Parallelism and Orders of Signification (Parallelism Dynamics I)

This essay sets out an approach to parallelism in verbal art as a semiotic phenomenon that can operate at multiple orders (or levels) of signification. It examines parallelism in the sounds through which words are communicated, in language communicated by those sounds, in symbols or minimal units of...

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Main Author: Frog
Language:English
Published: 2017
Subjects:
Online Access:https://hdl.handle.net/10355/65390
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spelling ftunimissourimos:oai:mospace.umsystem.edu:10355/65390 2023-05-15T17:00:16+02:00 Parallelism and Orders of Signification (Parallelism Dynamics I) Frog 2017-10 60 pages https://hdl.handle.net/10355/65390 English eng eng Oral Tradition, 31/2 (2017): 425-484. https://hdl.handle.net/10355/65390 OpenAccess. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License. CC-BY-NC-ND 2017 ftunimissourimos 2021-12-11T23:31:21Z This essay sets out an approach to parallelism in verbal art as a semiotic phenomenon that can operate at multiple orders (or levels) of signification. It examines parallelism in the sounds through which words are communicated, in language communicated by those sounds, in symbols or minimal units of narration communicated through language, and then in more complex units of narration communicated through those symbols or units. Attention is given to how these different levels of parallelism interrelate and may diverge, while revealing that parallelism at all of these levels reflects a single semiotic phenomenon. Abstract from website. Frog is an Academy of Finland Research Fellow and Associate Professor in Folklore Studies at the University of Helsinki. He completed his Ph.D. in Scandinavian Studies at the University College London in 2010 and his Docentship (Habilitation) in Folklore Studies at the University of Helsinki in 2013. He specializes in theory and methods related to the study of oral poetry and mythology, working mainly with Finno-Karelian kalevalaic poetry and Old Norse poetry and prose. Other/Unknown Material karelia* karelian University of Missouri: MOspace
institution Open Polar
collection University of Missouri: MOspace
op_collection_id ftunimissourimos
language English
description This essay sets out an approach to parallelism in verbal art as a semiotic phenomenon that can operate at multiple orders (or levels) of signification. It examines parallelism in the sounds through which words are communicated, in language communicated by those sounds, in symbols or minimal units of narration communicated through language, and then in more complex units of narration communicated through those symbols or units. Attention is given to how these different levels of parallelism interrelate and may diverge, while revealing that parallelism at all of these levels reflects a single semiotic phenomenon. Abstract from website. Frog is an Academy of Finland Research Fellow and Associate Professor in Folklore Studies at the University of Helsinki. He completed his Ph.D. in Scandinavian Studies at the University College London in 2010 and his Docentship (Habilitation) in Folklore Studies at the University of Helsinki in 2013. He specializes in theory and methods related to the study of oral poetry and mythology, working mainly with Finno-Karelian kalevalaic poetry and Old Norse poetry and prose.
author Frog
spellingShingle Frog
Parallelism and Orders of Signification (Parallelism Dynamics I)
author_facet Frog
author_sort Frog
title Parallelism and Orders of Signification (Parallelism Dynamics I)
title_short Parallelism and Orders of Signification (Parallelism Dynamics I)
title_full Parallelism and Orders of Signification (Parallelism Dynamics I)
title_fullStr Parallelism and Orders of Signification (Parallelism Dynamics I)
title_full_unstemmed Parallelism and Orders of Signification (Parallelism Dynamics I)
title_sort parallelism and orders of signification (parallelism dynamics i)
publishDate 2017
url https://hdl.handle.net/10355/65390
genre karelia*
karelian
genre_facet karelia*
karelian
op_relation Oral Tradition, 31/2 (2017): 425-484.
https://hdl.handle.net/10355/65390
op_rights OpenAccess.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
op_rightsnorm CC-BY-NC-ND
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