“There Are Things You Don’t Get Over”: Resistant Mourning in Lisa Moore’s February
American writer Wendell Berry argues that there is an explicit link between the tendency to treat places primarily as sites for resource extraction and treating people like exchangeable parts. It is this neoliberal rhetoric of abstraction—of people and place — that Lisa Moore’s novel, February, crit...
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ftuninewbrunojs:oai:ojs.journals.lib.unb.ca:article/23047 2023-05-15T17:22:14+02:00 “There Are Things You Don’t Get Over”: Resistant Mourning in Lisa Moore’s February Charman, Caitlin 2014-10-01 text/html application/pdf https://journals.lib.unb.ca/index.php/SCL/article/view/23047 eng eng University of New Brunswick https://journals.lib.unb.ca/index.php/SCL/article/view/23047/26766 https://journals.lib.unb.ca/index.php/SCL/article/view/23047/26744 https://journals.lib.unb.ca/index.php/SCL/article/view/23047 Copyright (c) 2015 Studies in Canadian Literature / Études en littérature canadienne Studies in Canadian Literature; Volume 39, Number 2 (2014) Études en littérature canadienne; Volume 39, Number 2 (2014) 1718-7850 0380-6995 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion research-article 2014 ftuninewbrunojs 2022-07-11T11:45:05Z American writer Wendell Berry argues that there is an explicit link between the tendency to treat places primarily as sites for resource extraction and treating people like exchangeable parts. It is this neoliberal rhetoric of abstraction—of people and place — that Lisa Moore’s novel, February, critiques in its portrayal of the sinking of the oil rig, Ocean Ranger, off the coast of Newfoundland in 1982. The novel reveals the grief of one family following the loss of their father, and illustrates how the impact of a tragedy of this scope lasts for generations. Perhaps more importantly, though, the novel shows how one widower’s refusal to simply get over the death of her husband resists the kind of corporate amnesia that treats people and places as abstractions that can be easily replaced. Her prolonged grief suggests that “resistant mourning,” a concept advocated by proponents such as Jacques Derrida and R. Clifton Spargo, might offer the possibility of an ethical response to the tragedies caused by resource extraction. Article in Journal/Newspaper Newfoundland University of New Brunswick: Centre for Digital Scholarship Journals Wendell ENVELOPE(-63.000,-63.000,-64.617,-64.617) |
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University of New Brunswick: Centre for Digital Scholarship Journals |
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language |
English |
description |
American writer Wendell Berry argues that there is an explicit link between the tendency to treat places primarily as sites for resource extraction and treating people like exchangeable parts. It is this neoliberal rhetoric of abstraction—of people and place — that Lisa Moore’s novel, February, critiques in its portrayal of the sinking of the oil rig, Ocean Ranger, off the coast of Newfoundland in 1982. The novel reveals the grief of one family following the loss of their father, and illustrates how the impact of a tragedy of this scope lasts for generations. Perhaps more importantly, though, the novel shows how one widower’s refusal to simply get over the death of her husband resists the kind of corporate amnesia that treats people and places as abstractions that can be easily replaced. Her prolonged grief suggests that “resistant mourning,” a concept advocated by proponents such as Jacques Derrida and R. Clifton Spargo, might offer the possibility of an ethical response to the tragedies caused by resource extraction. |
format |
Article in Journal/Newspaper |
author |
Charman, Caitlin |
spellingShingle |
Charman, Caitlin “There Are Things You Don’t Get Over”: Resistant Mourning in Lisa Moore’s February |
author_facet |
Charman, Caitlin |
author_sort |
Charman, Caitlin |
title |
“There Are Things You Don’t Get Over”: Resistant Mourning in Lisa Moore’s February |
title_short |
“There Are Things You Don’t Get Over”: Resistant Mourning in Lisa Moore’s February |
title_full |
“There Are Things You Don’t Get Over”: Resistant Mourning in Lisa Moore’s February |
title_fullStr |
“There Are Things You Don’t Get Over”: Resistant Mourning in Lisa Moore’s February |
title_full_unstemmed |
“There Are Things You Don’t Get Over”: Resistant Mourning in Lisa Moore’s February |
title_sort |
“there are things you don’t get over”: resistant mourning in lisa moore’s february |
publisher |
University of New Brunswick |
publishDate |
2014 |
url |
https://journals.lib.unb.ca/index.php/SCL/article/view/23047 |
long_lat |
ENVELOPE(-63.000,-63.000,-64.617,-64.617) |
geographic |
Wendell |
geographic_facet |
Wendell |
genre |
Newfoundland |
genre_facet |
Newfoundland |
op_source |
Studies in Canadian Literature; Volume 39, Number 2 (2014) Études en littérature canadienne; Volume 39, Number 2 (2014) 1718-7850 0380-6995 |
op_relation |
https://journals.lib.unb.ca/index.php/SCL/article/view/23047/26766 https://journals.lib.unb.ca/index.php/SCL/article/view/23047/26744 https://journals.lib.unb.ca/index.php/SCL/article/view/23047 |
op_rights |
Copyright (c) 2015 Studies in Canadian Literature / Études en littérature canadienne |
_version_ |
1766108710090833920 |