Tu Pauperum Refugium

Tu Pauperum Refugium (2000) was commissioned for the UNESCO-sponsored SongBridge 2001 concert in Vancouver, where it was performed by the Tygerberg Children’s Choir (South Africa), the Odawara Children’s Choir (Japan), the Moran Choir (Israel), and the Newfoundland Symphony Youth Choir, with the par...

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Main Author: Hendrik Hofmeyr
Format: Text
Language:unknown
Published: 2021
Subjects:
Online Access:https://doi.org/10.25375/uct.14885766.v1
https://figshare.com/articles/composition/Tu_Pauperum_Refugium/14885766
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spelling ftunicapetownfig:oai:figshare.com:article/14885766 2023-05-15T17:21:46+02:00 Tu Pauperum Refugium Hendrik Hofmeyr 2021-07-20T08:25:46Z https://doi.org/10.25375/uct.14885766.v1 https://figshare.com/articles/composition/Tu_Pauperum_Refugium/14885766 unknown doi:10.25375/uct.14885766.v1 https://figshare.com/articles/composition/Tu_Pauperum_Refugium/14885766 CC BY-NC 4.0 CC-BY-NC Music Composition choral music polychoral motet extended techniques SongBridge Tygerberg Children’s Choir Odawara Children’s Choir Newfoundland Symphony Youth Choir South African choral tradition Woordfees music South Africa Classical Music composition text Composition 2021 ftunicapetownfig https://doi.org/10.25375/uct.14885766.v1 2022-01-11T13:19:41Z Tu Pauperum Refugium (2000) was commissioned for the UNESCO-sponsored SongBridge 2001 concert in Vancouver, where it was performed by the Tygerberg Children’s Choir (South Africa), the Odawara Children’s Choir (Japan), the Moran Choir (Israel), and the Newfoundland Symphony Youth Choir, with the participation of the audience. The main body of the work consists of an extended invocation in the form of a polychoral motet, based on an anonymous Latin text, and ending with a plea for peace. This is preceded by a briefer introductory section, based on passages from the Old Testament, in which the horrors of violence and oppression are described. This section features several extra-musical effects (whispering, hissing, finger- and tongue-clicks, foot-stamping and indeterminate clusters), many of which form part of the South African choral tradition. The version of the work for two mixed choirs was performed a total of nine times both nationally and internationally in 2018 by the Stellenbosch University Choir conducted by André van der Merwe: 1–2: Woordfees, Endler Hall, 8–9 March 2018 3: Endler Hall, 6 May 2018 4: Hugo Lambrechts Auditorium, Cape Town, 13 May 2018 5: Purcell Room, London (UK), 1 July 2018 6–7: International Eisteddfod, Llangollen (UK), 6–7 July 2018 (Category winners) 8: Celebratory Concert, World Choir Games, Pretoria, 12 July 2018 9: Kalfiefees, Hermanus, 12 August 2018 Text Newfoundland University of Cape Town: Figshare
institution Open Polar
collection University of Cape Town: Figshare
op_collection_id ftunicapetownfig
language unknown
topic Music Composition
choral music
polychoral
motet
extended techniques
SongBridge
Tygerberg Children’s Choir
Odawara Children’s Choir
Newfoundland Symphony Youth Choir
South African choral tradition
Woordfees
music
South Africa
Classical Music
composition
spellingShingle Music Composition
choral music
polychoral
motet
extended techniques
SongBridge
Tygerberg Children’s Choir
Odawara Children’s Choir
Newfoundland Symphony Youth Choir
South African choral tradition
Woordfees
music
South Africa
Classical Music
composition
Hendrik Hofmeyr
Tu Pauperum Refugium
topic_facet Music Composition
choral music
polychoral
motet
extended techniques
SongBridge
Tygerberg Children’s Choir
Odawara Children’s Choir
Newfoundland Symphony Youth Choir
South African choral tradition
Woordfees
music
South Africa
Classical Music
composition
description Tu Pauperum Refugium (2000) was commissioned for the UNESCO-sponsored SongBridge 2001 concert in Vancouver, where it was performed by the Tygerberg Children’s Choir (South Africa), the Odawara Children’s Choir (Japan), the Moran Choir (Israel), and the Newfoundland Symphony Youth Choir, with the participation of the audience. The main body of the work consists of an extended invocation in the form of a polychoral motet, based on an anonymous Latin text, and ending with a plea for peace. This is preceded by a briefer introductory section, based on passages from the Old Testament, in which the horrors of violence and oppression are described. This section features several extra-musical effects (whispering, hissing, finger- and tongue-clicks, foot-stamping and indeterminate clusters), many of which form part of the South African choral tradition. The version of the work for two mixed choirs was performed a total of nine times both nationally and internationally in 2018 by the Stellenbosch University Choir conducted by André van der Merwe: 1–2: Woordfees, Endler Hall, 8–9 March 2018 3: Endler Hall, 6 May 2018 4: Hugo Lambrechts Auditorium, Cape Town, 13 May 2018 5: Purcell Room, London (UK), 1 July 2018 6–7: International Eisteddfod, Llangollen (UK), 6–7 July 2018 (Category winners) 8: Celebratory Concert, World Choir Games, Pretoria, 12 July 2018 9: Kalfiefees, Hermanus, 12 August 2018
format Text
author Hendrik Hofmeyr
author_facet Hendrik Hofmeyr
author_sort Hendrik Hofmeyr
title Tu Pauperum Refugium
title_short Tu Pauperum Refugium
title_full Tu Pauperum Refugium
title_fullStr Tu Pauperum Refugium
title_full_unstemmed Tu Pauperum Refugium
title_sort tu pauperum refugium
publishDate 2021
url https://doi.org/10.25375/uct.14885766.v1
https://figshare.com/articles/composition/Tu_Pauperum_Refugium/14885766
genre Newfoundland
genre_facet Newfoundland
op_relation doi:10.25375/uct.14885766.v1
https://figshare.com/articles/composition/Tu_Pauperum_Refugium/14885766
op_rights CC BY-NC 4.0
op_rightsnorm CC-BY-NC
op_doi https://doi.org/10.25375/uct.14885766.v1
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