Newfoundland Poetry as "Ethnographic Salvage": Time, Place, and Voice in the Poetry of Michael Crummey and Mary Dalton
Michael Crummey's Hard Light (1999) and Mary Dalton's Merrybegot (2003) are two poetry collections that participate in a rare and vital form of what James Clifford has derisively called "ethnographic salvage." Through their replication of the languages and lives of Newfoundlander...
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2007
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ftuninewbrunojs:oai:ojs.journals.lib.unb.ca:article/10570 2023-05-15T17:20:11+02:00 Newfoundland Poetry as "Ethnographic Salvage": Time, Place, and Voice in the Poetry of Michael Crummey and Mary Dalton Chafe, Paul 2007-06-06 text/html application/pdf https://journals.lib.unb.ca/index.php/SCL/article/view/10570 eng eng University of New Brunswick https://journals.lib.unb.ca/index.php/SCL/article/view/10570/11154 https://journals.lib.unb.ca/index.php/SCL/article/view/10570/11155 https://journals.lib.unb.ca/index.php/SCL/article/view/10570 Copyright (c) 2015 Studies in Canadian Literature / Études en littérature canadienne Studies in Canadian Literature; Volume 32, Number 2 (2007) Études en littérature canadienne; Volume 32, Number 2 (2007) 1718-7850 0380-6995 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion research-article 2007 ftuninewbrunojs 2022-07-11T11:44:40Z Michael Crummey's Hard Light (1999) and Mary Dalton's Merrybegot (2003) are two poetry collections that participate in a rare and vital form of what James Clifford has derisively called "ethnographic salvage." Through their replication of the languages and lives of Newfoundlanders, Crummey and Dalton avoid the tropes and clichés of Newfoundland identity, which reinscribe what Graham Huggan calls the "anthropological exotic," and instead capture the "performative nature" of individuals living within this culture. In a province that is steadily losing its longstanding cultural connection to the fisheries, the poems of Crummey and Dalton mark the preservation of actions and expressions in a way sensitive to what Homi K. Bhabha calls cultural hybridity. Article in Journal/Newspaper Newfoundland University of New Brunswick: Centre for Digital Scholarship Journals Clifford ENVELOPE(-63.167,-63.167,-70.467,-70.467) |
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collection |
University of New Brunswick: Centre for Digital Scholarship Journals |
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ftuninewbrunojs |
language |
English |
description |
Michael Crummey's Hard Light (1999) and Mary Dalton's Merrybegot (2003) are two poetry collections that participate in a rare and vital form of what James Clifford has derisively called "ethnographic salvage." Through their replication of the languages and lives of Newfoundlanders, Crummey and Dalton avoid the tropes and clichés of Newfoundland identity, which reinscribe what Graham Huggan calls the "anthropological exotic," and instead capture the "performative nature" of individuals living within this culture. In a province that is steadily losing its longstanding cultural connection to the fisheries, the poems of Crummey and Dalton mark the preservation of actions and expressions in a way sensitive to what Homi K. Bhabha calls cultural hybridity. |
format |
Article in Journal/Newspaper |
author |
Chafe, Paul |
spellingShingle |
Chafe, Paul Newfoundland Poetry as "Ethnographic Salvage": Time, Place, and Voice in the Poetry of Michael Crummey and Mary Dalton |
author_facet |
Chafe, Paul |
author_sort |
Chafe, Paul |
title |
Newfoundland Poetry as "Ethnographic Salvage": Time, Place, and Voice in the Poetry of Michael Crummey and Mary Dalton |
title_short |
Newfoundland Poetry as "Ethnographic Salvage": Time, Place, and Voice in the Poetry of Michael Crummey and Mary Dalton |
title_full |
Newfoundland Poetry as "Ethnographic Salvage": Time, Place, and Voice in the Poetry of Michael Crummey and Mary Dalton |
title_fullStr |
Newfoundland Poetry as "Ethnographic Salvage": Time, Place, and Voice in the Poetry of Michael Crummey and Mary Dalton |
title_full_unstemmed |
Newfoundland Poetry as "Ethnographic Salvage": Time, Place, and Voice in the Poetry of Michael Crummey and Mary Dalton |
title_sort |
newfoundland poetry as "ethnographic salvage": time, place, and voice in the poetry of michael crummey and mary dalton |
publisher |
University of New Brunswick |
publishDate |
2007 |
url |
https://journals.lib.unb.ca/index.php/SCL/article/view/10570 |
long_lat |
ENVELOPE(-63.167,-63.167,-70.467,-70.467) |
geographic |
Clifford |
geographic_facet |
Clifford |
genre |
Newfoundland |
genre_facet |
Newfoundland |
op_source |
Studies in Canadian Literature; Volume 32, Number 2 (2007) Études en littérature canadienne; Volume 32, Number 2 (2007) 1718-7850 0380-6995 |
op_relation |
https://journals.lib.unb.ca/index.php/SCL/article/view/10570/11154 https://journals.lib.unb.ca/index.php/SCL/article/view/10570/11155 https://journals.lib.unb.ca/index.php/SCL/article/view/10570 |
op_rights |
Copyright (c) 2015 Studies in Canadian Literature / Études en littérature canadienne |
_version_ |
1766098049117978624 |