Newfoundland Poetry as "Ethnographic Salvage": Time, Place, and Voice in the Poetry of Michael Crummey and Mary Dalton
Michael Crummey's Hard Light (1999) and Mary Dalton's Merrybegot (2003) are two poetry collections that participate in a rare and vital form of what James Clifford has derisively called "ethnographic salvage." Through their replication of the languages and lives of Newfoundlander...
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| Format: | Article in Journal/Newspaper |
| Language: | English |
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University of New Brunswick
2007
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| Online Access: | https://journals.lib.unb.ca/index.php/SCL/article/view/10570 |