music musical cultures contemporary folk music reflexivity musiikki taiteellinen tutkimus musiikkikasvatus kansanmusiikki kulttuurienvälinen tutkimus Glomas |
description |
In this arts-based research I draw on the approaches of autoethnography and artistic research to uncover findings emerging from my artistic and pedagogical navigation through traditional and contemporary folk and global musics. I explore the processes of my own interpretations and understandings of music-making in intercultural contexts through composing, co-creating, and interacting with musicians from different musical and cultural backgrounds. The title of musical vocabularies refers to the process of gathering and understanding musical aesthetics from diverse and unfamiliar musics as a non-native, and how to integrate and transmit these elements artistically and ethically in my performing and teaching practices. Through exploring musical dialogues and collaborations in this research, I discover different ways of music-making and music-thinking, which involve a variety of pedagogical methods and perspectives. In the first sections of this work, I discuss my positionality by briefly unfolding my artistic and educational background, as well as unpack the core methods applied in this arts-based research. On the basis of three selected artistic case studies, I explore new and unfamiliar musical cultures together with their related pedagogical approaches and thinking. I unfold the working methods used and discuss the compositional processes, which involve co-creating and interacting in an intercultural environment, resulting in three main artistic outcomes, including a duo with a musician from the Faroe Islands, collaborations with musicians in Hungary, and an intercultural trio formed for my master’s concert. Through these case studies, I explore the artistic possibilities of intercultural music-making and how hands-on experience can be translated to teaching practice, suggesting a framework for meaningful intercultural musical dialogue. Key findings include that intercultural musical dialogues require multiple ways of music-thinking and pedagogical approaches. Furthermore, immersion into different cultural ... |
author2 |
fi=Taideyliopiston Sibelius-Akatemia, Musiikkikasvatuksen, jazzin ja kansanmusiikin osasto, Glomas|sv=Konstuniversitetets Sibelius-Akademi, avdelningen för musikpedagogik, jazz och folkmusik, Glomas|en=Uniarts Helsinki’s Sibelius Academy, Faculty of Music Education, Jazz, and Folk Music, Glomas| |
format |
Other/Unknown Material |
author |
Beerten Sapion, Oscar |
author_facet |
Beerten Sapion, Oscar |
author_sort |
Beerten Sapion, Oscar |
title |
Musical Vocabularies : creating a framework for meaningful intercultural musical dialogue |
title_short |
Musical Vocabularies : creating a framework for meaningful intercultural musical dialogue |
title_full |
Musical Vocabularies : creating a framework for meaningful intercultural musical dialogue |
title_fullStr |
Musical Vocabularies : creating a framework for meaningful intercultural musical dialogue |
title_full_unstemmed |
Musical Vocabularies : creating a framework for meaningful intercultural musical dialogue |
title_sort |
musical vocabularies : creating a framework for meaningful intercultural musical dialogue |
publisher |
Taideyliopiston Sibelius-Akatemia |
publishDate |
2023 |
url |
https://taju.uniarts.fi/handle/10024/7970 |
geographic |
Faroe Islands |
geographic_facet |
Faroe Islands |
genre |
Faroe Islands |
genre_facet |
Faroe Islands |
op_relation |
https://taju.uniarts.fi/handle/10024/7970 URN:NBN:fi-fe20231122148502 |
op_rights |
In Copyright 1.0 openAccess |
_version_ |
1785582897848123392 |