“Giving Them Back Their Spirit”: Multiculturalism and Resurgence at a Metis Cultural Festival

Metisfest was a large, annual festival that—from its conception in 2006 until its cancellation in 2013—brought the Metis Nation together through fiddling, jigging, and other cultural activities. While the event was constructed as apolitical, Metis elder Duke Redbird suggested in We Are Métis that cu...

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Main Author: Giroux, Monique
Format: Article in Journal/Newspaper
Language:English
Published: The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales 2016
Subjects:
Online Access:https://journals.lib.unb.ca/index.php/MC/article/view/25260
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spelling ftuninewbrunojs:oai:ojs.journals.lib.unb.ca:article/25260 2023-05-15T17:12:17+02:00 “Giving Them Back Their Spirit”: Multiculturalism and Resurgence at a Metis Cultural Festival Giroux, Monique 2016-10-18 application/pdf https://journals.lib.unb.ca/index.php/MC/article/view/25260 eng eng The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales https://journals.lib.unb.ca/index.php/MC/article/view/25260/29248 https://journals.lib.unb.ca/index.php/MC/article/view/25260 Copyright (c) 2016 MUSICultures MUSICultures; Volume 43, Number 1 (2016) 1920-4221 1920-4213 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2016 ftuninewbrunojs 2022-07-11T11:55:56Z Metisfest was a large, annual festival that—from its conception in 2006 until its cancellation in 2013—brought the Metis Nation together through fiddling, jigging, and other cultural activities. While the event was constructed as apolitical, Metis elder Duke Redbird suggested in We Are Métis that cultural activities can, in fact, bring about political change because they are non-threatening to the dominant culture (1980: 48). This essay addresses this seeming contradiction, arguing that while the event adopted the language of multiculturalism (i.e., language that is non-threatening to the Canadian mainstream), in practice, Metisfest used an Indigenous-centred approach to cultural celebration—an approach that prioritized Metis resurgence. In this way, Metisfest accomplished important political goals. Le Metisfest (festival métis) était un grand festival annuel qui, de sa conception en 2006 à son annulation en 2013, réunissait les membres de la Nation Métis autour du violon, de la gigue et d’autres activités culturelles. Bien que cet événement ait été conçu pour être apolitique, l’aîné métis Duke Redbird suggérait, dans son livre We Are Métis, que les activités culturelles ont en fait la capacité d’amener des changements politiques parce que la culture dominante ne se sent pas menacée par elles (1980 : 48). Cet article se penche sur cette apparente contradiction, en soutenant que bien que cet événement ait adopté le langage du multiculturalisme (c’est-à-dire un langage n’étant pas menaçant pour le courant majoritaire canadien), en pratique, le Metisfest avait un caractère de célébration culturelle de l’autochtonie—approche qui donnait la priorité à la résurgence des Métis. De cette façon, le Metisfest a concrétisé d’importants objectifs politiques. Article in Journal/Newspaper Metis University of New Brunswick: Centre for Digital Scholarship Journals
institution Open Polar
collection University of New Brunswick: Centre for Digital Scholarship Journals
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language English
description Metisfest was a large, annual festival that—from its conception in 2006 until its cancellation in 2013—brought the Metis Nation together through fiddling, jigging, and other cultural activities. While the event was constructed as apolitical, Metis elder Duke Redbird suggested in We Are Métis that cultural activities can, in fact, bring about political change because they are non-threatening to the dominant culture (1980: 48). This essay addresses this seeming contradiction, arguing that while the event adopted the language of multiculturalism (i.e., language that is non-threatening to the Canadian mainstream), in practice, Metisfest used an Indigenous-centred approach to cultural celebration—an approach that prioritized Metis resurgence. In this way, Metisfest accomplished important political goals. Le Metisfest (festival métis) était un grand festival annuel qui, de sa conception en 2006 à son annulation en 2013, réunissait les membres de la Nation Métis autour du violon, de la gigue et d’autres activités culturelles. Bien que cet événement ait été conçu pour être apolitique, l’aîné métis Duke Redbird suggérait, dans son livre We Are Métis, que les activités culturelles ont en fait la capacité d’amener des changements politiques parce que la culture dominante ne se sent pas menacée par elles (1980 : 48). Cet article se penche sur cette apparente contradiction, en soutenant que bien que cet événement ait adopté le langage du multiculturalisme (c’est-à-dire un langage n’étant pas menaçant pour le courant majoritaire canadien), en pratique, le Metisfest avait un caractère de célébration culturelle de l’autochtonie—approche qui donnait la priorité à la résurgence des Métis. De cette façon, le Metisfest a concrétisé d’importants objectifs politiques.
format Article in Journal/Newspaper
author Giroux, Monique
spellingShingle Giroux, Monique
“Giving Them Back Their Spirit”: Multiculturalism and Resurgence at a Metis Cultural Festival
author_facet Giroux, Monique
author_sort Giroux, Monique
title “Giving Them Back Their Spirit”: Multiculturalism and Resurgence at a Metis Cultural Festival
title_short “Giving Them Back Their Spirit”: Multiculturalism and Resurgence at a Metis Cultural Festival
title_full “Giving Them Back Their Spirit”: Multiculturalism and Resurgence at a Metis Cultural Festival
title_fullStr “Giving Them Back Their Spirit”: Multiculturalism and Resurgence at a Metis Cultural Festival
title_full_unstemmed “Giving Them Back Their Spirit”: Multiculturalism and Resurgence at a Metis Cultural Festival
title_sort “giving them back their spirit”: multiculturalism and resurgence at a metis cultural festival
publisher The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales
publishDate 2016
url https://journals.lib.unb.ca/index.php/MC/article/view/25260
genre Metis
genre_facet Metis
op_source MUSICultures; Volume 43, Number 1 (2016)
1920-4221
1920-4213
op_relation https://journals.lib.unb.ca/index.php/MC/article/view/25260/29248
https://journals.lib.unb.ca/index.php/MC/article/view/25260
op_rights Copyright (c) 2016 MUSICultures
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