The NAFTA Spectacle: Envisioning Borders, Migrants and the U.S.-Mexico Neoliberal Relation in Visual Culture
This dissertation brings critical visual culture studies to bear on mediatized representations of borders and migration in U.S. and Mexican contexts. In particular, this study examines how the human price of the North American Free Trade Agreement is represented and/or disappeared in popular visual...
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Language: | English |
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The University of Arizona.
2013
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ftunivarizona:oai:repository.arizona.edu:10150/299070 2023-05-15T18:03:14+02:00 The NAFTA Spectacle: Envisioning Borders, Migrants and the U.S.-Mexico Neoliberal Relation in Visual Culture Wilson, Jamie Gutierrez, Laura Briggs, Laura Duran, Javier 2013 http://hdl.handle.net/10150/299070 en eng The University of Arizona. http://hdl.handle.net/10150/299070 Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Immigration Migration NAFTA Visual Culture Spanish Border Studies text Electronic Dissertation 2013 ftunivarizona 2020-06-14T08:09:24Z This dissertation brings critical visual culture studies to bear on mediatized representations of borders and migration in U.S. and Mexican contexts. In particular, this study examines how the human price of the North American Free Trade Agreement is represented and/or disappeared in popular visual culture. I deploy an eclectic methodological framework whose elements emerge from the confluence of Border Studies, Visual Cultural Studies and theorizations of neoliberalism in order to study how television, print media and narrative and documentary film serve as sites for both the visual constitution and critical contestation of neoliberal agendas. For example, I view objects of visual culture such as the Border Wars television program, Backpacker magazine and films Sin dejar huella and AbUSed: The Postville Raid as powerful and privileged sites for the analysis of political discourses. Doctoral or Postdoctoral Thesis Postville The University of Arizona: UA Campus Repository Postville ENVELOPE(-59.773,-59.773,54.908,54.908) |
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Open Polar |
collection |
The University of Arizona: UA Campus Repository |
op_collection_id |
ftunivarizona |
language |
English |
topic |
Immigration Migration NAFTA Visual Culture Spanish Border Studies |
spellingShingle |
Immigration Migration NAFTA Visual Culture Spanish Border Studies Wilson, Jamie The NAFTA Spectacle: Envisioning Borders, Migrants and the U.S.-Mexico Neoliberal Relation in Visual Culture |
topic_facet |
Immigration Migration NAFTA Visual Culture Spanish Border Studies |
description |
This dissertation brings critical visual culture studies to bear on mediatized representations of borders and migration in U.S. and Mexican contexts. In particular, this study examines how the human price of the North American Free Trade Agreement is represented and/or disappeared in popular visual culture. I deploy an eclectic methodological framework whose elements emerge from the confluence of Border Studies, Visual Cultural Studies and theorizations of neoliberalism in order to study how television, print media and narrative and documentary film serve as sites for both the visual constitution and critical contestation of neoliberal agendas. For example, I view objects of visual culture such as the Border Wars television program, Backpacker magazine and films Sin dejar huella and AbUSed: The Postville Raid as powerful and privileged sites for the analysis of political discourses. |
author2 |
Gutierrez, Laura Briggs, Laura Duran, Javier |
format |
Doctoral or Postdoctoral Thesis |
author |
Wilson, Jamie |
author_facet |
Wilson, Jamie |
author_sort |
Wilson, Jamie |
title |
The NAFTA Spectacle: Envisioning Borders, Migrants and the U.S.-Mexico Neoliberal Relation in Visual Culture |
title_short |
The NAFTA Spectacle: Envisioning Borders, Migrants and the U.S.-Mexico Neoliberal Relation in Visual Culture |
title_full |
The NAFTA Spectacle: Envisioning Borders, Migrants and the U.S.-Mexico Neoliberal Relation in Visual Culture |
title_fullStr |
The NAFTA Spectacle: Envisioning Borders, Migrants and the U.S.-Mexico Neoliberal Relation in Visual Culture |
title_full_unstemmed |
The NAFTA Spectacle: Envisioning Borders, Migrants and the U.S.-Mexico Neoliberal Relation in Visual Culture |
title_sort |
nafta spectacle: envisioning borders, migrants and the u.s.-mexico neoliberal relation in visual culture |
publisher |
The University of Arizona. |
publishDate |
2013 |
url |
http://hdl.handle.net/10150/299070 |
long_lat |
ENVELOPE(-59.773,-59.773,54.908,54.908) |
geographic |
Postville |
geographic_facet |
Postville |
genre |
Postville |
genre_facet |
Postville |
op_relation |
http://hdl.handle.net/10150/299070 |
op_rights |
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. |
_version_ |
1766174035338592256 |