Red, Black and Blues: Race, Nation and Recognition for the Bluez

For centuries, the First Nations have been systematically disenfranchised from their lands and denied their place both in North American cultural history and contemporary culture. This article explores recent attempts to recognize First Nations music as the roots of North American popular music, spe...

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Bibliographic Details
Main Author: Cain, M. Celia
Format: Article in Journal/Newspaper
Language:English
Published: The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales 2006
Subjects:
Canada
First Nations
Online Access:https://journals.lib.unb.ca/index.php/MC/article/view/21588
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spelling ftuninewbrunojs:oai:ojs.journals.lib.unb.ca:article/21588 2023-05-15T16:14:46+02:00 Red, Black and Blues: Race, Nation and Recognition for the Bluez Cain, M. Celia 2006-06-01 application/pdf https://journals.lib.unb.ca/index.php/MC/article/view/21588 eng eng The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales https://journals.lib.unb.ca/index.php/MC/article/view/21588/25077 https://journals.lib.unb.ca/index.php/MC/article/view/21588 Copyright (c) 2015 MUSICultures MUSICultures; Volume 33 (2006) 1920-4221 1920-4213 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2006 ftuninewbrunojs 2022-11-05T23:58:29Z For centuries, the First Nations have been systematically disenfranchised from their lands and denied their place both in North American cultural history and contemporary culture. This article explores recent attempts to recognize First Nations music as the roots of North American popular music, specifically the blues, while considering the role of race and ethnicity in the rise of the Rez Bluez genre in Canada and the United States. Article in Journal/Newspaper First Nations University of New Brunswick: Centre for Digital Scholarship Journals Canada
institution Open Polar
collection University of New Brunswick: Centre for Digital Scholarship Journals
op_collection_id ftuninewbrunojs
language English
description For centuries, the First Nations have been systematically disenfranchised from their lands and denied their place both in North American cultural history and contemporary culture. This article explores recent attempts to recognize First Nations music as the roots of North American popular music, specifically the blues, while considering the role of race and ethnicity in the rise of the Rez Bluez genre in Canada and the United States.
format Article in Journal/Newspaper
author Cain, M. Celia
spellingShingle Cain, M. Celia
Red, Black and Blues: Race, Nation and Recognition for the Bluez
author_facet Cain, M. Celia
author_sort Cain, M. Celia
title Red, Black and Blues: Race, Nation and Recognition for the Bluez
title_short Red, Black and Blues: Race, Nation and Recognition for the Bluez
title_full Red, Black and Blues: Race, Nation and Recognition for the Bluez
title_fullStr Red, Black and Blues: Race, Nation and Recognition for the Bluez
title_full_unstemmed Red, Black and Blues: Race, Nation and Recognition for the Bluez
title_sort red, black and blues: race, nation and recognition for the bluez
publisher The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales
publishDate 2006
url https://journals.lib.unb.ca/index.php/MC/article/view/21588
geographic Canada
geographic_facet Canada
genre First Nations
genre_facet First Nations
op_source MUSICultures; Volume 33 (2006)
1920-4221
1920-4213
op_relation https://journals.lib.unb.ca/index.php/MC/article/view/21588/25077
https://journals.lib.unb.ca/index.php/MC/article/view/21588
op_rights Copyright (c) 2015 MUSICultures
_version_ 1766000518501498880

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