The sound of 1001 indigenous drums: the catalytic cycle of Fire Eagle, Golden Eagle, Thunderbird

• Main Author: Marsden, Davita Aphrodite-Lee
• Other Authors: Topkok, Sean Asiqłuq, Smith, Graham Hingangaroa, John, Theresa, Leddy, Shannon
• Format: Doctoral or Postdoctoral Thesis
• Language: English
• Published: 2021
• Subjects: Drum music; Alaska Native students; Alaska Native college students; Alaska Native philosophy; Alaska Native education; Education; Music; Doctor of Philosophy in Indigenous Studies; Fairbanks; Thunderbird; Alaska; golden eagle
• Online Access: http://hdl.handle.net/11122/12561

Dissertation (Ph.D.) University of Alaska Fairbanks, 2021 I have witnessed Indigenous students experience marginalization, being ignored, being labelled, and earning developmental designations, all as a way to continue systemically oppressing them. Indigenous students traditionally did not sit in rows, they did not compete for the highest mark, an A+ or a B. Indigenous education and learning is a process, and no one fails. Systemic oppression continues in public education where Indigenous students are alienated, being pushed out, kicked out, or continuously transferred from school to school. After fasting for 1,000 days, I received a vision of how to move Indigenous education forward: I began making Indigenous drums; I taught singing to students, staff, and admin. Reinstatement of Indigenous culture such as drumming and singing increases self-esteem, self-identity, confidence, and self-determination for the learner and is a tool for healing intergenerational trauma. These cultural supports, therefore, become critical for the success of Indigenous students and they are helping Indigenous education and people move forward without fear. There is a hegemonic imbalance of power and we need a reallocation of government funds in public education. Indigenous students have the right to attend school and participate without penalty, punishment, or humiliation. Swept under the school "welcome mat" are all forms of racism in public education. Critical Indigenous theory considers unequal power relations as they affect urban Indigenous students. The imbalance creates marginalization and prejudices towards Indigenous students. This dissertation uses retrospective study on the students' Artwork Stories, a free expression that allows specific elements and past patterns to emerge and reveal that Indigenous drumming and singing correlates to specific values and emotions. The spirit of Indigenous iv drumming and singing gives the student a visual voice in research through the Artwork Story documents. The Gichi'ayaag (Elders) say ...