Landscape photography in the web of life: Olaf Otto Becker’s documentary sublime
Olaf Otto Becker, a photographer renown for his photographs of the Arctic north, has recently turned his attention to the forests of Indonesia, Bolivia, Brazil and Australia. As William Ewing has noted (2015), perhaps this change in direction is logical given that the melting of the Arctic is partly...
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ftunigloucesters:oai:eprints.glos.ac.uk:5913 2024-06-23T07:49:59+00:00 Landscape photography in the web of life: Olaf Otto Becker’s documentary sublime Peck, Julia Goldie, Chris White, Darcy 2018-02-18 text https://eprints.glos.ac.uk/5913/ https://eprints.glos.ac.uk/5913/15/5913-Peck-%282018%29-%20Landscape-photograph-in-the-web-of-life.pdf en eng Transcript Verlag https://eprints.glos.ac.uk/5913/15/5913-Peck-%282018%29-%20Landscape-photograph-in-the-web-of-life.pdf Peck, Julia orcid:0000-0001-5134-2471 (2018) Landscape photography in the web of life: Olaf Otto Becker’s documentary sublime. In: Northern Light: Landscape, Photography and Evocations of the North. Image . Transcript Verlag, Bielefeld. ISBN 978-3-8376-3975-9 all_rights N Visual arts (General) For photography see TR TR Photography Book Section PeerReviewed 2018 ftunigloucesters 2024-06-12T03:29:47Z Olaf Otto Becker, a photographer renown for his photographs of the Arctic north, has recently turned his attention to the forests of Indonesia, Bolivia, Brazil and Australia. As William Ewing has noted (2015), perhaps this change in direction is logical given that the melting of the Arctic is partly connected to the destruction of the world’s major forests and that Becker’s own work has become increasingly preoccupied with charting human-led changes to the environment. Taking an overview of Becker’s output from Broken Line (2007) to Reading the Landscape (2014), I argue that Becker’s approach can be read as an attempt to depict the relationship between human and nature, the everyday and the sublime in a time of neoliberalised capital. Using Jason Moore’s theories of cheap capital, I argue that Becker’s photographs visualise human/nature relationships that transcend traditional binary concepts that promote the idea of humans being separate from nature. Indeed, Becker visualises landscapes that are co-produced with nature and humans. Book Part Arctic University of Gloucestershire: Research Repository Arctic Ewing ENVELOPE(-61.257,-61.257,-69.924,-69.924) |
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University of Gloucestershire: Research Repository |
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ftunigloucesters |
language |
English |
topic |
N Visual arts (General) For photography see TR TR Photography |
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N Visual arts (General) For photography see TR TR Photography Peck, Julia Landscape photography in the web of life: Olaf Otto Becker’s documentary sublime |
topic_facet |
N Visual arts (General) For photography see TR TR Photography |
description |
Olaf Otto Becker, a photographer renown for his photographs of the Arctic north, has recently turned his attention to the forests of Indonesia, Bolivia, Brazil and Australia. As William Ewing has noted (2015), perhaps this change in direction is logical given that the melting of the Arctic is partly connected to the destruction of the world’s major forests and that Becker’s own work has become increasingly preoccupied with charting human-led changes to the environment. Taking an overview of Becker’s output from Broken Line (2007) to Reading the Landscape (2014), I argue that Becker’s approach can be read as an attempt to depict the relationship between human and nature, the everyday and the sublime in a time of neoliberalised capital. Using Jason Moore’s theories of cheap capital, I argue that Becker’s photographs visualise human/nature relationships that transcend traditional binary concepts that promote the idea of humans being separate from nature. Indeed, Becker visualises landscapes that are co-produced with nature and humans. |
author2 |
Goldie, Chris White, Darcy |
format |
Book Part |
author |
Peck, Julia |
author_facet |
Peck, Julia |
author_sort |
Peck, Julia |
title |
Landscape photography in the web of life: Olaf Otto Becker’s documentary sublime |
title_short |
Landscape photography in the web of life: Olaf Otto Becker’s documentary sublime |
title_full |
Landscape photography in the web of life: Olaf Otto Becker’s documentary sublime |
title_fullStr |
Landscape photography in the web of life: Olaf Otto Becker’s documentary sublime |
title_full_unstemmed |
Landscape photography in the web of life: Olaf Otto Becker’s documentary sublime |
title_sort |
landscape photography in the web of life: olaf otto becker’s documentary sublime |
publisher |
Transcript Verlag |
publishDate |
2018 |
url |
https://eprints.glos.ac.uk/5913/ https://eprints.glos.ac.uk/5913/15/5913-Peck-%282018%29-%20Landscape-photograph-in-the-web-of-life.pdf |
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ENVELOPE(-61.257,-61.257,-69.924,-69.924) |
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Arctic Ewing |
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Arctic Ewing |
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Arctic |
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Arctic |
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https://eprints.glos.ac.uk/5913/15/5913-Peck-%282018%29-%20Landscape-photograph-in-the-web-of-life.pdf Peck, Julia orcid:0000-0001-5134-2471 (2018) Landscape photography in the web of life: Olaf Otto Becker’s documentary sublime. In: Northern Light: Landscape, Photography and Evocations of the North. Image . Transcript Verlag, Bielefeld. ISBN 978-3-8376-3975-9 |
op_rights |
all_rights |
_version_ |
1802640730740490240 |