"Sem li sam ljubezen?"

• Main Author: Komelj, Miklavž
• Format: Other/Unknown Material
• Language: Slovenian
• Published: Znanstvena založba Filozofske fakultete 2021
• Subjects: slovenska umetnost; slovenski slikarji; grafika; perceptivnost; tematologija; ljubezen; Božidar Jakac; Slovenian art; Slovenian painters; graphic; perceptiveness; thematology; love; info:eu-repo/classification/udc/76(497.4):929Jakac B; sami
• Online Access: https://repozitorij.uni-lj.si/IzpisGradiva.php?id=124160; https://repozitorij.uni-lj.si/Dokument.php?id=139556&dn=; https://repozitorij.uni-lj.si/Dokument.php?id=143106&dn=; https://plus.si.cobiss.net/opac7/bib/64579682?lang=sl

Božidar Jakac (1899-1989) je nekoč o sebi napisal, da si želi biti sprejemna plošča za izžarjene žarke ljubezni. Metafora je vzeta iz sveta fotografije, a se povezuje z Jakčevim temeljnim odnosom do življenja in umetnosti. Svetlobni žarek za Jakca nikakor ni bil samo metafora, ampak nekaj, kar je doživljal kot epifanijo in pogoj videnja. Zanj je bila ljubezen neločljivo povezana z nenehnim senzibiliziranjem perceptivnosti, ki povezuje dve plati njegovega opusa "duhovno ekspresijo in dokumentarno strast " v sledenje eni sami viziji. Božidar Jakac (1899-1989) once wrote about himself that he wanted to be the light sensitive surface for burning rays of love. The metaphor comes from the world of photography, but can be linked to Jakac's basic attitude to life and art. For Jakac, a ray of light was never just a metaphor, but something that he experienced as epiphany and a condition of seeing. He saw love as being inextricably linked with constant cultivation of the perceptiveness that connects two aspects of his work - spiritual expression and documentary passion - but combined in a single vision.