"Dave, come on": Indigenous Identities and Language Play in Yves Sioui Durand’s Hamlet-le-Malécite
Hamlet-le-Malécite, written by the Huron-Wendat playwright Yves Sioui Durand in collaboration with Jean-Frédéric Messier, is a re-imagined version of Shakespeare’s Hamlet featuring First Nations characters. Primarily interested in foregrounding power relations rather than illustrating “universal” th...
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ftuninewbrunojs:oai:ojs.journals.lib.unb.ca:article/18322 2023-05-15T16:16:15+02:00 "Dave, come on": Indigenous Identities and Language Play in Yves Sioui Durand’s Hamlet-le-Malécite Lacombe, Michèle 2010-06-01 text/html application/pdf https://journals.lib.unb.ca/index.php/SCL/article/view/18322 eng eng University of New Brunswick https://journals.lib.unb.ca/index.php/SCL/article/view/18322/19752 https://journals.lib.unb.ca/index.php/SCL/article/view/18322/19753 https://journals.lib.unb.ca/index.php/SCL/article/view/18322 Copyright (c) 2015 Studies in Canadian Literature / Études en littérature canadienne Studies in Canadian Literature; Volume 35, Number 2 (2010) Études en littérature canadienne; Volume 35, Number 2 (2010) 1718-7850 0380-6995 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion research-article 2010 ftuninewbrunojs 2022-07-11T11:44:59Z Hamlet-le-Malécite, written by the Huron-Wendat playwright Yves Sioui Durand in collaboration with Jean-Frédéric Messier, is a re-imagined version of Shakespeare’s Hamlet featuring First Nations characters. Primarily interested in foregrounding power relations rather than illustrating “universal” themes, the play dramatizes the process of decolonization, including the necessity of breaking silences and confronting past and current injustices, through a hybrid approach that incorporates parody and irony. Sioui Durand employs multiple languages and code switching as a way to challenge assumptions about contemporary Aboriginal people. What results is a complicated dance between a Western theatrical world, in which Hamlet’s relevance to contemporary Indigenous politics is evident, and an Indigenous theatrical world, in which its relevance to contemporary Indigenous art forms is challenged as much as it is affirmed. Hamlet-le-Malécite simultaneously appropriates, parodies, and sets aside Shakespeare in a new form of Native literature. Article in Journal/Newspaper First Nations University of New Brunswick: Centre for Digital Scholarship Journals |
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University of New Brunswick: Centre for Digital Scholarship Journals |
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English |
description |
Hamlet-le-Malécite, written by the Huron-Wendat playwright Yves Sioui Durand in collaboration with Jean-Frédéric Messier, is a re-imagined version of Shakespeare’s Hamlet featuring First Nations characters. Primarily interested in foregrounding power relations rather than illustrating “universal” themes, the play dramatizes the process of decolonization, including the necessity of breaking silences and confronting past and current injustices, through a hybrid approach that incorporates parody and irony. Sioui Durand employs multiple languages and code switching as a way to challenge assumptions about contemporary Aboriginal people. What results is a complicated dance between a Western theatrical world, in which Hamlet’s relevance to contemporary Indigenous politics is evident, and an Indigenous theatrical world, in which its relevance to contemporary Indigenous art forms is challenged as much as it is affirmed. Hamlet-le-Malécite simultaneously appropriates, parodies, and sets aside Shakespeare in a new form of Native literature. |
format |
Article in Journal/Newspaper |
author |
Lacombe, Michèle |
spellingShingle |
Lacombe, Michèle "Dave, come on": Indigenous Identities and Language Play in Yves Sioui Durand’s Hamlet-le-Malécite |
author_facet |
Lacombe, Michèle |
author_sort |
Lacombe, Michèle |
title |
"Dave, come on": Indigenous Identities and Language Play in Yves Sioui Durand’s Hamlet-le-Malécite |
title_short |
"Dave, come on": Indigenous Identities and Language Play in Yves Sioui Durand’s Hamlet-le-Malécite |
title_full |
"Dave, come on": Indigenous Identities and Language Play in Yves Sioui Durand’s Hamlet-le-Malécite |
title_fullStr |
"Dave, come on": Indigenous Identities and Language Play in Yves Sioui Durand’s Hamlet-le-Malécite |
title_full_unstemmed |
"Dave, come on": Indigenous Identities and Language Play in Yves Sioui Durand’s Hamlet-le-Malécite |
title_sort |
"dave, come on": indigenous identities and language play in yves sioui durand’s hamlet-le-malécite |
publisher |
University of New Brunswick |
publishDate |
2010 |
url |
https://journals.lib.unb.ca/index.php/SCL/article/view/18322 |
genre |
First Nations |
genre_facet |
First Nations |
op_source |
Studies in Canadian Literature; Volume 35, Number 2 (2010) Études en littérature canadienne; Volume 35, Number 2 (2010) 1718-7850 0380-6995 |
op_relation |
https://journals.lib.unb.ca/index.php/SCL/article/view/18322/19752 https://journals.lib.unb.ca/index.php/SCL/article/view/18322/19753 https://journals.lib.unb.ca/index.php/SCL/article/view/18322 |
op_rights |
Copyright (c) 2015 Studies in Canadian Literature / Études en littérature canadienne |
_version_ |
1766002092998131712 |