Minority Memories:Lost Language, Identity, and In-betweenness in Two Crime Novels by Mikael Niemi and Lars Pettersson

• Published in: DiGeSt. Journal of Diversity and Gender Studies
• Main Author: Broomans, Petra
• Format: Article in Journal/Newspaper
• Language: English
• Published: 2018
• Subjects: CRIME FICTION; GENDER; in-betweenness; minority languages; ethnolinguistic nationalism; Sámi; Meänkieli; Kautokeino; Mannen; Niemi; meänkieli
• Online Access: https://hdl.handle.net/11370/2ed9c01c-98f6-4107-856a-20b250c61fed; https://research.rug.nl/en/publications/2ed9c01c-98f6-4107-856a-20b250c61fed; https://doi.org/10.11116/digest.5.2.3; https://pure.rug.nl/ws/files/76285189/MinorityMemories.pdf.pdf

This paper discusses two Scandinavian crime novels, each of which contain characters who represent two diff erent perspectives on the phenomenon of being an outsider: one protagonist who comes from “the outside” is confronted by life in the North, while another group of protagonists, in the second novel, are members of a minority community, and hence also occupy a position as outsiders. Among the issues that these outsider-protagonists deal with is the forgetting or denial of their own roots. Th e novels I will analyse are Mikael Niemi’s Mannen som dog som en lax (Th e Man Who Died as a Salmon, 2006) and the fi rst novel in the series “Kautokeino” by Lars Pettersson: Kautokeino, en blodig kniv (Kautokeino, A Bloody Knife, 2012). In the narratives, the confl icts between the minority groups and the majority group and the conflicts among the members of the minority groups are dealt with, and provide the context in which the crimes take place. Other confl icts that refl ect in-betweenness relate to identity, language, and gender. Being able or unable to communicate in the minority language is one of the identity markers of the protagonists who struggle with their in-between identity. Th e paper thus addresses the question of choosing sides and deals with hybrid and/or fragmented identities and seeks to investigate if and how cultural demarcations are refl ected in the narratives of Niemi and Pettersson. I will draw on studies on ethnolinguistic nationalism and postcolonialism from minority and gender perspectives as a theoretical framework in this paper.