Mala galerija. Primerjava razstavnih politik v Mali galeriji in matični stavbi Moderne galerije v obdobju od leta 1959 do leta 1986

• Main Author: Mejač, Lara
• Other Authors: Mahnič, Katja
• Format: Bachelor Thesis
• Language: Slovenian
• Published: 2019
• Subjects: Mala galerija; Moderna galerija; razstavna politika; mednarodna dejavnost; Gibanje neuvrščenih; Ljubljanski grafični bienale; Zoran Kržišnik; exhibition policy; international activity; The Non-aligned Movement; Ljubljana Biennal og Graphic Arts; sami
• Online Access: https://repozitorij.uni-lj.si/IzpisGradiva.php?id=108893; https://repozitorij.uni-lj.si/Dokument.php?id=120015&dn=

Mala galerija je v obdobju med leti 1959 in 1986 delovala pod okriljem Moderne galerije in upravljanjem Zorana Kržišnika. V tem obdobju je bilo njeno glavno poslanstvo predstavljati dela izbranih sodobnih domačih in tujih umetnikov ter vzpostavljati mednarodne povezave. Zaključna seminarska naloga poskuša ovrednotiti pomen manjšega razstavnega prostora večje muzejske institucije glede na širši muzeološki kontekst in takratno specifično družbeno-politično situacijo. Z analizo organizacijskega razvoja razstavišča, pregledom odziva javnosti in arhivskega gradiva, primerjavo razstavne politike z razstavljanjem v Moderni galeriji ter kritičnim pregledom razstav v Mali galeriji v omenjenem obdobju naloga raziskuje širšo vlogo tega galerijskega prostora. Raziskovalni problem, izpostavljen v besedilu, je mednarodni vidik razstavnega programa Male galerije, ki se odraža tudi v sami razstavni politiki Moderne galerije, ideji Ljubljanskega grafičnega bienala in delovanju Zorana Kržišnika. Z umestitvijo analize v širše družbeno, kulturno in politično dogajanje ter z upoštevanjem usmeritev takratne slovenske in jugoslovanske kulturne politike poskuša opredeliti zakaj so se po vojni tako izraito podpirala tovrstna povezovanja. Between 1959 and 1986 Mala galerija was operated under Moderna galerija and managed by Zoran Kržišnik. In this era its main purpose was to exhibit the works by selected contemporary domestic and foreign artists as well as to establish international connections. This final thesis is an attempt to asses the importance of a smaller exhibition space for a larger museum institution in a wider museological context and specific socio-political situation of the time. Through analysis of the organisational development of the exhibition space, an overview of press and archival documentation, a comparison of its exhibition policies to exhibitions at Moderna galerija as well as with critical overview of Mala galerija exhibitions I examine the wider role of this exhibition space. Research problem, emphasized in the thesis, is the international aspect of Mala galerija's exhibition programme, reflected also in the exhibition policy of Moderna galerija, the idea behind Ljubljana Biennal of Graphic Arts and Zoran Kržišnik's ativities. By grounding the analysis in the wider social, cultural and political context as well as taking into account Slovene and Yugoslav cultural policies of the time, I attempt to establish why such international connections were encouraged to such extent after the second world war.