Roald Amundsen - fortellinger om en polarhelt
2011 is the Nansen-Amundsen Year in Norway. This year celebrate two anniversaries with great significance for Norway. It is 150 years since the birth of Fritdjof Nansen and 100 years since Roald Amundsen, accompanied by four of his men, arrived as the first at the South Pole. During this year severa...
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Language: | Norwegian |
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Online Access: | https://septentrio.uit.no/index.php/nordlit/article/view/2305 https://doi.org/10.7557/13.2305 |
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ftunitroemsoe:oai:ojs.henry.ub.uit.no:article/2305 2023-05-15T18:22:33+02:00 Roald Amundsen - fortellinger om en polarhelt Aarekol, Lena 2012-05-01 application/pdf https://septentrio.uit.no/index.php/nordlit/article/view/2305 https://doi.org/10.7557/13.2305 nor nor Septentrio Academic Publishing https://septentrio.uit.no/index.php/nordlit/article/view/2305/2136 https://septentrio.uit.no/index.php/nordlit/article/view/2305 doi:10.7557/13.2305 Copyright (c) 2012 Lena Aarekol http://creativecommons.org/licenses/by/3.0/ CC-BY Nordlit; No 29 (2012): Narrating the High North I; 97-108 Nordlit; Nr 29 (2012): Narrating the High North I; 97-108 1503-2086 0809-1668 Museer museologi formidling polarhistorie Roald Amundsen urbefolkning inuitt polarhelter fotografi info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed article Fagfellevurdert artikkel 2012 ftunitroemsoe https://doi.org/10.7557/13.2305 2021-08-16T15:44:44Z 2011 is the Nansen-Amundsen Year in Norway. This year celebrate two anniversaries with great significance for Norway. It is 150 years since the birth of Fritdjof Nansen and 100 years since Roald Amundsen, accompanied by four of his men, arrived as the first at the South Pole. During this year several new exhibitions has been made and displayed in different museums in Norway. The article surveys the role of today's museums has in forming the narratives about the Norwegian polar history, the polar heroes and Roald Amundsen especially. An examination of a so called traditional Polar exhibition shows that their main focus on artifacts and theirlack of contextualization, gives the exhibition an aura of authenticity. While new exhibitions are characterized by emphasis on contextualization, critical questions and giving different groups a voice. It is argued that the museums both contributes to conserve the prevailing concepts and representations, but also contributes to give new understandings and perspectives of Roald Amundsen and the Norwegian Polar history. It is important to understand how the museums exhibitions are contributing to the collective memory. Article in Journal/Newspaper South pole University of Tromsø: Septentrio Academic Publishing Norway South Pole Nordlit 16 1 97 |
institution |
Open Polar |
collection |
University of Tromsø: Septentrio Academic Publishing |
op_collection_id |
ftunitroemsoe |
language |
Norwegian |
topic |
Museer museologi formidling polarhistorie Roald Amundsen urbefolkning inuitt polarhelter fotografi |
spellingShingle |
Museer museologi formidling polarhistorie Roald Amundsen urbefolkning inuitt polarhelter fotografi Aarekol, Lena Roald Amundsen - fortellinger om en polarhelt |
topic_facet |
Museer museologi formidling polarhistorie Roald Amundsen urbefolkning inuitt polarhelter fotografi |
description |
2011 is the Nansen-Amundsen Year in Norway. This year celebrate two anniversaries with great significance for Norway. It is 150 years since the birth of Fritdjof Nansen and 100 years since Roald Amundsen, accompanied by four of his men, arrived as the first at the South Pole. During this year several new exhibitions has been made and displayed in different museums in Norway. The article surveys the role of today's museums has in forming the narratives about the Norwegian polar history, the polar heroes and Roald Amundsen especially. An examination of a so called traditional Polar exhibition shows that their main focus on artifacts and theirlack of contextualization, gives the exhibition an aura of authenticity. While new exhibitions are characterized by emphasis on contextualization, critical questions and giving different groups a voice. It is argued that the museums both contributes to conserve the prevailing concepts and representations, but also contributes to give new understandings and perspectives of Roald Amundsen and the Norwegian Polar history. It is important to understand how the museums exhibitions are contributing to the collective memory. |
format |
Article in Journal/Newspaper |
author |
Aarekol, Lena |
author_facet |
Aarekol, Lena |
author_sort |
Aarekol, Lena |
title |
Roald Amundsen - fortellinger om en polarhelt |
title_short |
Roald Amundsen - fortellinger om en polarhelt |
title_full |
Roald Amundsen - fortellinger om en polarhelt |
title_fullStr |
Roald Amundsen - fortellinger om en polarhelt |
title_full_unstemmed |
Roald Amundsen - fortellinger om en polarhelt |
title_sort |
roald amundsen - fortellinger om en polarhelt |
publisher |
Septentrio Academic Publishing |
publishDate |
2012 |
url |
https://septentrio.uit.no/index.php/nordlit/article/view/2305 https://doi.org/10.7557/13.2305 |
geographic |
Norway South Pole |
geographic_facet |
Norway South Pole |
genre |
South pole |
genre_facet |
South pole |
op_source |
Nordlit; No 29 (2012): Narrating the High North I; 97-108 Nordlit; Nr 29 (2012): Narrating the High North I; 97-108 1503-2086 0809-1668 |
op_relation |
https://septentrio.uit.no/index.php/nordlit/article/view/2305/2136 https://septentrio.uit.no/index.php/nordlit/article/view/2305 doi:10.7557/13.2305 |
op_rights |
Copyright (c) 2012 Lena Aarekol http://creativecommons.org/licenses/by/3.0/ |
op_rightsnorm |
CC-BY |
op_doi |
https://doi.org/10.7557/13.2305 |
container_title |
Nordlit |
container_volume |
16 |
container_issue |
1 |
container_start_page |
97 |
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1766201957204099072 |