Powwow Music and its Polymetric Construction
In this article the author examines approaches to the notation of powwow music. Many researchers relegate the drum part to a secondary role as they study the vocal part in all its complexity and liveliness. The custom of giving perfunctory attention to the powwow drum line has a long history in the...
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The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales
2010
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ftuninewbrunojs:oai:ojs.journals.lib.unb.ca:article/20228 2023-05-15T16:15:57+02:00 Powwow Music and its Polymetric Construction Stanfield, Norman 2010-02-06 application/pdf https://journals.lib.unb.ca/index.php/MC/article/view/20228 eng eng The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales https://journals.lib.unb.ca/index.php/MC/article/view/20228/23330 https://journals.lib.unb.ca/index.php/MC/article/view/20228 Copyright (c) 2015 MUSICultures MUSICultures; Volume 37 (2010) 1920-4221 1920-4213 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article 2010 ftuninewbrunojs 2022-07-11T11:55:36Z In this article the author examines approaches to the notation of powwow music. Many researchers relegate the drum part to a secondary role as they study the vocal part in all its complexity and liveliness. The custom of giving perfunctory attention to the powwow drum line has a long history in the corpus of powwow music studies. An alternative approach offered in this article has the vocal part keyed to the drum part in an exact manner, basing all notational decisions on the primacy of the drum. The resulting notation creates the possibility of other insights into powwow music, and opens new doors for dialogue with First Nations musicians. Article in Journal/Newspaper First Nations University of New Brunswick: Centre for Digital Scholarship Journals |
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Open Polar |
collection |
University of New Brunswick: Centre for Digital Scholarship Journals |
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ftuninewbrunojs |
language |
English |
description |
In this article the author examines approaches to the notation of powwow music. Many researchers relegate the drum part to a secondary role as they study the vocal part in all its complexity and liveliness. The custom of giving perfunctory attention to the powwow drum line has a long history in the corpus of powwow music studies. An alternative approach offered in this article has the vocal part keyed to the drum part in an exact manner, basing all notational decisions on the primacy of the drum. The resulting notation creates the possibility of other insights into powwow music, and opens new doors for dialogue with First Nations musicians. |
format |
Article in Journal/Newspaper |
author |
Stanfield, Norman |
spellingShingle |
Stanfield, Norman Powwow Music and its Polymetric Construction |
author_facet |
Stanfield, Norman |
author_sort |
Stanfield, Norman |
title |
Powwow Music and its Polymetric Construction |
title_short |
Powwow Music and its Polymetric Construction |
title_full |
Powwow Music and its Polymetric Construction |
title_fullStr |
Powwow Music and its Polymetric Construction |
title_full_unstemmed |
Powwow Music and its Polymetric Construction |
title_sort |
powwow music and its polymetric construction |
publisher |
The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales |
publishDate |
2010 |
url |
https://journals.lib.unb.ca/index.php/MC/article/view/20228 |
genre |
First Nations |
genre_facet |
First Nations |
op_source |
MUSICultures; Volume 37 (2010) 1920-4221 1920-4213 |
op_relation |
https://journals.lib.unb.ca/index.php/MC/article/view/20228/23330 https://journals.lib.unb.ca/index.php/MC/article/view/20228 |
op_rights |
Copyright (c) 2015 MUSICultures |
_version_ |
1766001809494638592 |