Svalbard’s Haunted Landscapes

Cultural landscapes represent social structures, interests, and values. At the same time, the observer can derive, interpret, reinterpret, and inscribe new meanings to the landscape. Landscapes that are saturated with ideologically charged symbols dictate to the viewer what can and cannot be seen an...

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Bibliographic Details
Published in:Nordlit
Main Author: Kinossian, Nadir
Format: Article in Journal/Newspaper
Language:English
Published: Septentrio Academic Publishing 2020
Subjects:
Online Access:https://septentrio.uit.no/index.php/nordlit/article/view/5028
https://doi.org/10.7557/13.5028
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record_format openpolar
spelling ftunitroemsoe:oai:ojs.henry.ub.uit.no:article/5028 2023-05-15T15:05:00+02:00 Svalbard’s Haunted Landscapes Kinossian, Nadir 2020-02-01 application/pdf https://septentrio.uit.no/index.php/nordlit/article/view/5028 https://doi.org/10.7557/13.5028 eng eng Septentrio Academic Publishing https://septentrio.uit.no/index.php/nordlit/article/view/5028/4734 https://septentrio.uit.no/index.php/nordlit/article/view/5028 doi:10.7557/13.5028 Copyright (c) 2020 Nadir Kinossian http://creativecommons.org/licenses/by/4.0 CC-BY Nordlit; No 45 (2020): Svalbard Studies; 86–103 Nordlit; Nr 45 (2020): Svalbard Studies; 86–103 1503-2086 0809-1668 Landscape Svalbard Arctic haunting ghost heritage info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed article Fagfellevurdert artikkel 2020 ftunitroemsoe https://doi.org/10.7557/13.5028 2021-08-16T15:57:45Z Cultural landscapes represent social structures, interests, and values. At the same time, the observer can derive, interpret, reinterpret, and inscribe new meanings to the landscape. Landscapes that are saturated with ideologically charged symbols dictate to the viewer what can and cannot be seen and derived from them. On the other hand, landscapes that are abandoned, ruined, partly erased, and deprived of actors, activities, and political context present a different sort of setting. What can be derived from them? What or whom do they represent? Can the current conceptualisations help to capture their meanings? This paper attempts to expand the debate on cultural landscapes, by exploring the linkages to the concepts of haunting and ghosts. It uses the Russian settlements of Barentsburg, Pyramiden and Grumant, located in Svalbard (Norway), as an example. The paper argues that ruined and abandoned landscapes are ‘haunted’, and that the viewer can engage with a haunted landscape through interactions with ‘ghosts’ – fictitious agents that fulfil two roles: i) allowing the viewer to associate with the ghost, and ii) reminding the viewer of the bygone actors, forces, and contexts that shaped the landscape. Article in Journal/Newspaper Arctic Barentsburg Grumant Pyramiden Svalbard University of Tromsø: Septentrio Academic Publishing Arctic Barentsburg ENVELOPE(14.212,14.212,78.064,78.064) Norway Pyramiden ENVELOPE(-3.817,-3.817,-72.283,-72.283) Svalbard Nordlit 45
institution Open Polar
collection University of Tromsø: Septentrio Academic Publishing
op_collection_id ftunitroemsoe
language English
topic Landscape
Svalbard
Arctic
haunting
ghost
heritage
spellingShingle Landscape
Svalbard
Arctic
haunting
ghost
heritage
Kinossian, Nadir
Svalbard’s Haunted Landscapes
topic_facet Landscape
Svalbard
Arctic
haunting
ghost
heritage
description Cultural landscapes represent social structures, interests, and values. At the same time, the observer can derive, interpret, reinterpret, and inscribe new meanings to the landscape. Landscapes that are saturated with ideologically charged symbols dictate to the viewer what can and cannot be seen and derived from them. On the other hand, landscapes that are abandoned, ruined, partly erased, and deprived of actors, activities, and political context present a different sort of setting. What can be derived from them? What or whom do they represent? Can the current conceptualisations help to capture their meanings? This paper attempts to expand the debate on cultural landscapes, by exploring the linkages to the concepts of haunting and ghosts. It uses the Russian settlements of Barentsburg, Pyramiden and Grumant, located in Svalbard (Norway), as an example. The paper argues that ruined and abandoned landscapes are ‘haunted’, and that the viewer can engage with a haunted landscape through interactions with ‘ghosts’ – fictitious agents that fulfil two roles: i) allowing the viewer to associate with the ghost, and ii) reminding the viewer of the bygone actors, forces, and contexts that shaped the landscape.
format Article in Journal/Newspaper
author Kinossian, Nadir
author_facet Kinossian, Nadir
author_sort Kinossian, Nadir
title Svalbard’s Haunted Landscapes
title_short Svalbard’s Haunted Landscapes
title_full Svalbard’s Haunted Landscapes
title_fullStr Svalbard’s Haunted Landscapes
title_full_unstemmed Svalbard’s Haunted Landscapes
title_sort svalbard’s haunted landscapes
publisher Septentrio Academic Publishing
publishDate 2020
url https://septentrio.uit.no/index.php/nordlit/article/view/5028
https://doi.org/10.7557/13.5028
long_lat ENVELOPE(14.212,14.212,78.064,78.064)
ENVELOPE(-3.817,-3.817,-72.283,-72.283)
geographic Arctic
Barentsburg
Norway
Pyramiden
Svalbard
geographic_facet Arctic
Barentsburg
Norway
Pyramiden
Svalbard
genre Arctic
Barentsburg
Grumant
Pyramiden
Svalbard
genre_facet Arctic
Barentsburg
Grumant
Pyramiden
Svalbard
op_source Nordlit; No 45 (2020): Svalbard Studies; 86–103
Nordlit; Nr 45 (2020): Svalbard Studies; 86–103
1503-2086
0809-1668
op_relation https://septentrio.uit.no/index.php/nordlit/article/view/5028/4734
https://septentrio.uit.no/index.php/nordlit/article/view/5028
doi:10.7557/13.5028
op_rights Copyright (c) 2020 Nadir Kinossian
http://creativecommons.org/licenses/by/4.0
op_rightsnorm CC-BY
op_doi https://doi.org/10.7557/13.5028
container_title Nordlit
container_issue 45
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