Powwow Music and its Polymetric Construction

In this article the author examines approaches to the notation of powwow music. Many researchers relegate the drum part to a secondary role as they study the vocal part in all its complexity and liveliness. The custom of giving perfunctory attention to the powwow drum line has a long history in the...

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Bibliographic Details
Main Author: Stanfield, Norman
Format: Article in Journal/Newspaper
Language:English
Published: The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales 2010
Subjects:
Online Access:https://journals.lib.unb.ca/index.php/MC/article/view/20228
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spelling ftuninewbrunojs:oai:ojs.journals.lib.unb.ca:article/20228 2023-05-15T16:15:57+02:00 Powwow Music and its Polymetric Construction Stanfield, Norman 2010-02-06 application/pdf https://journals.lib.unb.ca/index.php/MC/article/view/20228 eng eng The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales https://journals.lib.unb.ca/index.php/MC/article/view/20228/23330 https://journals.lib.unb.ca/index.php/MC/article/view/20228 Copyright (c) 2015 MUSICultures MUSICultures; Volume 37 (2010) 1920-4221 1920-4213 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article 2010 ftuninewbrunojs 2022-07-11T11:55:36Z In this article the author examines approaches to the notation of powwow music. Many researchers relegate the drum part to a secondary role as they study the vocal part in all its complexity and liveliness. The custom of giving perfunctory attention to the powwow drum line has a long history in the corpus of powwow music studies. An alternative approach offered in this article has the vocal part keyed to the drum part in an exact manner, basing all notational decisions on the primacy of the drum. The resulting notation creates the possibility of other insights into powwow music, and opens new doors for dialogue with First Nations musicians. Article in Journal/Newspaper First Nations University of New Brunswick: Centre for Digital Scholarship Journals
institution Open Polar
collection University of New Brunswick: Centre for Digital Scholarship Journals
op_collection_id ftuninewbrunojs
language English
description In this article the author examines approaches to the notation of powwow music. Many researchers relegate the drum part to a secondary role as they study the vocal part in all its complexity and liveliness. The custom of giving perfunctory attention to the powwow drum line has a long history in the corpus of powwow music studies. An alternative approach offered in this article has the vocal part keyed to the drum part in an exact manner, basing all notational decisions on the primacy of the drum. The resulting notation creates the possibility of other insights into powwow music, and opens new doors for dialogue with First Nations musicians.
format Article in Journal/Newspaper
author Stanfield, Norman
spellingShingle Stanfield, Norman
Powwow Music and its Polymetric Construction
author_facet Stanfield, Norman
author_sort Stanfield, Norman
title Powwow Music and its Polymetric Construction
title_short Powwow Music and its Polymetric Construction
title_full Powwow Music and its Polymetric Construction
title_fullStr Powwow Music and its Polymetric Construction
title_full_unstemmed Powwow Music and its Polymetric Construction
title_sort powwow music and its polymetric construction
publisher The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales
publishDate 2010
url https://journals.lib.unb.ca/index.php/MC/article/view/20228
genre First Nations
genre_facet First Nations
op_source MUSICultures; Volume 37 (2010)
1920-4221
1920-4213
op_relation https://journals.lib.unb.ca/index.php/MC/article/view/20228/23330
https://journals.lib.unb.ca/index.php/MC/article/view/20228
op_rights Copyright (c) 2015 MUSICultures
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