The Huntress and the Holy Mother: Symbolic Integration in Berni Stapleton’s The Pope and Princess Di
This article examines the treatment of symbols in The Pope and Princess Di, a recent comic/satiric play by a renowned Newfoundland theatre artist, Berni Stapleton: their inherent organicism, their constant subjection to alteration and hybridization, and their destructive potential when viewed as sac...
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| Format: | Article in Journal/Newspaper |
| Language: | English |
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Centre for Drama, Theatre and Performance Studies, University of Toronto
2008
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| Online Access: | https://journals.lib.unb.ca/index.php/TRIC/article/view/18270 |