The Canadian fiction of Margaret Laurence

Between 1964 and 1974 Margaret Laurence (1926-1987) produced a body of fiction which established her as a major woman writer in a Canada where the emergence of post-war nationalism created a readiness to accept, buy and read books by Canadians about Canada. For this she created the town of Manawaka...

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Main Author: Bradbury, Agnes G.
Format: Thesis
Language:unknown
Published: 1987
Subjects:
Online Access:http://etheses.dur.ac.uk/7109/
http://etheses.dur.ac.uk/7109/1/7109_4291.PDF
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spelling ftunidurhamethes:oai:etheses.dur.ac.uk:7109 2023-05-15T17:12:20+02:00 The Canadian fiction of Margaret Laurence Bradbury, Agnes G. 1987 application/pdf http://etheses.dur.ac.uk/7109/ http://etheses.dur.ac.uk/7109/1/7109_4291.PDF unknown oai:etheses.dur.ac.uk:7109 http://etheses.dur.ac.uk/7109/1/7109_4291.PDF Bradbury, Agnes G. (1987) The Canadian fiction of Margaret Laurence. Masters thesis, Durham University. http://etheses.dur.ac.uk/7109/ Thesis NonPeerReviewed 1987 ftunidurhamethes 2022-09-23T14:14:29Z Between 1964 and 1974 Margaret Laurence (1926-1987) produced a body of fiction which established her as a major woman writer in a Canada where the emergence of post-war nationalism created a readiness to accept, buy and read books by Canadians about Canada. For this she created the town of Manawaka - partly based on her home town of Neepawa, Manitoba - which became the symbol of all Canadian small towns. The thesis is an examination in chronological order of her work: The stone angel, A jest of god, A Bird in the House (short stories).The Fire-Dwellers and the Diviners. Her writing deserves attention because it portrays Canadian life with integrity. As fiction by a woman about women, her work shows none of the romantic fantasising of the lesser novelist. Happy endings are never guaranteed; relationships have unharmonious elements. She reveals a society which imposes restraints on women, making it difficult to achieve self-fulfilment in a male-oriented environment where traditional role patterns stifle legitimate female aspirations. However, her novels are feminist by implication and not in an obtrusive or polemical way. An emergent theme is the injustice suffered by disadvantaged minorities represented by the metis of Manitoba whom she saw as dispossessed of their land by the Anglo-Saxon settlers. Mrs Laurence's technique was always experimental and developed from novel to novel. She employed variations of time and voice: the inner monologue is used to evoke an immediate response, the movement between past and present to highlight mood and temperament. These devices are examined in the thesis, as are her use of distinctive idiom and the symbolic elements of her writing. Finally, her honest attempt to depict the extraordinariness of ordinary people in carefully worked and sympathetically conceived stories speaks to the universal longing to learn about ourselves. Thesis Metis Durham University: Durham e-Theses Canada
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description Between 1964 and 1974 Margaret Laurence (1926-1987) produced a body of fiction which established her as a major woman writer in a Canada where the emergence of post-war nationalism created a readiness to accept, buy and read books by Canadians about Canada. For this she created the town of Manawaka - partly based on her home town of Neepawa, Manitoba - which became the symbol of all Canadian small towns. The thesis is an examination in chronological order of her work: The stone angel, A jest of god, A Bird in the House (short stories).The Fire-Dwellers and the Diviners. Her writing deserves attention because it portrays Canadian life with integrity. As fiction by a woman about women, her work shows none of the romantic fantasising of the lesser novelist. Happy endings are never guaranteed; relationships have unharmonious elements. She reveals a society which imposes restraints on women, making it difficult to achieve self-fulfilment in a male-oriented environment where traditional role patterns stifle legitimate female aspirations. However, her novels are feminist by implication and not in an obtrusive or polemical way. An emergent theme is the injustice suffered by disadvantaged minorities represented by the metis of Manitoba whom she saw as dispossessed of their land by the Anglo-Saxon settlers. Mrs Laurence's technique was always experimental and developed from novel to novel. She employed variations of time and voice: the inner monologue is used to evoke an immediate response, the movement between past and present to highlight mood and temperament. These devices are examined in the thesis, as are her use of distinctive idiom and the symbolic elements of her writing. Finally, her honest attempt to depict the extraordinariness of ordinary people in carefully worked and sympathetically conceived stories speaks to the universal longing to learn about ourselves.
format Thesis
author Bradbury, Agnes G.
spellingShingle Bradbury, Agnes G.
The Canadian fiction of Margaret Laurence
author_facet Bradbury, Agnes G.
author_sort Bradbury, Agnes G.
title The Canadian fiction of Margaret Laurence
title_short The Canadian fiction of Margaret Laurence
title_full The Canadian fiction of Margaret Laurence
title_fullStr The Canadian fiction of Margaret Laurence
title_full_unstemmed The Canadian fiction of Margaret Laurence
title_sort canadian fiction of margaret laurence
publishDate 1987
url http://etheses.dur.ac.uk/7109/
http://etheses.dur.ac.uk/7109/1/7109_4291.PDF
geographic Canada
geographic_facet Canada
genre Metis
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op_relation oai:etheses.dur.ac.uk:7109
http://etheses.dur.ac.uk/7109/1/7109_4291.PDF
Bradbury, Agnes G. (1987) The Canadian fiction of Margaret Laurence. Masters thesis, Durham University.
http://etheses.dur.ac.uk/7109/
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