Puppet by E. Wiseman

Wiseman, Eva. Puppet. Toronto: Tundra Books. 2009. Print. Worthy of its numerous awards, Puppet delivers an intriguing narrative of a notorious “blood libel” case in Hungary. Negotiating cultural divides and morality, the protagonist explores her own beliefs to make sense of the horror she personall...

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Published in:The Deakin Review of Children's Literature
Main Author: Smith, Jorden
Format: Article in Journal/Newspaper
Language:English
Published: University of Alberta Libraries 2012
Subjects:
Online Access:http://ejournals.library.ualberta.ca/index.php/deakinreview/article/view/18302
https://doi.org/10.20361/G2TS35
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spelling ftunivalbertaojs:oai:ejournals.library.ualberta.ca:article/18302 2023-05-15T18:40:49+02:00 Puppet by E. Wiseman Smith, Jorden 2012-10-09 http://ejournals.library.ualberta.ca/index.php/deakinreview/article/view/18302 https://doi.org/10.20361/G2TS35 en eng University of Alberta Libraries The Deakin Review of Children's Literature; Vol 2, No 2 (2012) 1927-1484 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2012 ftunivalbertaojs https://doi.org/10.20361/G2TS35 2016-05-08T20:40:35Z Wiseman, Eva. Puppet. Toronto: Tundra Books. 2009. Print. Worthy of its numerous awards, Puppet delivers an intriguing narrative of a notorious “blood libel” case in Hungary. Negotiating cultural divides and morality, the protagonist explores her own beliefs to make sense of the horror she personally observes in her community. Loosely based on historical events, Wiseman explores a tragic incident of anti-Semitism and the crippling effects of blind hatred. Set in Hungary during the late 19th century, the story is told from the perspective of Julie, a teenager whose mother is dying of cancer and whose alcoholic father is prone to violence. Julie’s love of her mother and sister sustains her throughout the adverse conditions she faces. Although aware of a latent tension based on religious differences in her quaint village, Julie is accustomed to anti-Semitic sentiments but does not comprehend the potential seriousness of the issue. Julie seems indifferent and confused by the comments she hears; her family has been helped by the Jewish doctor in town and she believes them to be good people regardless of their religion. When Julie’s friend, Esther, disappears one morning, the community seeks suspects and sets their sights on the synagogue. Driven by malicious detectives, members of the community conspire to accuse five Jewish men of using the girl’s blood for a Passover ceremony. Morris Scarf, a Jewish boy, is coerced into accusing his father and four other men of “blood libel”; although the accusation will save him from abuse at the hands of his captors, it separates him from his family and religious community. Julie witnesses, first-hand, the manipulation and abuse used to coerce testimony from Morris and his brother. She does what she can to stop the gossip and coercion, however as her community falls apart around her, Julie struggles to deal with her own tragedies. Losing her mother, separated from her sister, and removed from her home by her abusive father, Julie bonds with Morris through their respective suffering. Julie pursues work in a nearby town, where Morris is being held and does what she can to help him. Wiseman weaves the tragedies of Julie and Morris together through a series of too-convenient coincidences that are easy to overlook as the tension builds. As Julie learns about the balance of survival and morality, she finds the inner strength to stand up for her beliefs—whatever the cost. Wiseman’s choice of historical incident is fascinating and her retelling is compelling. As a protagonist, Julie is an intelligent and resourceful young woman; she survives the abuses rained upon her, rises to continual challenges, and stands up for truth. I would recommend this book for teens able to cope with scenes and suggestions of violence, and those interested in the history of Judaism in Europe. Highly recommended: 4 out of 4 stars Reviewer: Jorden SmithJorden Smith joins the team as a book reviewer. Jorden is a Public Services Librarian in Rutherford Humanities and Social Sciences Library at the University of Alberta. She is an avid fiction reader and subscribes to Hemingway’s belief that “there is no friend as loyal as a book.” Article in Journal/Newspaper Tundra University of Alberta: Journal Hosting Esther ENVELOPE(-57.700,-57.700,-61.917,-61.917) The Deakin Review of Children's Literature 2 2
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description Wiseman, Eva. Puppet. Toronto: Tundra Books. 2009. Print. Worthy of its numerous awards, Puppet delivers an intriguing narrative of a notorious “blood libel” case in Hungary. Negotiating cultural divides and morality, the protagonist explores her own beliefs to make sense of the horror she personally observes in her community. Loosely based on historical events, Wiseman explores a tragic incident of anti-Semitism and the crippling effects of blind hatred. Set in Hungary during the late 19th century, the story is told from the perspective of Julie, a teenager whose mother is dying of cancer and whose alcoholic father is prone to violence. Julie’s love of her mother and sister sustains her throughout the adverse conditions she faces. Although aware of a latent tension based on religious differences in her quaint village, Julie is accustomed to anti-Semitic sentiments but does not comprehend the potential seriousness of the issue. Julie seems indifferent and confused by the comments she hears; her family has been helped by the Jewish doctor in town and she believes them to be good people regardless of their religion. When Julie’s friend, Esther, disappears one morning, the community seeks suspects and sets their sights on the synagogue. Driven by malicious detectives, members of the community conspire to accuse five Jewish men of using the girl’s blood for a Passover ceremony. Morris Scarf, a Jewish boy, is coerced into accusing his father and four other men of “blood libel”; although the accusation will save him from abuse at the hands of his captors, it separates him from his family and religious community. Julie witnesses, first-hand, the manipulation and abuse used to coerce testimony from Morris and his brother. She does what she can to stop the gossip and coercion, however as her community falls apart around her, Julie struggles to deal with her own tragedies. Losing her mother, separated from her sister, and removed from her home by her abusive father, Julie bonds with Morris through their respective suffering. Julie pursues work in a nearby town, where Morris is being held and does what she can to help him. Wiseman weaves the tragedies of Julie and Morris together through a series of too-convenient coincidences that are easy to overlook as the tension builds. As Julie learns about the balance of survival and morality, she finds the inner strength to stand up for her beliefs—whatever the cost. Wiseman’s choice of historical incident is fascinating and her retelling is compelling. As a protagonist, Julie is an intelligent and resourceful young woman; she survives the abuses rained upon her, rises to continual challenges, and stands up for truth. I would recommend this book for teens able to cope with scenes and suggestions of violence, and those interested in the history of Judaism in Europe. Highly recommended: 4 out of 4 stars Reviewer: Jorden SmithJorden Smith joins the team as a book reviewer. Jorden is a Public Services Librarian in Rutherford Humanities and Social Sciences Library at the University of Alberta. She is an avid fiction reader and subscribes to Hemingway’s belief that “there is no friend as loyal as a book.”
format Article in Journal/Newspaper
author Smith, Jorden
spellingShingle Smith, Jorden
Puppet by E. Wiseman
author_facet Smith, Jorden
author_sort Smith, Jorden
title Puppet by E. Wiseman
title_short Puppet by E. Wiseman
title_full Puppet by E. Wiseman
title_fullStr Puppet by E. Wiseman
title_full_unstemmed Puppet by E. Wiseman
title_sort puppet by e. wiseman
publisher University of Alberta Libraries
publishDate 2012
url http://ejournals.library.ualberta.ca/index.php/deakinreview/article/view/18302
https://doi.org/10.20361/G2TS35
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op_source The Deakin Review of Children's Literature; Vol 2, No 2 (2012)
1927-1484
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