Musical Form as Theatrical Form in Native Canadian Stage Plays
This article is the first survey of music in Aboriginal theatre throughout Canada. I focus on stage plays, penned solely or partly by First Nations, Métis and Inuit, in English, between 1986 and 2007, and in non-linear or third wave styles among others. In addition to incorporating diverse Native an...
Main Author: | |
---|---|
Other Authors: | , |
Format: | Book Part |
Language: | English |
Published: |
McGill-Queen's University Press
2012
|
Subjects: | |
Online Access: | https://pure.au.dk/portal/da/publications/musical-form-as-theatrical-form-in-native-canadian-stage-plays(e99d734c-e1bd-4b13-8240-7bb7487e03b2).html |
id |
ftuniaarhuspubl:oai:pure.atira.dk:publications/e99d734c-e1bd-4b13-8240-7bb7487e03b2 |
---|---|
record_format |
openpolar |
spelling |
ftuniaarhuspubl:oai:pure.atira.dk:publications/e99d734c-e1bd-4b13-8240-7bb7487e03b2 2023-09-26T15:17:55+02:00 Musical Form as Theatrical Form in Native Canadian Stage Plays Harrison, Klisala Rose Hoefnagels, Anna Beverley, Beverley 2012 https://pure.au.dk/portal/da/publications/musical-form-as-theatrical-form-in-native-canadian-stage-plays(e99d734c-e1bd-4b13-8240-7bb7487e03b2).html eng eng McGill-Queen's University Press info:eu-repo/semantics/restrictedAccess Harrison , K R 2012 , Musical Form as Theatrical Form in Native Canadian Stage Plays . in A Hoefnagels & B Beverley (eds) , Moving through the Third Space . McGill-Queen's University Press , Montréal , McGill-Queen's native and northern series , pp. 249-270 . 6131 Theatre dance music other performing arts Ethnomusicology Indigenous studies Theatre bookPart 2012 ftuniaarhuspubl 2023-08-30T22:58:25Z This article is the first survey of music in Aboriginal theatre throughout Canada. I focus on stage plays, penned solely or partly by First Nations, Métis and Inuit, in English, between 1986 and 2007, and in non-linear or third wave styles among others. In addition to incorporating diverse Native and non-Native musics, Native Canadian playwrights based the forms of certain stage plays on musical performance genres and structures for example of: art music such as opera, popular music of African Americans and Native Canadians like minstrelsy and the blues, and a variety of Indigenous traditional songs, dances and musical rituals. As Native Canadian theatre is performed primarily for intercultural audiences yet importantly in Indigenous communities, the stage plays have reflected and engaged histories of Native – non-Native and Aboriginal community interactions, including through the borrowings of musical form. I discuss in some detail, stage play authorship by Tomson Highway, Drew Hayden Taylor, Daniel David Moses, the Igloolik Dance and Drama Group, Injun’Nuity Theatre Company, Margo Kane and Marie Clements. Like Marie Clements, who offers a new theoretical concept for discursive marginalization, the rare voice, these Aboriginal Canadian playwrights and collectives have worked to move beyond social marginalization. Book Part First Nations Igloolik inuit Aarhus University: Research Canada Igloolik ENVELOPE(-81.800,-81.800,69.378,69.378) Kane ENVELOPE(-63.038,-63.038,-73.952,-73.952) Moses ENVELOPE(-99.183,-99.183,-74.550,-74.550) |
institution |
Open Polar |
collection |
Aarhus University: Research |
op_collection_id |
ftuniaarhuspubl |
language |
English |
topic |
6131 Theatre dance music other performing arts Ethnomusicology Indigenous studies Theatre |
spellingShingle |
6131 Theatre dance music other performing arts Ethnomusicology Indigenous studies Theatre Harrison, Klisala Rose Musical Form as Theatrical Form in Native Canadian Stage Plays |
topic_facet |
6131 Theatre dance music other performing arts Ethnomusicology Indigenous studies Theatre |
description |
This article is the first survey of music in Aboriginal theatre throughout Canada. I focus on stage plays, penned solely or partly by First Nations, Métis and Inuit, in English, between 1986 and 2007, and in non-linear or third wave styles among others. In addition to incorporating diverse Native and non-Native musics, Native Canadian playwrights based the forms of certain stage plays on musical performance genres and structures for example of: art music such as opera, popular music of African Americans and Native Canadians like minstrelsy and the blues, and a variety of Indigenous traditional songs, dances and musical rituals. As Native Canadian theatre is performed primarily for intercultural audiences yet importantly in Indigenous communities, the stage plays have reflected and engaged histories of Native – non-Native and Aboriginal community interactions, including through the borrowings of musical form. I discuss in some detail, stage play authorship by Tomson Highway, Drew Hayden Taylor, Daniel David Moses, the Igloolik Dance and Drama Group, Injun’Nuity Theatre Company, Margo Kane and Marie Clements. Like Marie Clements, who offers a new theoretical concept for discursive marginalization, the rare voice, these Aboriginal Canadian playwrights and collectives have worked to move beyond social marginalization. |
author2 |
Hoefnagels, Anna Beverley, Beverley |
format |
Book Part |
author |
Harrison, Klisala Rose |
author_facet |
Harrison, Klisala Rose |
author_sort |
Harrison, Klisala Rose |
title |
Musical Form as Theatrical Form in Native Canadian Stage Plays |
title_short |
Musical Form as Theatrical Form in Native Canadian Stage Plays |
title_full |
Musical Form as Theatrical Form in Native Canadian Stage Plays |
title_fullStr |
Musical Form as Theatrical Form in Native Canadian Stage Plays |
title_full_unstemmed |
Musical Form as Theatrical Form in Native Canadian Stage Plays |
title_sort |
musical form as theatrical form in native canadian stage plays |
publisher |
McGill-Queen's University Press |
publishDate |
2012 |
url |
https://pure.au.dk/portal/da/publications/musical-form-as-theatrical-form-in-native-canadian-stage-plays(e99d734c-e1bd-4b13-8240-7bb7487e03b2).html |
long_lat |
ENVELOPE(-81.800,-81.800,69.378,69.378) ENVELOPE(-63.038,-63.038,-73.952,-73.952) ENVELOPE(-99.183,-99.183,-74.550,-74.550) |
geographic |
Canada Igloolik Kane Moses |
geographic_facet |
Canada Igloolik Kane Moses |
genre |
First Nations Igloolik inuit |
genre_facet |
First Nations Igloolik inuit |
op_source |
Harrison , K R 2012 , Musical Form as Theatrical Form in Native Canadian Stage Plays . in A Hoefnagels & B Beverley (eds) , Moving through the Third Space . McGill-Queen's University Press , Montréal , McGill-Queen's native and northern series , pp. 249-270 . |
op_rights |
info:eu-repo/semantics/restrictedAccess |
_version_ |
1778139825071718400 |